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% Copyright (C) 2005 by John Burt <burt@brandeis.edu>
% --------------------------------------------------
%
% This file may be distributed and/or modified under the
% conditions of the LaTeX Project Public License, either version 1.2
% of this license or (at your option) any later version.
% The latest version of this license is in:
%
% http://www.latex-project.org/lppl.txt
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% version 1999/12/01 or later.
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% \iffalse
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%<package> [2007/07/14 v2.53 poemscol file]
%
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%
%
% \changes{v1.0}{2002/06/05}{Initial version}
% \changes{v1.01}{2002/06/25}{Added macros for titles of poems
% without formal titles. Corrected typographical errors in manual.}
% \changes{v1.1}{2003/04/18}{Added commands to change mark in cases
% where page break fall (or does not fall) on stanza break. Added
% command to change the amount of indentation in runover lines in verse.
% Removed special geometry to
% make the program more generic.}
% \changes{v1.11}{2005/02/12}{Corrected bugs in headers for explanatory notes and
% emendations.}
% \changes{v1.2}{2005/2/19}{Accidentals and typescript variants test to see whether
% textual notes are being made. Corrected a bug when quoting verse in note
% sections. Added a command to change the page number of the table of contents.
% Added a command to input the table of contents file. Added commands
% to input the external files for emendations, explanatory notes, textual
% notes, and the index of titles and first lines. Added a command to test
% whether there is an .aux file from a previous run and to prevent typesetting
% of the external files for emendations, explanatory notes, textual
% notes if there is not. Added a command to restore the main page style after
% the table of contents.}
% \changes{v1.7}{2005/2/22}{Changed how labels are made for use in
% contents and notes sections. Control sequences in titles (such as for
% italics and so on) no longer require special commands, although those
% commands are retained for backward compatibility.}
% \changes{v2.01}{2005/2/22}{Rewrote all of the title macros in order to make
% them easier to maintain. Added environment for flushing runover lines in verse to the
% right margin. Added information on how to customize titles.}
% \changes{v2.02}{2005/2/28}{Corrected an error in setting poems without
% formal titles}
% \changes{v2.12}{2005/3/19}{Notes sections can take ranges of lines.}
% \changes{v2.13}{2005/3/20}{tsentry no longer needs an unskip
% if the entry starts with a comma.}
% \changes{v2.2}{2005/3/23}{The user can create new kinds of endnote.}
% \changes{v2.21}{2005/3/24}{Cross references can refer to line numbers}
% \changes{v2.22}{2005/3/25}{Removed dependence upon marn.sty. Enabled
% multiple levels of block-formatted footnotes}
% \changes{v2.24}{2005/4/02}{Macros to aid typesetting parallel texts.}
% \changes{v2.25}{2005/5/06}{Bug fix in running headers to notes sections}
% \changes{v2.26}{2005/5/09}{Fix no unskip in vertical mode error}
% \changes{v2.27}{2005/5/09}{Changed name of linelabel command, to
% prepare for making poemscol and lineno compatible}
% \changes{v2.30}{2005/5/16}{Prose sections such as Authors'
% Introductions are line numbered by lineno.sty. Textnotes,
% emendations, and explanatory notes for prose sections may be either
% footnotes or endnotes, and the latter are sent to the same place as
% their verse equivalents. Good solution to ``missing number'' problem
% on first runs.}
% \changes{v2.301}{2005/5/31}{Corrected small bug in table of contents
% macros, rewrote manual for clarity}
% \changes{v2.31}{2005/6/3}{Ranges of line for notes sections (in
% verse or prose sections) need no longer involve counting of lines.
% Lemmas may be nested, may overlap, and may cross stanza boundaries.}
% \changes{v2.32}{2005/6/29}{Simpler configuration of marginal line
% numbers, revision of manual}
% \changes{v2.33}{2005/7/03}{Fixed a bug in index generation,
% compensated for odd interaction between fancyhdr and reversemarginpar}
% \changes{v2.34}{2005/7/17}{Easier modification of format of tables
% of contents}
% \changes{v2.35}{2005/7/18}{poemscol can break the lines for long
% titles in the table of contents on its own without making a mess of
% it. poemscol can break the lines for long titles on its own without
% making a mess of it. Modified macros for volume titles to use the
% facilities for poem titles.}
% \changes{v2.36}{2005/8/16}{Versions of note macros for typescript
% variants and accidentals for annotated prose. Macros for marking
% up and annotating prose by paragraph and sentence number. Macros for
% cross references by sentence and paragraph number.}
% \changes{v2.37}{2005/8/30}{In cases of broken lines or runover
% lines you can choose whether to set the line number with the
% beginning of the line or with the end of the line. Also, you can
% choose to have it set the number always at the beginning if the line number is
% at the left, and always at the end if it is at the right.}
% \changes{v2.38}{2005/9/04}{Checked cases where macros might introduce
% extra white space. Made sure that line numbers for verse, prose,
% and paragraph-sentence prose line up. Fixed overlapping of paragraph
% and line numbers for paragraph-sentence mode. Up to four
% sentences can appear on a line in paragraph-line mode without
% having their marginal line numbers overlap. Fixed a bug that added
% an extra colon in footnotes in paragraph-sentence format. Changed
% ``gutter'' and ``outer'' line numbering in verse and
% paragraph-sentence prose to use Peter Wilson's sidepars rather
% than marginpars.}
% \changes{v2.39}{2005/9/07}{Left a DeclareOption hanging in version
% 2.38. Fixed that.}
% \changes{v2.391}{2005/10/06}{Corrections to user's guide.}
% \changes{v2.392}{2005/10/13}{More corrections to user's guide.}
% \changes{v2.394}{2005/12/10}{More corrections to user's guide.}
% \changes{v2.4}{2006/02/25}{Commands to make new kinds of endnotes
% also make notes for line numbered prose sections and for prose
% sections with paragraph and sentence numbering.}
% \changes{v2.41}{2006/03/02}{Fixed a bug in line numbers of new
% kinds of prose note.}
% \changes{v2.42}{2006/03/04}{Fixed error in handling conditionals when
% setting prose numbered by sentence and paragraph.}
% \changes{v2.43}{2006/03/06}{Notes in prose numbered by sentence
% and paragraph number can refer only to the sentence number even
% when paragraphs are also being counted.}
% \changes{v2.44}{2006/03/07}{Fixed a bug which caused new kinds of
% endnotes in prose sections to add unwanted white space to the
% output.}
% \changes{v2.45}{2006/04/08}{Use of sidepar in v2.38 introduced a
% problem, causing line numbers sometimes to drift up a point.
% Changed commands for putting verse line numbers, but not paragraph and
% sentence numbers, to use marginpars again.}
% \changes{v2.46}{2006/04/10}{Changed definition of sidepar so that
% it uses struts to find the depth of the line, restored line number
% commands to use sidepar and its variants.}
% \changes{v2.47}{2006/04/12}{Changed name of sidepar to
% pcmclsidepar to avoid conflicts with the sidepar command from the
% memoir class, since they are no longer exactly the same. Added
% commands to put a marginal reference to the notes section in the
% margins of poem titles.}
% \changes{v2.48}{2006/04/13}{Added more general form of the
% commands to put a marginal reference to the notes section in the
% margins of poem titles.}
% \changes{v2.49}{2006/04/25}{Changed marginal reference command to
% use marginpar rather than pmclsidepar (alas, it still adds vertical
% white space after the title with pmclsidepar). Added marginal
% reference commands for sequences and sequence sections. Fixed
% errors in manual. }
% \changes{v2.50}{2006/05/13}{Added marginal
% reference commands for poem sections, poem subtitles, epigraphs,
% and dedications. These commands no longer require an addition label
% command to set the label to which they refer. Added commands to
% make marginal references to the pages in notes sections where
% comments on individual lines may be found, for textual notes,
% explanatory notes, emendations, and user-defined notes. Added
% commands for changing the names of the Table of Contents, the
% various endnotes sections, and the running headers for the contents
% and endnotes sections, in order to facilitate editions of works in
% languages other than English.}
% \changes{v2.51}{2006/05/22}{Changed prose section environment so
% that it does not always assume that the modulo for line numbers in
% prose is the same as the number in verse. Corrected a problem with
% alignment of line numbers in the prosesectionnoreset environment.
% Added commands to support generation of multiple indices using the
% splitindex package. Fixed a variety of small bugs, including a
% newly introduced one in the correction to textual notes for quoted
% verse.}
% \changes{v2.52}{2007/07/10}{Changed dedication to poemdedication to
% avoid a conflict with a command in koma-script. dedication command
% is provided using providecommand for compatibility}
% \changes{v2.53}{2007/07/14}{Changed the name of an internal token
% register to avoid a conflict with babel}
% \GetFileInfo{poemscol.sty}
%
% \DoNotIndex{\newcommand,\newenvironment,\def,\edef,\else,\renewcommand,\makeatletter,\makeatother}
% \DoNotIndex{\abovedisplayskip,\belowdisplayskip,\abovedisplayshortskip,\belowdisplayshortskip}
% \DoNotIndex{\newcommand, \section, \subsection, \subsubsection,
% \fileversion,} \DoNotIndex{\filedate, \docdate, \leavevmode,
% \vspace, \small, \normalsize, \fontsize,} \DoNotIndex{\newcommand,
% \section, \subsection, \subsubsection, \fileversion}
% \DoNotIndex{\filedate, \docdate, \leavevmode, \vspace, \small,
% \normalsize, \fontsize} \DoNotIndex{\selectfont, \abovedisplayskip,
% \belowdisplayskip, \setlength, \item} \DoNotIndex{\global, \input,
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% \DoNotIndex{\pagenumbering, \oddsidemargin, \evensidemargin,
% \newdimen, \renewcommand} \DoNotIndex{\makeatletter, \let, \@listi,
% \@listl, \z@, \@xpt, \@xipt, \p@ , \@plus2} \DoNotIndex{\@minus5,
% \@minus3, \@plus3, \makeatother, \@minus4, \relax, \pagestyle}
% \DoNotIndex{\fancyhead, \fancyfoot, \thepage, \@ixp}
% \DoNotIndex{\begin \botmark, \botmark, \catcode, \croppadbot,
% \croppadtop} \DoNotIndex{\croppagewidth, \endverse, \equal,
% \fancyfoot, \fancyhead, \fancyhf} \DoNotIndex{\fancypagestyle,
% \firstmark, \footrulewidth, \hbox, \hbox, \headrulewidth}
% \DoNotIndex{\hfil, \hspace, \ifthenelse, \immediate, \itemindent,
% \listparindent} \DoNotIndex{\makeatletter, \nolinebreak, \openout,
% \raggedbottom, \setcounter, \textrm} \DoNotIndex{\value, \vspace,
% \write}
% \DoNotIndex{\afterpoemtitleskip, \addtocounter, \advance,
% \begin, \bf, \bigskip}
% \DoNotIndex{\bigskipamount, \fi, \@fulltitle, \label, \large, \leftheader}
% \DoNotIndex{\leftheadervalue, \leftmargin, \leftmargini}
% \DoNotIndex{\medskip, \newcounter, \nobreak, \par, \textbf}
% \DoNotIndex{\closeout,\em,\emph,\expandafter,\Huge,\it,\jobname,\kern,\newif,
% \newwrite,\p@,\pageref,\renewenvironment,\rm,\scriptsize,\string,
% \textsc, \unskip}
% \setcounter{IndexColumns}{2}
% \MakeShortVerb{|}
% \def\fileversion{2.53}
% \def\filedate{14 July 2007}
% \def\docdate{14 July 2007}
% \title{Typesetting Poetry Collections with \textsf{poemscol}\thanks{This document
% corresponds to \textsf{poemscol}~\fileversion, dated \filedate.}}
% \author{John Burt \\ \texttt{burt@brandeis.edu}}
% \date{July 14, 2007}
% \maketitle
% \begin{abstract}
% \textsf{poemscol} provides macros for \LaTeX\ for setting
% collections of poetry. It is especially suited for setting collections
% of poetry in which several volumes are combined, such as in a
% critical edition of a poet's Collected Poems. It provides the structures
% required to produce a critical edition of the kind specified by the
% Modern Language Association's Committee on Scholarly Editions, and it
% automatically marks every occasion where a stanza break falls on a
% page break.
% \end{abstract}
% \tableofcontents
% \hfuzz=50pt
% \section{Introduction}
%
% \textsf{poemscol} provides the structures necessary for editing a
% critical edition of a volume of poems or of a collection of a poet's
% works. \textsf{poemscol} numbers the lines, and produces separate,
% formatted endnote sections for emendations, textual collations, and
% explanatory notes (or, optionally, multi-layered footnotes), tying
% each note the number of the line upon which it is a comment. It
% also automatically generates a table of contents, an index of titles
% and first lines, and divider pages for the sections of the volumes.
% It produces running headers of the form ``Emendations to pp.~xx-yy''
% for the note sections. And it marks occasions when a stanza break
% falls at a page break.
%
% Producing line numbers for verse is something for which \LaTeX\
% would seem to be especially suited. A line of verse, after all, is
% not a carriage return but a logical unit, an element of
% versification more than of typesetting, perhaps running over several
% physical lines, or perhaps split into half-lines as speakers or
% subjects change. With \textsf{poemscol} you mark lines, stanzas,
% and entire poems up as logical units, and \LaTeX\ does the
% formatting and counting. Once you have marked out the logical units
% of the poem, \textsf{poemscol} will automatically mark every textual
% note, emendation, or explanatory note with the range of line
% numbers to which it applies.
%
% In poetry which does not have a regular stanzaic form, it is useful
% to be able to mark automatically occasions where there is a stanza
% break at the bottom of a page which the reader might not notice.
% Doing this by hand is not only tedious and easy to get wrong, but
% also a process you will have to start over again if anything about
% your volume changes, if you add a poem, say, or even decide to break
% a title across two lines. \textsf{poemscol} takes care of this
% process, so that the editor need never worry about it, automatically
% marking cases where the page break coincides with a stanza break
% with a symbol.
%
% Editions of Collected Poetry might also require special structures
% to reflect the fact that they are made up of the contents of several
% volumes of poetry. In particular, such editions require special
% structures for setting up specially formatted divider pages between
% volumes. They also require tables of contents and other front matter.
% \textsf{poemscol} provides these structures.
%
% The best features of \textsf{poemscol} are of course simply that it
% is \TeX: it uses \TeX's automatic kerning and setting of ligatures,
% its algorithm for justifying lines (in prose sections), and \LaTeX's
% way of setting verse.
%
% Using \LaTeX\ to typeset critical editions offers more advantages
% than simply the ability to automate tedious and easy to fumble
% tasks. Most modern \TeX\ compilers have the ability to produce
% output in Adobe pdf format. Adobe pdf output can be used as camera
% ready copy, saving your publisher time and expense, and perhaps
% making a marginally economic critical edition a bit easier to bring
% to press. Furthermore, since typesetting the edition yourself in
% \LaTeX\ obviates the publisher's own typesetting of your text, it
% removes another possible source of new errors. (You should expect
% to work with your publisher on the final design of the book, but
% \LaTeX\ is a flexible language which will enable you to reproduce
% most book designs.)
%
% Editions made in the formats of proprietary software such as
% Word\copyright\ or Quark\copyright\ will become not only obsolete
% but unreadable if those programs pass from use. Since your \LaTeX\
% sources for your edition are in ASCII, they provide a permanent
% record of your local intentions at every point in your edition,
% whether or not those who wish to consult your files have access to a
% \LaTeX\ compiler, or indeed whether or not they can read \LaTeX\
% code.
%
% Finally, although \LaTeX\ is a typesetting language, not a content
% markup language, the ability to create new commands which the
% language offers comes very close to enabling one to realize the
% ideal of completely separating content markup from formatting. One
% advantage of this kind of markup is that even if the appearance of
% the poem on the page may be ambiguous, the editor's intentions about
% the logical structure of the poem will be preserved in the \LaTeX\
% source. Should you wish later to produce an electronic edition of
% your work, either using XML or the SGML markup approved by the Text
% Encoding Initiative, transforming your texts from \LaTeX\ to XML
% would largely (although not entirely) be a matter of performing a
% series of global search-and-replaces, and could conceivably be done
% with a perl script.
%
% \textsf{poemscol} is also suited for verse drama, and the
% package \textsf{dramatist} has been modified to work with
% \textsf{poemscol}. \textsf{poemscol} can provide line numbers and
% notes for prose sections such as the author's introduction or prose
% poetry, and it can also handle inset prose passages in the midst of
% verse. \textsf{poemscol} is not, however, designed for
% typesetting large scale prose works. For critical editions of prose
% works, several other packages are available, including the
% \texttt{EDMAC} format, a \TeX\ format analogous to but distinct from
% \LaTeX, by John Lavagnino and Dominik Wujastyk, or \textsf{ledmac},
% a port of \texttt{EDMAC} into \LaTeX\ by Peter Wilson, or \textsf{ednotes}, a
% completely independent set of macros for critical editions which
% builds on \textsf{manypar} and \textsf{lineno}, by Uwe L\"{u}ck.
%
% \section{Dependencies and compatibility with other packages}
%
% \textsf{poemscol} depends upon several other packages, which you
% should be sure you have in your preamble and search path:
% \textsf{fancyhdr} for managing the running headers, \textsf{makeidx}
% and \textsf{multicol} for managing the index, \textsf{geometry}, and
% \textsf{ifthen} and \textsf{keyval} to simplify page geometry. If
% you are using the |\JHpoemtitle| alternate form of the |\poemtitle|
% command, you need to add \textsf{mparhack} to your package list, to
% make sure that the marginal references |\JHpoemtitle| adds appear on
% the correct side of the page. You should make sure that
% \textsf{poemscol} is the very last package you load in your
% preamble, or at least is loaded after those packages upon which it
% depends.
%
% If you are planning to generate multiple indices, substitute
% \textsf{splitindex} for \textsf{makeidx} in your list of packages.
%
%
% \subsection{~Prose sections}
% If you plan to number lines in prose contexts, and to make textual
% notes, emendations, or explanatory notes in prose contexts, you will
% need to add the \textsf{lineno} package to your preamble. I use the
% ``right'' and ``modulo'' options with this package, but you can set
% the options however you wish to make how you number the lines of
% prose sections consistent with how you number the lines of verse
% sections.
%
% \subsection{~Multi-layer footnotes} If you plan to use
% paragraph-formatted footnotes rather than endnotes, you should load
% \textsf{manyfoot}. You should load it with the ``ruled,'' and
% ``para'' options. (\textsf{poemscol's} footnote commands are just a
% wrapper around \textsf{manyfoot}.) \textsf{manyfoot} inherited some
% of the limitations of \LaTeX\ in dealing with long inserts at the
% end of the page, so you may have to do some fiddling. As fixes to
% these problems emerge, I will incorporate them into
% \textsf{poemscol}. \textsf{manyfoot} does not allow multiple
% paragraph footnotes when typesetting in ``para'' mode. This is
% probably a feature, not a bug, since one would want such notes to be
% set in several paragraphs, rather than running them together into
% one, as \textsf{manyfoot} would naturally want to do in para mode.
% For that reason, I have defined the two traditional classes of note
% in which multiple paragraph notes are likely to appear, ``sources,''
% and ``explanatory notes,'' to be typeset in ``plain'' mode, which
% opens a new paragraph with each note. If your textual notes or
% emendations sections also have multiple paragraph notes, you should
% re-define them in order to produce footnotes in plain rather than in
% para mode, if you wish to produce footnotes rather than endnotes.
%
%
% \subsection{~Verse drama and \textsf{dramatist}}
% Massimiliano Dominici has made his \textsf{dramatist} package
% compatible with \textsf{poemscol}, for which I am very grateful.
% Versions 1.2a or later of \textsf{dramatist} are compatible with
% versions 2.3 or later of \textsf{poemscol}.
%
% \subsection{~Compatibility with earlier versions of
% \textsf{poemscol}} Making \textsf{poemscol} compatible with
% \textsf{lineno} required me also to change the commands for turning
% verse line numbering on and off, which means that version 2.3 of
% \textsf{poemscol} is incompatible with prior versions. The old
% command |\makelinenumbers| has been replaced with
% |\makeverselinenumbers| to distinguish it from a command from the
% \textsf{lineno} world. (|\makelinenumbers| will still work, but I
% have deprecated it.) To turn on verse line numbering, issue
% |\makeverselinenumbers|. Because the counter ``linenumber'' has
% been changed to ``verselinenumber,'' you must use
% |\global\verselinenumbersfalse| to turn off line numbering, rather
% than |\global\linenumbersfalse| as before.
%
% Up to version 2.44 \textsf{poemscol} borrowed the code for
% |\sidepar| non-floating marginal paragraphs from the memoir class,
% and also made |\leftsidepar| and |\rightsidepar| commands on their
% model. Version 2.46 modified Peter Wilson's original code for
% |\sidepar|, so therefore I have changed the names of |\sidepar|,
% |\leftsidepar|, and |\rightsidepar| to |\pmclsidepar|,
% |\pmclleftsidepar| and |\pmclrightsidepar| respectively. If you
% used any of these commands in your files, you will need to change
% their names.
%
% Up to version 2.5 the |\definenewnotetype| command took four
% arguments, using the third argument for both the running header for
% the notes section and for the entry in the table of contents. In
% order to make it easier to handle titles in languages other than
% English I have found it necessary to separate these two uses, so
% |\definenewnotetype| now takes five arguments. You will need to
% retrofit files that use the old version of this command. You can
% see the details at section \ref{definingnewnotes}, page
% \pageref{definingnewnotes}.
%
% \subsection{~Incompatibility with \textsf{memoir} and \textsf{verse}}
% Unfortunately, \textsf{poemscol} is not compatible with the
% \textsf{memoir} class and the \textsf{verse} package, because they
% share some command names. I am preparing a workaround for this
% problem.
%
% \subsection{~Crop marks}
% \textsf{poemscol} no longer provides cropmarks, but is compatible with
% the style packages that do. I use \textsf{crop}, with the
% letter,pdftex,cam, and center options.
%
%
%
%
% \section{Marking up individual poems}
% First, a word about the command names. The command names may seem
% ugly and long. And there are separate commands for many tasks that
% seem closely related, such as a command to mark the title of a
% section of a poetic sequence, and a separate command to mark a
% subsection. But the names do describe pretty much what
% each macro does, and they do specify exactly what the object they
% mark is supposed to be. The markup is designed to look like content
% markup, marking objects as a poem title, as a stanza, as a line, and so on.
% \textsf{poemscol} gives all of these content terms typographical
% meaning.
%
% There are also many commands for special purposes whose necessity
% may not seem clear until the editor finds him or herself in the jam
% the command was designed for. For instance, \textsf{poemscol}
% normally encourages a page break before the title of a poem, or
% before the title of a section of a poetic sequence, to discourage
% page breaks between the title and the poem. But for the first
% section of a poetic sequence, or the first section of a poem in
% sections, one does not want to encourage \LaTeX\ to break the page
% before the title, since that would leave the title of the sequence
% or the title of the larger poem as a widow on the previous page.
% |\sequencefirstsectiontitle| and its siblings are designed for this
% situation. Although all commands like |\sequencefirstsectiontitle|
% discourage page breaks before the title (and all of the commands
% discourage page breaks after the title), they will still sometimes
% happen, particularly if you have a multi-line sequence title
% followed by a multi-line section title. For these cases, page
% breaks will have to be explicitly issued.
%
% \subsection{~The title of the poem}
%
% \DescribeMacro{\poemtitle}|\poemtitle{}|, as its name implies, sets
% the title of the poem. \textsf{poemscol} gives default values for
% such things as the font size, the separation between the top of the
% title and the bottom of the previous poem, the separation between
% the bottom of the title and the first line, and so on. It also sets
% penalties in order to encourage page breaks just before a title, and
% to discourage page breaks between a title and a poem. You can
% change all these values in your header file by changing the value of
% the parameters listed below in the implementation section using
% either |\setlength| or |\renewcommand| (depending upon what you are
% changing). |\poemtitlefont| globally sets the font size (and
% leading) for all poem titles in the main text.
% |\contentspoemtitlefont| globally sets the font size (and leading)
% for poem titles in the table of contents. |\afterpoemtitleskip|
% sets the vertical separation between a poem and its title.
% |\afterpoemskip| sets the vertical separation between the end of a
% poem and the title of the next poem. |\poemtitlepenalty| encourages
% but does not require a page break just before a poem title. A
% complete list of all of the special commands for setting font sizes,
% skips, and penalties, is in section \ref{changingfontsandleading} below.
%
% In the actual text of the poem, you need only use the |\poemtitle{}|
% macro to specify the title of the poem. The macro takes one
% argument --- the title, of course. The macro typesets the title in
% the body of the volume (testing first to see whether there is enough
% space at the bottom of the page to get the title and a couple of
% lines of the poem in), typesets the title in the table of contents
% (with the page number), typesets the title in the textual notes
% (adding the page number, and checking to see whether there is room
% enough on the page), and prepares similar entries in the lists of
% emendations and in the explanatory notes (if you need them).
% Multiple line titles, titles of subsections of poems, titles of
% sequences of poems, and titles of the elements of a sequence of
% poems are all special cases, with special commands, which will be
% dealt with below.
%
% \DescribeMacro{\poemsubtitle} Subtitles of poems should be issued as
% the arguments to the |\poemsubtitle{}| macro.
%
% \DescribeMacro{\titleindent} For indented parts of titles. In the
% macros for setting the sections and subsections of poetic sequences,
% \textsf{poemscol} uses |\titleindent| internally to set up a
% hierarchy of indentations. (A section of a sequence is indented one
% |\titleindent|. A subsection is indented two. And so on.)
% |\titleindent| is also used internally in the commands for multiple
% line titles. Instructions about changing the value of |\titleindent|
% can be found in section \ref{changingfontsandleading}.
%
% \subsection{~The body of the poem}
%
% \DescribeEnv{poem} The body of every poem should be placed in a
% |poem| environment. Putting the body of the poem between
% |\begin{poem}| and |\end{poem}| resets the line counter to 1, and
% puts the poem in a |verse| environment (to handle run over lines
% automatically). \textsf{poemscol} slightly modifies the |verse|
% environment from the standard \LaTeX\ definition, increasing the
% indentation used for run over lines, in order to make the difference
% between the indented run over portion of a long line, on one hand,
% and an explicitly indented second line, more obvious in the output.
%
% \textsf{poemscol} turns off automatic hyphenation in poetry
% environments. The idea here is that every hyphen in the printed poem is
% authorial, obviating the need for you to compile a hyphenated-lines
% list to distinguish between authorial hyphens and hyphens you added
% for lineation purposes. Line-ending hyphens should not be a
% feature of verse anyway, I think. (You may wish to change this for your own
% edition, in order to improve its look; but if you do so you must
% keep track of added hyphens yourself. This list will be easy to
% compile, however, because only authorial hyphens will appear in your
% source code. Automatically added hyphens will appear only in the
% output. You might even modify the output routine so that
% automatically added hyphens have a different look. That would be
% non-trivial, but Donald Knuth has an exercise about doing just that in
% \emph{The \TeX book}.) \textsf{poemscol} turns automatic hyphenation back on
% in prose contexts, so if you wish to keep a hyphenation list for
% such things as authorial prefaces and so on, you must do so yourself
% manually. (Alternatively, you can turn automatic hyphenation off in
% those contexts as well, by setting the |\language| to 255. For an
% example of how to do this, look at the definition of the |\poem|
% environment in the implementation section below. If you do turn
% automatic hyphenation off, it would be wise to restrict the change to
% some particular environment, rather than changing the |\language|
% globally. You might wish, for instance, to turn automatic
% hyphenation off in the |\prosesection| environment.)
%
% \DescribeEnv{stanza} Every stanza should be placed in its own stanza
% environment. Every poem should have at least one stanza. Marking
% the beginning and end of every stanza (with |\begin{stanza}| and
% |\end{stanza}|) provides \textsf{poemscol} with a way of detecting
% cases in which a page boundary falls on a stanza break, since in
% those cases a page turn happens when one is \emph{inside} a poem
% environment but \emph{not} inside a stanza environment. Further,
% marking the beginning and end of every stanza makes the logical
% structure of the poem (and the editor's intentions about it) clear
% to readers of your source code.
%
% \textsf{poemscol} adds a little bit
% more white space between stanzas than the standard \LaTeX\ |verse|
% environment does. (I found that the standard stanza breaks did not
% leap out on the page as stanza breaks.)
%
% \DescribeMacro{\stanzaatbottom}
% \DescribeMacro{\nostanzaatbottom}
% If you wish to change the symbol used to mark cases in which a
% break falls on a page turn, issue the command |\stanzaatbottom{}|,
% using as the argument whatever you wish to use to mark such cases.
% The default is *, which is suitable for a published volume. If you
% are preparing a typescript for submission, you may wish to set
% |\stanzaatbottom| to ``stanza break.''
%
% If you wish also to mark all cases where there is NOT a stanza break
% at the bottom of the page, issue the command |\nostanzaatbottom{}|,
% using as the argument whatever you wish to mark such cases. The
% default is |\relax|.
%
% \DescribeMacro{\verseline} |\verseline| should mark the end of every
% line, except the last line of every stanza (which should be marked
% with |\end{stanza}|). |\verseline| marks the end of every line as a
% prosodic unit (since a line of verse is not simply a carriage
% return), and advances the line counter. There are commands below
% for changing the line counter's horizontal placement (how close it
% is to the left or right margin of the line) and appearance. (See
% section \ref{marginalgeometry} for these.)
%
%
% \DescribeMacro{\setverselinemodulo} |\setverselinemodulo| sets how often a
% marginal line
% number appears. To print a line
% number every five lines, issue |\setverselinemodulo{5}|. The
% default value is 10.
%
%
% \DescribeMacro{\makeverselinenumbers}
% Marginal verse line numbering is on by default. To turn line
% numbering off, issue |\global\verselinenumbersfalse|. To turn it
% back on, issue |\makeverselinenumbers|.
%
% \DescribeMacro{\verselinenumberstoright}
% \DescribeMacro{\verselinenumberstoleft}
% \DescribeMacro{\verselinenumbersswitch}
% \DescribeMacro{\verselinenumbersgutter}
% \DescribeMacro{\verselinenumbersouter}
% To put all of the line numbers to the left, issue
% |\verselinenumberstoleft| in your preamble.
% |\verselinenumberstoright| puts the line numbers in the right
% margin. (These two commands use non-floating marginal note macros
% derived from the \textsf{memoir} class, |\pmclleftsidepar| and
% |\pmclrightsidepar|, respectively.) If you wish them to appear in
% the outer margins, issue |\verselinenumbersouter| in your preamble.
% If you want the line numbers to appear in the inner margins, issue
% |\verselinenumbersgutter| in your preamble. (These two commands use
% |\pmclsidepar|, derived from |\sidepar| from the \textsf{memoir}
% class, but modified by Dan Leucking.) You can adjust the distance
% between the marginal line number and the text with
% |\setlength{\marginparsep}{}|.The default value for |\marginparsep|
% is 18pt, and the default value for the width of the box in which
% the line numbers are set, |\marginparwidth|, is 10 pt.
%
% The line numbers should print on the baseline. You can adjust them
% to move them up or down by changing the value of a length called
% |\pmclsideparvshift|. The default value is
% |\setlength{\pmclsideparvshift}{0ex}|.
%
% \subsection{~Special features}
% \DescribeMacro{\linebend} \textsf{poemscol} automatically runs over
% long lines, indenting the run over portion on the next physical
% line. If you are unhappy with where \textsf{poemscol} has run over
% a particular line, you can ``bend'' that line by issuing |\linebend|
% at the point where you wish it to run over. The run over portion of
% the line will be indented just as if \textsf{poemscol} had ``bent''
% the line at your selected point. This command only works if you
% have chosen to bend the line at some point earlier than
% \textsf{poemscol} would have chosen on its own. If you really do
% want to extend a line further into the right margin, you can
% probably do so by using a combination of |\nobreak| and |\hbox{}|,
% or by turning all of the spaces in that line into unbreakable
% spaces, marked with |~| in your source. But \textsf{poemscol} will
% complain if you do this, and rightly so, since the result is likely
% to be ugly.
%
% You may also wish to use |\linebend| to reproduce how your author broke up
% long lines on the page (if you know that your author cared about
% such things and did not leave them up to the typesetter).
%
% |\linebend| should only be used for managing run over lines, not for
% cases in which a line is to be broken into separate half-lines. For
% cases in which a line is to be broken into half-lines, use the
% |\brokenline| macro. The two macros do similar (but not identical)
% things. But a ``linebend'' is a feature of typesetting, and a
% ``broken line'' is a feature of versification, and it seems best to
% distinguish them logically. (|\linebend|, like |\brokenline|, issues
% a carriage return without incrementing the line number, but
% |\linebend| adds indentation to the next line.)
%
% \DescribeMacro{\runoverindent} To change the indentation for the run
% over portion of verse lines globally, issue the amount of
% indentation as the argument to |\runoverindent{}|.
% |\runoverindent{}| is currently set to 6 em, rather more than the
% standard amount in the definition of the \LaTeX\ |verse|
% environment. By default, the runover portion of long lines is
% indented. You may wish to flush the runover portion to the right
% margin instead. For instructions about how to do this, see section
% \ref{rightflushverse}, page \pageref{rightflushverse}.
%
% \DescribeMacro{\verseindent} The |\verseindent| command is to be
% used for formally indented lines. It should not be used to indent
% the run over portion of long lines (which \textsf{poemscol} handles
% automatically anyway). |\verseindent| indents the line a bit less
% than the run over portion of long ``bent'' lines are indented, so
% that the two cases can be visually distinguished. By default, the
% length of |\verseindent| is 2em. To change it, say to 3em, issue
% |\renewcommand{\verseindent}{\hspace{3em}}|
%
%
% \DescribeMacro{\brokenline}
% \DescribeMacro{\versephantom}|\brokenline| should be used where you
% wish to break the line without incrementing the line counter.
% Authors often break a line into two half-lines, setting the
% beginning of the second half-line flush with the end of the first
% half-line. (Sometimes these broken lines indicate a change of
% speaker. Sometimes they just indicate a change of subject, usually
% an abrupt one, a change which calls attention to itself by
% interrupting a line rather than waiting for a line break or stanza
% break). |\brokenline| is normally used with |\versephantom{}|,
% which adds white space exactly as long as its argument would have
% been had it been set in type. |\versephantom{}| thus provides an easy
% way of setting the beginning of the second half-line flush with the
% end of the first, whatever the font size or special formatting of the
% first line.
%
%
% The sestet of Yeats's sonnet ``Leda and the Swan,'' has such a broken
% line:
% \begin{verse}
% A shudder in the loins engenders there\\
% The broken wall, the burning roof and tower\\
% And Agamemnon dead.\\
% $\phantom{And Agamemnon dead.~}$ Being so caught up,\\
% So mastered by the brute blood of the air,\\
% Did she put on his knowledge with his power\\
% Before the indifferent beak could let her drop?\end{verse}
%
% To set the broken line properly, issue:
% \begin{verse}
% And Agamemnon dead.|\brokenline|\\
% |\versephantom{And Agamemnon dead.}| Being so caught up,|\verseline|
% \end{verse}
%
% \DescribeMacro{\tweakbrokenline}
% By default, \textsf{poemscol} sets the line numbers level with the
% ends of broken lines. If the line numbers are set to the right of
% the text, this seems the obvious choice. Conceivably you might want
% to set the line number level with the beginning of a broken line
% when the line numbers are set to the left. To ensure that the line
% numbers of broken lines are set level with the beginning of a
% broken line when the line number is on the left, issue
% |\tweakbrokenline| in your preamble.
%
% You should issue |\tweakbrokenline| with caution, because although
% it changes how |\brokenline| is handled, it does not change the
% handling of long lines with runover. Runover lines will still set
% the line number level with the end of the line. You can have
% runover lines set their line number level with the beginning of the
% line by issuing |\startverseline| at the beginning of the line.
%
% \DescribeMacro{\brokenlineatbeginning} Conceivably you might want
% |\brokenline| to set the line number level with the beginning of
% the line in every case. To do this, issue |\brokenlineatbeginning|
% in your preamble. If you do this, you should be prepared to mark
% the beginning of runover lines with |\startverseline|.
%
% \DescribeMacro{\startverseline}
% If you begin a verse line with |\startverseline| the line number
% will be set level with the beginning of the line rather than with
% the end. This is useful, for instance, if you want to ensure that
% the line number of a line with runover is set level with the
% beginning of the line. You can, if you don't want to keep track of
% where runover lines are, start every line with |\startverseline|.
%
% \DescribeMacro{\tweakstartverseline}
% Rather than setting the line number of every runover line level with
% the beginning of the line, it may make more sense for you to set the
% line number level with the beginning in cases where the line number
% is to the left, and level with the end in cases where the line
% number is to the right. You might want to do this, for instance, if
% you have decided to set all the verse lines at the outer margin (by
% issuing |\verselinenumbersouter| in your preamble), or have decided to
% set all the verse lines at the inner margin (by issuing
% |\verselinenumbersgutter| in your preamble). To ensure that
% |\startverseline| does this, issue |\tweakstartverseline| in your
% preamble.
%
% \DescribeMacro{\stanzalinestraddle}
% Some poets (such as Robert Penn Warren) occasionally introduce a
% stanza break in the middle of a broken line, considering the line to
% be a single metrical unit despite the fact that it straddles a stanza
% break. To record these cases, mark the end of the first half-line
% with |\end{stanza}| as usual. But instead of opening the next stanza
% with |\begin{stanza}| issue |\stanzalinestraddle| instead. This will
% make sure that the line counter counts the straddling line as only one
% line, despite the stanza break. |\stanzalinestraddle| is usually used
% with |\versephantom{}|.
%
% \DescribeEnv{rightflushverse}
% \DescribeMacro{\rightversebegin}\label{rightflushverse} By default,
% \textsf{poemscol} indents the runover portion of long lines by the
% amount |\runoverindent| (by default 6 em). It is possible to set
% verse so that the runover portion is flushed to the right margin.
% To do this, you should put the |\rightflushverse| environment inside
% the |\poem| environment. And you must mark the beginning of each
% verse line with |\rightversebegin|. Christian Ebert has reminded me
% that the |\rightflushverse| environment must be issued \emph{inside}
% the poem environment. Otherwise it simply flushes every line to the
% right.
%
% It is rather clumsy to need a special environment for verse with
% right flushed runover. I plan to provide a command for switching
% between a verse environment that indents runover lines and a verse
% environment that flushes runover lines to the right. I have seen
% examples of this kind of environment from Markus Kohm and Christian
% Ebert, but so far I haven't been able to persuade them to play well with \textsf{poemscol}
%
% \DescribeMacro{\poemlinelabel} \label{poemlinelabel} |\poemlinelabel{}| enables crossreferences
% by line number. To make a line label, issue |\poemlinelabel{text of label}|
% right after the line to which you wish to refer, where
% ``text of label'' is some distinctive label you can use for a
% reference elsewhere. (You should issue the command \emph{after} the |\verseline| or
% |\end{stanza}| command, to make sure that the line number will be
% correct.) To produce the reference, just issue |\ref{text of label}|
% as usual. (|\poemlinelabel| is just a crudely hacked version of
% |\label| from \LaTeX.) |\pageref{text of label}| will set the page
% number of the page on which the label appears.
%
% \section{Making a table of contents}
% \DescribeMacro{\makepoemcontents}
% I found the normal \LaTeX\ macros for making tables of contents
% unsuited to poetry, so I have provided my own. To make a table of
% contents for your poems, issue |\makepoemcontents|. It might seem
% as though you would want to issue this command in your preamble. In
% fact it is better, for reasons explained below, to issue it
% immediately after issuing the |\putpoemcontents|, the command which
% inputs and typesets a table of contents from a prior run.
% Information for your table of contents will be written to an
% external file with the extension .ctn. You may need to run your
% book through \LaTeX\ twice in order to generate a table of contents,
% the first time to generate the correct page numbers, and the second
% time to set the table of contents. (Under some circumstances --- if
% you have an index, for instance --- you may need three passes rather
% than two.) |\makepoemcontents| takes an optional argument, which
% sets the page number for the table of contents. If your publisher
% wishes to add some front matter so that the contents will appear on
% page vii, you should issue |\makepoemcontents{7}|.
% All of the commands that generate lines in the table of contents are
% somewhat messy and somewhat rigid, but you can modify them if you
% wish. Lines in the table of contents usually include an indent (how
% much of one depends upon what the entry is --- whether it is a
% volume title, a poem title, or something else), then the title
% itself. If the entry is for a poem, for a section of a poem, or for
% a section of a poetic sequence, a slash follows the title, followed
% by the page number. If you wish to give \emph{all} your entries a
% different look altogether, modify the |\c@ntentsinfo| macro below
% (see section \ref{poemtitlecode}, page \pageref{poemtitlecode}. To
% change the appearance of a \emph{particular} kind of entry (for all
% sequences of poems, for instance), go to the definition of the title
% of that kind of entry (e.g. |\sequencetitle|) below, find the line
% where it calls the |\c@ntentsinfo| macro, and change the arguments
% to that macro to suit you.
%
%\DescribeMacro{\setcontentsleaders} By default the title and the page
% are separated by a slash (actually by |~/~|). If you wish to change
% this, say to put dot leaders in instead, issue what you wish to use
% as the argument to |\setcontentsleaders|, as for instance
% |\setcontentsleaders{\poemdotfill}|, which will flush the number to
% the right margin, and insert leading dots up to the number.
%
% \DescribeMacro{\putpoemcontents}\label{putpoemcontents}
% |\putpoemcontents| will input the table of contents file if it
% exists, and complain on your log file if it does not. Because the
% table of contents uses a special page style and special fonts
% |\putpoemcontents| restores the default fancy page style once it has
% input the contents, and restores |\normalfont| as well. Be sure to
% reset the style of page numbering (from |\pagenumbering{roman}| to
% |\pagenumbering{arabic}|) after issuing |\putpoemcontents|, since
% when you read in the external file created by |\makepoemcontents|
% the page numbering will be set to roman. The command
% |\resetpagestyle| (which is called by |\putpoemcontents|) will reset
% the fancy page style to that used in the main body of the volume,
% but it won't change the page numbering to arabic, in case there is
% some frontmatter between the contents and the main text, so you
% should be sure to do so yourself. If you neglect to issue
% |\pagenumbering{arabic}| before you begin to get to your poems your
% page numbering will remain in roman numerals. The notes sections
% use the page numbers from the poem to construct running headers of
% the form ``Notes to pp.~xx--yy.'' If those numbers are roman
% numerals rather than arabic ones, \textsf{poemscol} will not
% recognize them as numbers, and you will get the infamous ``Missing
% Number'' error that puzzles so many users of \LaTeX.
%
% Because |\putpoemcontents| uses the table of contents file from a
% prior run, you should issue |\putpoemcontents| \emph{before}
% issuing |\makepoemcontents|. That sounds counterintuitive.
% But remember that |\putpoemcontents| will read in the contents file you made on a
% previous run, and |\makepoemcontents| will over-write that file and
% start a new one. You should issue |\makepoemcontents| just
% \emph{after} issuing |\putpoemcontents|.
%
% \subsection{~Entries for notes sections and the index}
% \DescribeMacro{\putpoemindex}
% Remember that if you are making an index of titles and first lines
% you may need to run your file through \LaTeX\ after running
% MakeIndex, to put the entry for the index into your table of
% contents. |\putpoemindex| inputs the formatted index, and adds an entry
% for it into the table of contents. Use |\putmultiplepoemindex| if
% you are making several indices. For instructions about
% |\putmultiplepoemindex| see section \ref{multipleindex},
% p.~\pageref{multipleindex}.
%
% \begin{sloppypar}\DescribeMacro{\puttextnotes}
% \DescribeMacro{\putemendations}
% \DescribeMacro{\putexplanatory}
% |\puttextnotes|, and its siblings |\putemendations| and
% |\putexplanatory|, like |\putpoemindex|, input the formatted notes
% sections, and put entries for them into your table of contents. As
% with |\putpoemindex|, you will have to run \LaTeX\ again to set the
% table of contents properly. The first run sets a label to find the
% page number to add to the table of contents, and the second run
% actually sets the table of contents. (These commands are described
% below, in section \ref{putexternalfiles}.) All of these commands
% also restore normal hyphenation. \end{sloppypar}
%
% \DescribeMacro{\finish} Rather than issuing |\putpoemcontents| in
% the proper place, and |\puttextnotes| and its siblings in their
% proper places, you can issue the |\finish| command just after your
% last poem. |\finish| turns automatic hyphenation back on, closes
% and reads back in the external files for the emendations, the
% textual collations, and the explanatory notes, sets the index of
% first lines and titles, puts the information about these sections in
% the table of contents, closes the external file for the contents,
% and reads it back in. One disadvantage of this method is that
% you print the book with the contents at the end, so when you print
% it you must retrieve the contents pages and put them in the proper
% place. I found the convenience worth the hassle, but you might not.
% This command is deprecated now. But I have retained it, since the
% few users who gave me their opinions of the matter told me that
% they preferred to use |\finish| than |\puttextnotes|.
%
%
%
% \section{Making an index of titles and first lines}
% \DescribeMacro{\indexingontrue} To set up the Index
% section of your volume, issue |\indexingontrue| in your preamble.
% This will create the external file for your index information and
% send that file the typesetting information for its title. You must
% process this external file (the .idx file) with MakeIndex and run
% your book through \LaTeX\ again in order to set a properly organized
% and formatted index. MakeIndex sorts the various multi-level
% ``index cards'' generated by all of the |\index| commands in your
% source files. Once you have processed your .idx file with
% MakeIndex, and generated the sorted and formatted .ind file for your
% book, the |\putpoemindex| command will insert the typeset index where
% you issue it, and put an entry for your index in your table of contents. You will
% have to run your file through \LaTeX\ again to make the page number for that
% entry correct.
%
% \textsf{poemscol} sets up a two-column index with a simple running
% header. (Setting up a two-column index, however, requires that you
% include the \textsf{multicol} package in your |\usepackage{}| list.)
% To turn indexing off, issue |\global\indexingonfalse|.
%
% Enter the individual index entries in the poems as you normally
% would for use by MakeIndex (say, after each title and first line). One of
% the nice features of MakeIndex is that every entry has two parts,
% one for specifying the sort key of the entry (or subentry), the other
% for specifying the font and typesetting information of the entry (or
% subentry). This enables you to drop all of the initial uses of
% ``the'' in titles for sorting purposes, while still including the
% ``the'' in the title. It also enables you to distinguish titles
% from first lines (by italicizing them), and to include typesetting
% information (such as italicization) in titles or first lines without
% messing up their sort order.
%
% \subsection{Making Multiple Indices}\label{multipleindex}
% \textsf{poemscol} can work with \textsf{splitindex} to generate
% more than one index. You might, for instance, wish a separate index
% of titles and index of first lines, or an index of proper names. To
% do this, call \textsf{splitindex} in your list of packages. Then,
% in your preamble, declare the indices you are planning to use, e.g.
% |\newindex[Index of Titles]{idx}|
% |\newindex[Index of First Lines]{fir}|
% |\newindex[Onomastic Index]{ono}|. The second argument is the
% ``shortcut'' defined by \textsf{splitindex}, and will be used to
% mark index entries in your text (see below), and as the extension
% for the external index files used by MakeIndex.
%
% Then mark up individual entries. Some entries (in the example
% above, the ``Index of Titles'' examples) can be marked up with
% |\index| just as if you were using only one index. Entries for
% other indices should be marked using the |\sindex| command from
% \textsf{splitindex}, as follows
% \begin{verbatim}
% \sindex[fir]{Of Man's first disobedience and the fruit}
% \end{verbatim}
% where the
% first argument is the ``shortcut'' and the second is the index
% entry. If you are loading \textsf{splitindex} with the
% \textsf{split} option, the different types of index entry will be
% sent to separate output streams, which each must be processed separately
% with MakeIndex. \TeX\ has only a limited number of such output
% streams, however, so it is probably wiser not to choose that
% option, but to use splitindex.tex, splitindex.pl, or one of the
% other means provided with the \textsf{splitindex} package to break
% up the index into the separate parts, each of which must be
% processed with MakeIndex separately.
%
% To include the indices, and to add entries for them to the table of
% contents, issue |\putmultiplepoemindex| for each one.
% |\putmultiplepoemindex| takes four arguments, which are: 1. The
% three letter ``shortcut'' used by |\splitindex|, 2. The title of
% the Index on its first page, 3. The running header for that index
% section, and 4. The name of the section as you wish it to appear in
% the Table of Contents. So, for instance
% \begin{verbatim}
% \putmultipleindex{fir}{INDEX OF FIRST LINES]{Index of First
% Lines}{First Line Index} \end{verbatim}
% includes an index with shortcut ``fir,'' title ``INDEX OF FIRST
% LINES,'' running header ``Index of First Lines,'' and contents
% entry ``First Line Index.''
% \section{Collections with multiple volumes}
% \DescribeEnv{volumetitlepage} \DescribeEnv{maintitlepage}
% The |\volumetitlepage| environment is an
% environment for divider pages in collections made up of several
% volumes. Volume title pages will always appear on recto pages.
% \textsf{poemscol} will automatically create a blank verso page
% preceding the volume title page if it necessary. The
% |\maintitlepage| environment is for the title page of the whole
% book. The main title page will also automatically always be on a
% recto page. These divider pages have special
% page styles, with no page numbers and no running headers.
%
% \begin{sloppypar}
% \DescribeMacro{\wholebooktitle} \DescribeMacro{\volumetitle}
% \DescribeMacro{\volumetitlefirstline}
% \DescribeMacro{\volumetitlemiddleline}
% \DescribeMacro{\volumetitlelastline}
% \DescribeMacro{\volumesubtitle}
% \DescribeMacro{\volumesectiontitle}
% |\wholebooktitle{}| is for the title of the entire collection.
% |\volumetitle{}| is for the title of an individual volume within a
% Collected Poems. The |\volumetitlefirstline{}|,
% |\volumetitlemiddleline{}|, and |\volumetitlelastline{}| macros are
% for multi-line titles of volumes gathered into the collection. (Use
% these last commands if you want to specify how a long title is
% broken up both in the text and in the table of contents.
% \textsf{poemscol} will break up long titles on its own anyway, but
% you might not be happy with how it breaks up the lines.)
% |\volumesubtitle{}| is for setting the subtitle to a volume.
% |\volumesectiontitle{}| is for setting the title of a section of a
% volume. In addition to setting the text in the body of your
% edition, these commands send the title (and the formatting
% information about it) to the table of contents file and to the
% textnotes file.\end{sloppypar}
%
% \DescribeMacro{\volumeepigraph}
% \DescribeMacro{\volumeattribution}
% \DescribeMacro{\volumeheader}
% \DescribeMacro{\leftheader}
% \DescribeMacro{\rightheader}
% |\volumeepigraph{}| and
% |\volumeattribution{}| are for epigraphs and attributions on the
% divider pages. |\volumeheader{}| or |\rightheader{}| is the right running header for
% that volume (except for divider pages, the table of contents, the
% notes sections, and other special cases). Normally that is just the
% name of the particular volume. |\leftheader{}| is the
% left running header for the entire book (except for divider pages,
% the table of contents, the notes sections, and other special
% cases). Normally that is the name of the entire book.
%
% \section{Recording textual notes} \subsection{~Setup for sections for
% textual notes, emendations, and explanatory notes.}
% \DescribeMacro{\makeemendations} \DescribeMacro{\maketextnotes}
% \DescribeMacro{\makeexplanatorynotes} If you issue these commands,
% \textsf{poemscol} puts all of the emendations, textual collations,
% and explanatory notes in the backmatter of your volume.
% \textsf{poemscol} opens external files for emendations, textual
% collations, and explanatory notes (with extensions .emd, .ent, and
% .enx respectively), and reads them back in at the place you specify
% with |\puttextnotes|, |\putexplanatory|, or |\putemendations|, or at
% the end (if you use the |\finish| command).
%
% To collect emendations, issue |\makeemendations| in your preamble.
% To collect textual collations, issue |\maketextnotes| in your
% preamble. To collect explanatory notes, issue
% |\makeexplanatorynotes| in your preamble. These commands set up the
% external files, send to them the commands for typesetting the
% title of each section (e.g. Explanatory Notes) and for modifying the
% running headers of the notes sections to xx--yy format (e.g.
% ``Explanatory Notes to pp.~55--7'').
%
% If you wish to use multi-level footnotes rather than endnotes, you
% do not need to issue |\maketextnotes| or its relatives (but you
% should of course issue |\textnotesatfoot| or its relatives). You can mix
% footnotes or endnotes as you wish. You may, for instance, wish to
% set explanatory notes as footnotes, and textual notes and
% emendations as endnotes. Instructions for setting up
% \textsf{poemscol} to make footnotes are in section
% \ref{makingfootnotes} below.
%
% In end note sections \textsf{poemscol} opens an entry (headed with
% the title and page of the poem in the text) in the textual notes
% section for every poem (since, minimally, you want to include
% information about the variants and copy text of the poem), but only
% opens entries in the emendations or explanatory notes sections if
% you actually have emendations or explanatory notes on that poem.
% The notes for each poem are set in a block paragraph, with a new
% paragraph for every |\poemtitle| command, and the line counter for
% the notes is reset to 1 with every |\begin{poem}|. (For long poems
% in books or cantos, it would be wise to use |\poemtitle| for the
% canto names or numbers, setting the poem title in some other way,
% perhaps with |\volumetitle| described above.)
%
%
% \subsection{~Textual notes of various kinds}
% \DescribeMacro{\sources} To record information about the copy text, editions and
% publication history of individual poems, or any information not tied to
% specific lines in the poem, you should place that information in the
% argument to the |\sources{}| macro. Typically, you should issue this
% macro after you have issued |\poemtitle{}| and before you issue
% |\begin{poem}|. If you wish to send information to the textual notes
% file (such as to force a page break), you can do so by using
% |\sources{}|. You can send typesetting information to other sections
% by using |\literalemend{}|, |\literalexplain{}|, or |\literalcontents{}|.
% There is also a |\literaltextnote{}| command, which is equivalent to
% |\sources{}|.
%
% \DescribeMacro{\textnote}
% \DescribeMacro{\sameword}
% \DescribeMacro{\missingpunct}
% \DescribeMacro{\emendation}
% \DescribeMacro{\explanatory}
% |\textnote{}| is used to capture variants and tie them to the
% correct line number. You don't have to count line numbers.
% \textsf{poemscol} keeps track of them for you. Issue |\textnote{}|
% immediately after the |\verseline| command which marks the ending of
% the line you wish to comment upon. Put the text of your note (which
% may be simply the recording of a variant in standard notation) into
% the argument of the macro. You should put both the lemma and the
% variants or comment in the argument to the |\textnote{}| macro. To
% put the $\sim$ glyph in your note (used for recording places where
% the variant and the copy text have the same word, as for instance
% when recording a variation of punctuation) use |\sameword|. To put
% the ${}_{\wedge}$ glyph into your text (used for recording places
% where a punctuation mark is missing in a variant), use
% |\missingpunct|.
%
% For notes that refer to ranges of lines, |\textnote|, |\emendation|, and |\explanatory|
% have an optional argument, which records how many lines the note
% refers to. There are two ways of using this argument. The grubby
% but simple way is simply to put into the argument the number of
% lines it refers to. If, for instance, you issue |\textnote[4]{lemma] rest of note}|,
% \textsf{poemscol}, rather than printing merely the number of
% the line which closed just before you issued |\textnote|, will
% print a line range, beginning at that line, and ending at the
% fourth line after it. If that |\textnote| were issued after line
% 214, this is to say, the output in the textual notes would be:
% 214--218: lemma] rest of note.
%
% \begin{sloppypar} It seems clumsy to count the lines referred to by
% a note, especially since you don't have to count lines to set where
% the note begins. A more sophisticated way, and one which involves
% no counting, is to make a unique poem line label for the last line
% of the range by issuing |\poemlinelabel{some unique label}| just
% after the |\verseline| or |\end{stanza}| that ends the range. (To
% use |\poemlinelabel| see section \ref{poemlinelabel}.) Then, back
% after the |\verseline| or |\end{stanza}| command that closes the
% first line of the range, put the text of the label into the optional
% argument of |\textnote| as follows: |\textnote[some unique label]{lemma]rest of note}|.
% This is the preferred method. The line-counting method is
% deprecated, but retained for backwards compatibility with earlier
% versions. If you use the label method, you will have to run your
% file through \LaTeX\ twice, once to define the labels, and once to
% set the text.\end{sloppypar}
%
% One advantage of using an optional argument to specify line ranges
% in notes is that nested or overlapping lemmas, or lemmas that
% include stanza breaks, do not pose any difficulties.
%
% |\emendation{}| and |\explanatory{}| are used exactly as |\textnote{}|
% is. Issue the emendation or the explanatory note as the argument to
% the command. Place the command immediately after the |\verseline| that
% concludes the line to which it is a comment. These commands also can
% take optional arguments to specify line ranges.
%
% If you quote verse \emph{within} a textual note, an explanatory note, or an
% emendation, you may want to use the normal \LaTeX\ markup for verse
% for that quotation, rather than the special markup for
% \textsf{poemscol}. \textsf{poemscol} will not complain about this.
%
% If a textual note \emph{ends} with a quotation in verse, you should
% follow the |\textnote{}| entry with
% |\quotedversecorrectiontextnote|.
% I found that if I
% quoted verse in the note sections a dirty trick I used to send the
% notes to the external files would cause the following notes on that
% poem in the notes sections to be set in a new paragraph. (This is
% of course not a problem if the quoted verse is the last thing in the
% notes to that poem, since the next poem will open a new paragraph in
% the notes anyway. It is also not a problem if more of the
% individual textnote follows the verse. It's only a problem if the
% last thing in the note is quoted verse, and the note is not the
% last one
% on that poem.) The command should set it flush as it is, but I have
% found odd cases I can't understand in which that doesn't work, so
% the command has an optional argument, which should
% be the additional length you need to adjust the next line by to make it flush.
% The default is 0pt.
% |\quotedversecorrectionexplanatory| and
% |\quotedversecorrectionemendation| should follow explanatory notes
% or emendations that end with snippets of verse. These three
% commands are an embarrassing kludge on my part.
% They simply send commands to the relevant
% note sections that prohibit opening a new paragraph. You should
% issue this command in the main text right after the close of the textnote (not in the
% text of the textnote itself).
%
% \DescribeMacro{\accidental} |\accidental{}| behaves exactly like
% |\textnote{}|. If you wish to distinguish between accidentals and
% substantives, this command provides a way of doing so. If you wish to
% exclude
% accidentals from your textual notes, issue
% |\global||\includeaccidentalsfalse| in your preamble. Accidentals
% are included by default, but if you issue |\includeaccidentalstrue|
% in your preamble, you will remind yourself of that fact.
%
% \textsf{poemscol} does not provide for a separate backmatter section
% for accidentals, but it would be trivial to construct one, using
% |\definenewnotetype|, described in section \ref{definingnewnotes}
% below. Be sure to delete the
% existing definition of |\accidental| from poemscol.sty before doing
% this.
%
% If you wish to exclude accidentals from your printed output, but to
% mark them in your source files, so that your published collation
% consists only of substantives, issue
% |\global\includeaccidentalsfalse| in your preamble. Many publishers
% are reluctant to publish accidentals, believing that they are, well,
% less substantive than substantives. Using the |\accidental{}|
% command allows you to exclude accidentals from the published version
% should your publisher insist, while preserving the information about
% them should the publisher's mind change. In the very worst case, if
% you have marked all the accidentals in this way you can still
% produce a list of accidentals for later use, and other scholars can
% search for accidentals in your source files simply by searching for
% the string |\accidental|.
%
%
% \DescribeMacro{\tsvariant}
% \DescribeMacro{\tsentry}
% Some
% publishers may turn up their noses at typescript or manuscript variants in just
% the way they turn up their noses at accidentals.
% If you wish to distinguish between published variants and typescript,
% man\-u\-script, or galley variants, |\tsvariant| (for a whole note)
% and |\tsentry| (for a typescript entry in a list of variants in a
% textual note that includes other kinds of variant) provide ways of doing so.
% By default, typescript variants are included.
% To exclude typescript variants, issue
% |\global\includetypescriptsfalse| in your preamble.
% You can issue
% |\global||\includetypescriptstrue| in your preamble, to remind
% yourself that you are including typescript variants. In that
% (default) case
% |\tsvariant{}| will behave exactly like |\textnote{}|, and entries
% in other notes marked with |\tsentry| will be included in your
% output.
%
% Here is how to use |\tsentry|:
% if you wish to include typescript entries in a single note including
% those entries in a list with variants from other published versions
% (as for instance when a comma appears in a typescript but only in
% the second edition of the published poem), simply issue
% |\textnote{}| as usual, marking the relevant variant in the list of
% variants with the |\tsentry{}| macro. If typescript variants
% are excluded, the typescript entry will also be excluded.
%
% Here is a typical use of the |\tsentry{}| command:
% \begin{verbatim}
% Of moonlit desert. A stallion, white and flashing, slips,\verseline
% \textnote{Of moonlit] Of the moonlit {\em NY\/}\tsentry{, SP85TS
% (revised in black pen to SP85)}}
% \end{verbatim}
%
% Notice that since the |\tsentry{}| comes in the middle of the list,
% it begins with a comma. You might expect an |\unskip| command
% before the comma, to prevent
% \LaTeX\ from adding white space before the comma. \textsf{poemscol}
% automatically provides the |\unskip| if the entry starts with a
% comma or a semicolon.
%
% You can
% mark individual variants with |\tsentry{}| in the arguments to the
% |\explanatory{}| and |\emendation{}| commands as well, and
% |\tsentry| will also behave normally in any endnote or footnote section
% you define using |\definenewnotetype|.
%
% \textsf{poemscol} does not provide for a separate backmatter section
% for typescript variants, but it would be trivial to construct one,
% again using |\definenewnotetype|. To do this, you would also have to
% copy all of the emendations, explanatory notes, and textual notes
% which have a |\tsentry| in their arguments, and construct
% |\tsvariant{}| commands in those places. For information about
% |\definenewnotetype| see section \ref{definingnewnotes}.
%
% \section{Creating new kinds of endnote} \label{definingnewnotes}
% \DescribeMacro{\definenewnotetype} The |\definenewnotetype| macro
% can be used to create new kinds of endnote, in case the kinds
% \textsf{poemscol} defined are not enough. |\definenewnotetype|
% takes five arguments. They are
% \begin{enumerate}
% \item A base name used to construct
% \begin{itemize}
% \item some |\if| variables (e.g. |\ifmynoteson| to see whether you are
% collecting ``mynotes'', and |\ifnomynoteyet| to see whether you
% have written a ``mynote'' for a particular poem yet). \textsf{poemscol}
% will only open an entry for a poem in the ``mynotes'' section if
% there actually is a ``mynote'' on that poem. Note that the |\if|
% that refers to the section is plural (|\ifmynoteson|) and that the
% |\if| that refers to a singular note is singular (|\ifnomynoteyet|).
% \item The name for the output channel for writing the notes to the
% appropriate external file. This name will always be plural.
% \item The name for the ``literal'' command for
% writing literal, unexpanded text on the file (as
% |\literaltextnote{}| does on the textnotes file), and for the
% note command that sends the actual textual note (line number and
% all) to the section (e.g. |\mynote{}|), also the command to write
% notes in line-numbered prose (e.g. |\prosemynote{}|) or prose
% numbered by paragraph and sentence (e.g. |\pmmynote{}|). These commands will always be
% singular.
% \item The name of the |\put| command (e.g. |\putmynotes|) which closes
% the external file for the notes section, reads it back in to your
% document, and adds an entry in the table of contents for that notes
% section. This command will always be plural. \item The name of the
% |\margref| command for putting a marginal mark next to a line
% giving the page number in the apparatus where a note is to be found
% (e.g. |\margrefmynote|)
% \end{itemize}
% \item The extension for the external file which will hold the notes
% as you generate them. ``Emendations'' for instance, are written to
% an external file called |\jobname.emd| The file name will always
% be |\jobname|, and the different species of endnotes will all have
% distinctive extensions. (|\jobname| is a macro that always expands
% to the name of your top level source file. If, for instance, I am
% setting running a file called ``myfile.tex'' through \LaTeX\,
% |\jobname.emd| translates to ``myfile.emd.'')
% \item The title of the notes section as you wish it to appear in
% the running header (e.g.
% ``Emendations'').
% \item The title of the notes section as you wish it to appear on
% the first page of the notes section (e.g. ``EMENDATIONS'').
% \item The title of the notes section as you wish it to appear in
% the table of contents.
% \end{enumerate}
%
% So, for instance,\begin{verbatim}
% \definenewnotetype{xyznote}{xyz}{Xyznotes to}{XYZNOTES}{Xyznotes}
% \end{verbatim}
% creates the
% booleans |\ifxyznoteson| and |\ifnoxyznoteyet|, the commands |\xyznote|,
% |\literalxyznote|, |\prosexyznote|, |\pmxyznote|, and |\putxyznotes| (and, although you don't ever
% have to use it explicitly, |\firstxyznote|) the output channel xyznotes,
% the external file |\jobname.xyz|, an entry in the contents for
% ``Xyznotes'', and an endnotes section with a running header of the
% form ``Xyznotes to pp.~xx--yy'' and a title XYZNOTES. |\xyznote|
% takes the same arguments that |\explanatory| does (which is to say,
% an optional argument for a label for entering line ranges, and an
% argument for the lemma and the comment). There won't be an entry
% for a poem in the ``Xyznotes'' endnotes section unless there
% actually is an xyznote for the poem. |\prosexyznote| takes the same
% arguments |\proseexplanatory| does (which is to say, an aptional
% argument for a label for entering line ranges, an argument for a
% label to capture the line number of the first line, and an argument
% for the lemma and the comment). |\pmxyznote| behaves exactly like
% |\pmexplanatory|.
%
% \section{Multi-level footnotes} \label{makingfootnotes}
% \textsf{poemscol} will set multiple
% levels of footnotes in block paragraphs, separating each level with
% a rule. To enable this feature, call the \textsf{manyfoot} package
% as follows in your preamble: |\usepackage[ruled,para*]{manyfoot}|.
%
% To set your textual notes as footnotes, issue |\textnotesatfoot| in
% your preamble. If you do this, \textsf{poemscol} will actually
% create two sets of footnotes for textnotes, one for those that are
% called with |\textnote|, which will produce an unindented block of
% notes, and one for those that are called with |\sources|, which will
% produce individual indented paragraphs, opening a new paragraph with
% every note. |\sources| notes often have several paragraphs, so they
% are inappropriate for block-paragraph or ``para'' mode, and because
% those paragraphs are often in fact prose paragraphs, rather than
% blocks of notations, they are indented, so that they will be read as
% prose. To set your emendations as footnotes, issue
% |\emendationsatfoot| in your preamble. These notes will be set by
% default as block paragraphs. If you have multiple-paragraph notes
% in your emendations, you should redefine these notes to set plain
% rather than para style notes. (See the next paragraph for how to do
% this.) To set your explanatory notes as
% footnotes, issue |\explanationsatfoot|. These notes will also, by
% default, be plain style notes, with one indented paragraph per note.
% You do not need to issue |\maketextnotes|, |\makeemendations| or
% |\makeexplanatorynotes| if you set those notes as footnotes. If you
% use |\literaltextnote| anywhere in your file, however, you will lose
% the text it would have put in your textnotes, since |\literaltext|
% just writes its argument onto the external file for textual notes.
%
%
% To change the style of your footnotes between plain and
% para modes, globally change the values some of the following
% booleans. |\ifsourcesfootnotespara|, obviously, is true if
% footnotes from the |\sources| command are set in ``para'' mode
% (default is false). |\iftextfootnotespara| is true if footnotes
% from |\textnote| are set in ``para'' mode (default is true).
% |\ifemendationfootnotespara|, or |\ifexplanfootnotespara| are the
% booleans which set the style of footnotes from |\emendation| and
% |\explanatory| respectively. By default, footnotes from
% |\emendation| are set in ``para'' mode, and footnotes from
% |\explanatory| are set in ``plain'' mode. g explanatory
% footnotes from plain to para mode, for instance, issue
% |\global\explanfootnotesparatrue|. Counterintuitive as it sounds,
% you must issue this \emph{before} issuing |\textnotesatfoot| (or the
% command for whichever other kind of note you are wishing to change
% the appearance of).
%
% When |\sources| is defined to send endnotes to the textual notes
% section, they usually appear immediately underneath the title of
% the volume or poem they comment upon. If you are having |\sources|
% output footnotes, it would be a good idea to open the note with the
% title of the volume or poem it is a comment upon, in case there is
% more than one poem on the page.
%
% When note classes are set as footnotes, the symbol which marks
% cases in which a page turn falls on a stanza break will be set
% \emph{beneath} the footnotes. This is a consequence of the way
% \textsf{poemscol} uses the |\mark| mechanism to keep track of these
% cases, so I have not figured out how to change it. But it may well
% be more of an idiosyncrasy than a bug, particularly if the symbol
% is changed from * to something like ``stanza break at page turn.''
%
% To create a new level of footnote, you must first declare it to
% make it known to \textsf{manyfoot}, which requires each level of
% footnote to be given a unique suffix (usually a capital letter of
% the alphabet). You can declare a new footnote level called
% |\footnoteE{}| for instance, by issuing
% |\DeclareNewFootnote[para]{E}|. You will want notes which don't put
% a mark in the body of the text, and begin with the line number or
% range of line numbers of the lemma. To define a footnote called
% |\mynote{}|, first declare new footnote |\footnoteE| (A, B, C and D
% are reserved for sources, textual notes, emendations, and explanatory notes,
% respectively). Then issue
% |\newcommand{\mynote}[2][0]{\setlemmarange{#1}|\\
% |\FootnotetextE{\citerange}{#2}|
% | \resetlemmacounters}| (|\setlemmarange|, |\citerange|, and
% |\resetlemmacounters| enable your footnote to handle line ranges in
% the lemma.) If a |\mynote| refers to a range of lines, you can issue
% the same kinds of optional argument that are used with |\textnote|.
%
% \section{Pulling it all together}
% \DescribeMacro{\testforauxonfirstrun}
% If you don't want to listen to \LaTeX\ complain about missing
% references during your first run, issue |\testforauxonfirstrun|,
% which won't let |\finish|,
% |\putexplanatory|, |\puttextnotes|, or |\putemendations| run unless there is an
% .aux file for a previous run. \emph{Be sure to issue this command before
% issuing} |\begin{document}|, \emph{since that reads in the existing .aux file,
% and overwrites it with a new one.}
%
% \label{putexternalfiles}
% \DescribeMacro{\putemendations} This macro closes the external file
% for emendations and reads it in. It also puts an entry for the
% emendations section into your table of contents. After
% |\putemendations| has read in the external file for emendations, you
% will need to run your file through \LaTeX\ again, to put the correct
% page number in the table of contents file.
%
% \DescribeMacro{\puttextnotes}
% \DescribeMacro{\putexplanatory} |\puttextnotes| and
% |\putexplanatory| do the same thing for the textual
% notes and for the explanatory notes.
%
% All of these last three commands restore normal hyphenation. Since
% all three are printed with the |\small| font size, the hyphen
% character is defined only for that size. This should not create
% other issues, however, because the commands that prohibit
% hyphenation in the |poem| environment (and in the |contentsentry|
% environment) are local to those environments, so the restoration of
% the hyphen character may be redundant.
%
% \DescribeMacro{\putpoemindex} |\putpoemindex| reads in the index at
% this point, and adds an entry for the index to external file for the
% table of contents.
%
% \DescribeMacro{\putmultiplepoemindex} If you are generating
% several indices using \textsf{splitindex} |\putmultiplepoemindex|
% reads in one of them at this point. For instructions about this
% command, see section \ref{multipleindex}, p.~\pageref{multipleindex}.
%
% \DescribeMacro{\finish} The
% |\finish| macro is deprecated but still available. It is
% designed to be placed just before |\end{document}| (which, in fact,
% it replaces --- but you should still put an |\end{document}| at the
% end of your document for form's sake). |\finish| closes the
% external files for the three notes sections and reads them back into
% the document (turning the automatic hyphenation back on for these
% sections). It adds entries to the table of contents file for the
% notes sections. It reads in the formatted index file (which you
% have made from your raw .idx file using MakeIndex between \LaTeX\
% runs) and adds an entry for the index to the table of contents.
% Then it closes the external file for the table of contents and reads
% that in (putting it at the end of the document, as I explained
% before). Then it adds a page explaining that the symbol (by default *) at the
% bottom of certain pages marks places where a stanza break and a page
% break coincide. If you have an editor's introduction preceding your
% notes section, or a list of abbreviations, you may wish to consult
% the |\finish| macro for suggestions about how to add the lines to
% read those files in and add entries for them in the table of
% contents.
%
%
% \section{Special cases}
% \subsection{~Epigraphs, attributions etc.}
% \DescribeMacro{\epigraph} \DescribeMacro{\headnote}
% \DescribeMacro{\attribution} \DescribeMacro{\poemdedication}
% |\epigraph|, |\headnote|, |\attribution|, and |\poemdedication| set
% their arguments as epigraphs, headnotes, attributions, or
% dedications. If you have dedications, epigraphs, or attributions on
% the divider pages of editions that combine several volumes of
% poetry, use |\volumededication{}|, |\volumeepigraph{}|, and
% |\volumeattribution{}|.
%
% \subsection{~Inset prose quotations}
% \DescribeMacro{\saveverselinenumber}
% \DescribeMacro{\restoreverselinenumber} Sometimes you will have inset prose
% passages, but you will not wish to start the line numbering over
% after the passage. The way to set this is to issue |\end{stanza}|
% at the end of the stanza before the prose insert. Then issue
% |\saveverselinenumber|. Then issue |\end{poem}|. Insert the prose
% quotation (perhaps followed by |\attribution{}|). Then issue
% |\begin{poem}| followed by |\restoreverselinenumber| and |\begin{stanza}|.
% Then begin entering the rest of the poem as usual. Longer, independent prose
% sections (such as the author's preface or prose poems) require
% different handling. To provide line numbers and notes for such
% prose sections, see section \ref{prosesections}.
%
% \subsection{~Multiline poem titles}
% \DescribeMacro{\poemtitlefirstline}
% \DescribeMacro{\poemtitlemiddleline}
% \DescribeMacro{\poemtitlelastline}
% \DescribeMacro{\poemtitlenocontents}
% \DescribeMacro{\poemtitlebaretitle}
% Very long titles present special problems. In the first place, they
% require special provisions to make sure that page breaks don't
% happen in the middle of a title, or immediately after a title. In
% the second place, they raise questions about how the author wished
% to break them up over several lines. If you think it might matter,
% these macros make it possible for you to ensure that long titles are
% broken in exactly the same way in your text and in your table of
% contents. (I didn't pursue this question for titles in notes
% sections, and in notes sections these commands simply concatenate a
% long title.)
%
% If you wish to set the titles differently in the text and in the
% contents, you can set the title in the text and notes with
% |\poemtitlenocontents{}| and send a differently formatted entry to
% the table of contents file using |\literalcontents{}|. (Remember
% that you will have to send not only the title of the poem to the
% contents, but also the other formatting information, such as the
% indentation, the slash, and the label for the page number.)
% |\poemtitlebaretitle{}| simply sets the title in the text, enabling
% you to use |\literalcontents{}| and |literaltextnotes{}| to produce
% whatever effect you wish.
%
% Alternatively, you can just let \textsf{poemscol} handle the long
% titles by itself. If you are pretty sure that the author did not
% care how long titles were broken up, this would probably be the
% best thing to do. Remember also that if \textsf{poemscol} breaks a
% title across two lines, you can always force it not break the line
% by using enclosing the argument to |\poemtitle{}| in |\hbox{}|. You
% may get a complaint on your log file about an overfull |\hbox| if
% you do this, however.
%
% \subsection{~Italicized poem titles and empty poem titles} Titles
% with italics or other special formatting posed special problems in
% earlier versions (before version 1.7) since the typesetting commands gummed up how I
% passed parameters around that I was unable to solve using
% |\protect|. All of these commands are obsolete now, but are
% retained for backward compatibility.
%
% \DescribeMacro{\poemtitleitalic{}{}} |\poemtitleitalic{}{}| takes
% two arguments. The first is the title of the poem with the italics
% (or small capitals or international characters or what have you),
% for typesetting, and the second is the title without the commands,
% for cross reference purposes. (Actually, now that \textsf{poemscol}
% no longer needs to treat italics in titles in a different way, it can
% be anything you want, since the second argument is discarded.)
%
% \DescribeMacro{\poemtitlenotitle{}}
% |\poemtitlenotitle{}|, with its paradoxical name, is for poems
% without formal titles. Usually such poems are referred to by their
% first lines. This macro does not produce a title in the text, but
% sets its argument in the table of contents and in the notes. Usually
% you use the first line as the moral equivalent of a title.
%
% \DescribeMacro{\poemtitlenotitleitalic{}{}}
% |\poemtitlenotitleitalic{}{}|, with its even more paradoxical name,
% is for poems without formal titles but with italicized words in their
% first lines. |\poemtitlenotitleitalic{}{}| takes two arguments. The
% first is the first line with the italics (for typesetting
% purposes), and the second is the
% first line without the italics (for crossreference purposes). This command
% is obsolete now that italics in titles no longer require special
% handing, but is retained for backwards compatibility.
%
% \subsection{~Poems in sections}
%
% \begin{sloppypar}
% \DescribeMacro{\poemsectiontitle}
% |\poemsectiontitle{}| and (|\poemsubsectiontitle{}|, as their
% names imply, are for the titles of sections or subsections of poems
% that have them. |\poemfirstsectiontitle| is for the first section
% of a poem with many sections. (It differs from |\poemsectiontitle|
% in that it tries to make it harder for a page break to separate the
% title of a poem from the title of its first section.)
% |\poemsectiontitlefirstline{}|, |\poemsectiontitlemiddleline|, |\poemsectiontitlelastline{}|,
% |\poemsectiontitlenocontents{}|, and
% |\poemsectiontitlebaretitle{}|), as their titles imply, are used for
% special cases such as long section titles, if you wish to specify
% explicitly how the title is to be broken up in the text and in the
% table of contents. You can construct variants of these macros for
% dealing with special cases I didn't anticipate by using
% |\poemsectiontitlebaretitle{}| and |\literalcontents{}| and its
% siblings.\end{sloppypar}
%
% \subsection{~Poetic sequences}
%
% \DescribeMacro{\sequencetitle} \DescribeMacro{\sequencesectiontitle}
% \DescribeMacro{\sequencefirstsectiontitle} Sequences of related
% poems, perhaps with an over-title, demand special handling in the
% text, in the notes sections, and in the table of contents. (A
% moment's thought will show that they are different in some ways from
% poems in sections. For one thing, a sequence manifests a different
% relationship between part and whole than a poem in sections does,
% and often provides stronger experiences of momentary closure between
% sections.) |\sequencetitle{}| sets the title of the sequence, and
% |\sequencesectiontitle{}| sets the titles of the sections of the
% sequence. |\sequencefirstsectiontitle{}| gives a little more
% vertical space between the main title and the first section title
% than |\sequencesectiontitle{}| gives between adjacent sections later
% on in the sequence (since the over-title for the sequence is in
% larger type) and adjusts the page breaking penalties to reflect the
% fact that such titles should not occur near the bottom of a page,
% since there should be no page break between the sequence title and
% the title of the first section of the sequence (although page breaks
% are permissible, indeed even slightly favored, between later
% sections). There should also never be a page break between a
% section title and the first or second line of the section. The
% penalties \textsf{poemscol} sets should take care of these
% automatically, but you may still have cases which require you to
% specify a page break with |\pagebreak| or |\newpage|. There are a
% host of other commands, all with self-explanatory titles, that deal
% with some special situations that arise in setting the elements of
% poetic sequences, such as cases where you wish to specify how long
% titles will be broken up into lines, or where you wish no entry to
% be made for the section in the table of contents or in the notes
% sections. These macros don't of course exhaust the dizzying
% possibilities, but from them you can construct whatever other macros
% you may need.
%
% Here is a list of all of the defined title commands.
%
% \begin{itemize}
% \item Macros for Poem titles
% \begin{itemize}
% \item |\poemtitle|
% \item |\poemtitlefirstline|
% \item |\poemtitlemiddleline|
% \item |\poemtitlelastline|
% \item |\poemtitlenotitle|
% \item |\poemtitlenocontents|
% \item |\poemtitlebaretitle|
% \item |\poemsubtitle|
% \end{itemize}
% \item Poems in Sections
% \begin{itemize}
% \item |\poemsectiontitle|
% \item |\poemsectiontitlefirstline|
% \item |\poemsectiontitlemiddleline|
% \item |\poemsectiontitlelastline|
% \item |\poemsectiontitlenocontents|
% \item |\poemsectiontitlebaretitle|
% \item |\poemfirstsectiontitle|
% \item |\poemfirstsectiontitlebaretitle|
% \item |\poemsubsectiontitle|
% \end{itemize}
% \item Sequence Titles
% \begin{itemize}
% \item |\sequencetitle|
% \item |\sequencetitlefirstline|
% \item |\sequencetitlemiddleline|
% \item |\sequencetitlelastline|
% \item |\sequencetitlenonotes|
% \end{itemize}
% \item Sequence Sections
% \begin{itemize}
% \item |\sequencesectiontitle|
% \item |\sequencesectiontitlenocontents|
% \item |\sequencesectiontitlenonotes|
% \item |\sequencesectiontitlebaretitle|
% \item |\sequencesectiontitlefirstline|
% \item |\sequencesectiontitlemiddleline|
% \item |\sequencesectiontitlelastline|
% \item |\sequencefirstsectiontitle|
% \item |\sequencefirstsectiontitlenocontents|
% \item |\sequencefirstsectiontitlenonotes|
% \item |\sequencefirstsectiontitlefirstline|
% \item |\sequencefirstsectiontitlemiddleline|
% \item |\sequencefirstsectiontitlelastline|
% \item |\sequencesectionsubtitle|
% \end{itemize}
% \item Sequence Subsections
% \begin{itemize}
% \item |\sequencesubsectiontitle|
% \item |\sequencesubsectiontitlenocontents|
% \item |\sequencefirstsubsectiontitle|
% \item |\sequencefirstsubsectiontitlenocontents|
% \item |\sequencesubsectiontitlefirstline|
% \item |\sequencesubsectiontitlemiddleline|
% \item |\sequencesubsectiontitlelastline|
% \item |\sequencefirstsubsectiontitlefirstline|
% \item |\sequencefirstsubsectiontitlemiddleline|
% \item |\sequencefirstsubsectiontitlelastline|
%
% \item |\sequencesubsubsectiontitle|
% \item |\sequencesubsubsectiontitlenocontents|
% \item |\sequencefirstsubsubsectiontitlenocontents|
% \end{itemize}
% \end{itemize}
%
%
% \subsection{~Customizing titles} \textsf{poemscol} provides a large
% number of ways of setting titles, but conceivably you may wish to
% define your own. Here is a template for designing a new kind of
% title. Suppose you wish to create a kind of title called
% |\mytitle{}|. It would take one argument, which would be the title
% itself. The macro should in turn call three macros,
% |\set@p@emtitle|, to set the title in the main text and make the
% label for use by the contents and notes sections, |\c@ntentsinfo| to
% set the title in the table of contents, and |\t@xtnotesinfo|, which
% sets the title in the notes sections. (You should enclose the whole
% thing between |\makeatletter| and |\makeatother|.) |\set@p@emtitle|
% takes six arguments, which are, in order, (1) the title (which, if
% you are calling this command inside of the definition of |\mytitle|
% should just be |#1|), (2) commands to be issued before setting the
% title (minimally, a penalty, such as |\poemtitlepenalty|), (3) the
% font size in which the title is to be set in the text (such as
% |\poemtitlefont| or |\large|), (4) any indentation of the title
% (|\relax| for |\poemtitle|, or |\titleindent| for
% |\sequencesectiontitle|), (5) commands to be issued after the
% title is set (such as |\afterpoemtitleskip|) and (6) the amount
% overrun lines in the title should be indented. |\c@ntentsinfo| takes
% four arguments, which are, in order, (1) the title, (2) the
% indentation of the title in the table of contents (such as
% |\contentsindentone|), (3), the font size in which the title
% should be set (such as |\contentspoemtitlefont|) and (4) the amount
% overrun lines in the table of contents should be indented (such as
% |\contentsindenttwoamount|). |\t@xtnotesinfo|
% takes one argument, the title. By default, \textsf{poemscol}
% does not indent the overrun portion of titles relative to the first
% line of the title, but if that first line is indented will set the
% overrun portions to be indented the same amount. Overrun portions
% of titles in the table of contents will be indented by one
% |\contentsindentamount| more than the first line is indented. Both
% of these behaviors can be changed by changing the arguments to
% |\set@p@emtitle| or |\c@ntentsinfo|.
%
% If you wish to design a title which might have multiple lines, you will need to
% write three macros: one for the first line, one for middle lines, and one for
% the last lines. Before issuing |\set@p@emtitle| issue |\firstlinesettings|,
% |\middlelinesettings|, or |\lastlinesettings| (as the case may require). And
% issue |\restoresinglelinesettings| last of all in each of your
% three macros. The lines will be broken in the
% table of contents and in the body of the text in the same way, but will be run in in
% the notes sections.
%
% \DescribeMacro{\JHpoemtitle}
% In his edition of the poetry of Jos\'e Maria Heredia, Tilmann
% Altenberg placed a marker in the margin next to poem titles with a reference to where
% in the apparatus notes on that poem could be found. To do this, use
% the |\JHpoemtitle| command. This command takes two arguments:
% first, the title of the poem, second, the label used by the
% |\label| command on the page of the notes section to which the
% title refers. So, you would issue the poem title command this way:
% |\poemtitle{Los desvelados}{EP_LosDesvelados_AC}|. Up to version 2.49
% of \textsf{poemscol} you had to be sure to define the label in the
% notes sections by issuing |\sources{\label{EP_LosDesvelados_AC}}|.
% This is no longer necessary, and |\JHpoemtitle| defines both the
% |\label| and the |\pageref|. Instructions are
% given in section \ref{JHpoemtitle}, p.~\pageref{JHpoemtitle} for how to
% construct similar commands for sequences, sequence sections, and so
% on.
%
% \begin{sloppypar}
% The following related commands are defined already
% |\JHsequencetitle|, |\JHsequencefirstsectiontitle|,
% |\JHsequencesectiontitle|, |\JHsequencesubsectiontitle|,
% |\JHpoemsectiontitle|, |\JHpoemfirstsectiontitle|,
% |\JHpoemsubtitle|, |\JHepigraph|, |\JHprosesectiontitle|, and
% |\JHdedication|.\end{sloppypar}
%
% If you are using |\JHpoemtitle| and its siblings, you need to be
% sure to add \textsf{mparhack} to your package list. You can prevent
% the marginal reference from switching sides on alternate pages by issuing
% |\@mparswitchfalse| (be sure to put |\makeatletter| and
% |\makeatother| around this command). You can control the side on
% which the marginal reference appears with |\normalmarginpar| (to
% place them on the right) or |\reversemarginpar| (to place them on
% the left). |\JHpoemtitle| and its siblings place the marginal
% reference using |\marginpar|.
%
% \DescribeMacro{\setmpargpoemtitle}
% |\setmargpoemtitle{}{}| is a more general version of
% |\JHpoemtitle{}{}|, with the second argument being any commands you
% want to be issued while the title is being processed.
%
% \DescribeMacro{\margreftextnote}
% Another feature of Altenberg's Heredia edition is a marginal mark
% attached to lines to which text notes refer showing where in the
% apparatus a comment upon that line is to be found.
% |\margreftextnote| sets a label in the textual notes section, and
% set a marginal note with a page reference to that label. Issue
% |\margreftextnote| \emph{before} issuing the |\verseline| or
% |\end{stanza}| that closes the line to which it refers. (The textual
% note itself can be an ordinary |\textnote|, and should be place, as
% usual, \emph{after} the |\verseline| or |\end{stanza}|.
%
% |\margreftextnote| generates its own label, so there is no need to
% make up one yourself.
%
% |\margreftextnote| uses |\marginpar| rather
% that |\pmclsidepar| to set the note, because I had to use
% |\marginpar| for |\JHpoemtitle| and its siblings, and I wanted the
% whole family of markers to be controlled by the same settings. You
% use the settings that control the behavior of |\marginpar| (e.g.
% |\mparswitch| and |\reversemarginpar|) to control the behavior of
% these marks.
%
% \begin{sloppypar}
% If you define a new endnote type using |\definenewnotetype|,
% |\definenewnotetype| will also define a new |\margref| command to go
% with it.\end{sloppypar}
%
% \DescribeMacro{\setmargrefmarker} Altenberg's edition used a ding
% from the pifonts collection in the marginal marks made by
% |\margreftextnote| and its siblings. I have set the default to
% |\dag|, so as not to depend upon yet another style package. You can
% choose another mark using |\setmargrefmarker| (e.g.
% |\setmargrefmarker{\ding{228}}|).
%
% \DescribeMacro{\margrefemendation} |\margrefemendation| is a
% version of |\margreftextnote| for emendations.
%
% \DescribeMacro{\margrefexplanatory}|\margrefexplanatory| is a
% version of |\margreftextnote| for explanatory notes.
%
% \subsection{~Visual formatting}
% \DescribeMacro{\longpage}
% \DescribeMacro{\shortpage}
% The ideal in \LaTeX\ is to separate
% content markup and formatting as completely as possible. In the text
% itself you simply mark the logical units (a poem, a title, a stanza,
% a textual note), and a header program like this interprets the
% meaning of those terms typographically. However, one still winds up
% having to do some visual formatting. Especially in prose sections,
% such as in the textual notes, you will sometimes have to enlarge or
% shrink a page by one line in order to avoid an intractable widow or
% club line, and when one does so one must be careful to do the same to
% the other member of the two-page spread of which that page is a part.
% These commands enable one to wiggle pagelength enough to handle these
% problems. Since verse sections should be set with |\raggedbottom|
% in effect, the commands are not necessary in verse sections.
%
% \section{Customizing page geometry}
%
%
% \subsection{~Font sizes, skips, sinks indents, and penalties}
%
% \label{changingfontsandleading}
% \textsf{poemscol} sets the font sizes, but not the font family, of fonts for many
% common tasks, in order to create a hierarchy of sizes. They can be changed
% with a |\renewcommand| of the following form, where the first number is
% the font size in points and the second is the leading:\\
% |\renewcommand{\volumetitlefont}{\fontsize{18}{23}\selectfont}|
%
%
% The following table gives the default values for the fonts. The titles of
% the fonts give their uses. Backmatterheaderfont is for setting the
% titles of back matter sections. Sequence section titles use
% poemtitlefont. Backmattertext font is |\small|, backmatterintrofont
% is |\normalsize|.
% \bigskip
%
% \begin{tabular}{l l l}
% \textbf{Font} & \textbf{Size} & \textbf{Leading} \\
% volumetitlefont & 18 & 23 \\
% volumesubtitlefont & 14 & 18 \\
% poemtitlefont & 14 & 18 \\
% sequencetitlefont & 16 & 20 \\
% subsectiontitlefont & 12 & 14.5 \\
% backmatterheaderfont & 16 & 20 \\
% backmattervolumefont & 12 & 14.5 \\
% backmattervolumesubtitlefont & 11 & 13 \\
% contentsvolumefont & 13 & 20 \\
% contentsvolumesubtitlefont & 12 & 14.5 \\
% contentssequencetitlefont & 10 & 14 \\
% contentspoemtitlefont & 10 & 14 \\
% \end{tabular}
%
% \bigskip
%
% The following table gives various skips, sinks, penalties, and indentations. The
% titles of these should be self-explanatory. These should be changed
% with |\renewcommand| as follows:\\
% |\newcommand{\volumetitlesink}{\leavevmode\vspace{23.5pt}}|
% \bigskip
%
% \begin{tabular}{l l l}
% \textbf{Name} & \textbf{Argument} & \textbf{Comment} \\
% backmattersink & 21.5pt & \relax \\
% backmatterafterheadersink & 11pt& \relax \\
% afterpoemtitleskip & |\smallskip| & \relax \\
% afterpoemskip & |\bigskip| & \relax \\
% aftersequencetitleskip & |\medskip| & \relax \\
% stanzaskip & |\medskip| & Extra skip between stanzas \\
% titleindent & |\titleindentamount| (1pc) & use |\setlength| to
% change \\
% parindent & titleindentamount & \relax \\
% volumetitleshift & volumetitleshiftamount & use |\setlength| to
% change \\
% contentsindentone & 24pt & \relax \\
% contentsindenttwo & 42pt & \relax \\
% contentsindentthree & 60pt & \relax \\
% contentsindentfour & 72pt & \relax \\
% runoverindentvalue & 6em & for runover lines in verse\\
% verseindent & 2em & for formally indented lines\\
% notesclubpoempenalty & -300 & \relax \\
% notessequenceclubpenalty & -1500 & \relax \\
% notesvolumetitlepenalty & -1500 & \relax \\
% \end{tabular}
%
% \subsection{~Page styles}
% \textsf{poemscol} also sets several default page styles, defined
% below. The main page style is ``fancy'' (defined below), used for
% prose frontmatter (such as introductions), the main body of the
% poetry, and the endnotes sections. ``Volumefirststyle'' is for the
% first page of a volume of poems. ``Volumetitlestyle'' is for the
% title page of a volume of poems. The external file for the table of
% contents redefines ``fancy,'' so you should issue |\resetpagestyle|
% after issuing |\putpoemcontents|.
%
% \subsection{~Page geometry and type leading}
%
% You have to give geometry the values that suit you. I include the
% values I used in my own book, just to give you a starting place.
% Using these numbers out of the box might make your page look
% strange, since I also used the now obsolete \textsf{cropmarks}
% package, which defined a few other lengths and moved the page box
% around on the page. Also, the default values for marginparsep and
% marginparwidth are different now (18pt and 10pt respectively). With
% that warning, here is a list of the values I used:
%
% \bigskip
%
% \begin{tabular}{l l}
% tmargin& 33pt\\
% textwidth&318.21pt\\
% textheight&550pt\\
% marginparsep&7pt\\
% marginparwidth&10pt\\
% headheight& 15pt\\
% headsep&19pt\\
% footskip&15pt\\
% lmargin&132pt\\
% \end{tabular}
%
%\bigskip
%
% You can reproduce this geometry by issuing the command
% |\tightgeometry|.
%
% In my own book I also, strictly to save money, and at the price of
% some ugliness, changed the definition of |\normalsize| and |\small|,
% so that the former was 10 pt type on 11 pt leading (rather than 12
% pt), and that the latter was 9 pt type on 10 pt leading. You can
% reproduce this setting by issuing |\tightleading|, although I would
% advise not doing so unless you are under financial constraints.
%
% \section{Prose Sections} \label{prosesections} \textsf{poemscol}
% uses the \textsf{lineno} package to make marginal line numbers for
% prose sections such as the Author's Introduction, Afterword,
% Author's Notes, or such prose interludes or prose poems the volume
% may include. To control the appearance, placement, and frequency of
% marginal line numbers in prose sections, you may wish to consult the
% manual to \textsf{lineno}. I have added a minimal user interface to
% make \textsf{lineno} cohere with poemscol. You may have to fiddle
% with the parameters of both \textsf{poemscol} and \textsf{lineno} to
% persuade them to set marginal line numbers that look the same way in
% prose and verse contexts. The default values should work as is.
%
% Line numbers in prose sections are placed using a different
% |\length| from that used in verse sections. Essentially, verse
% sections, and prose sections which use paragraph and sentence
% numbering --- see below, in section \ref{paragraphsentence} ---
% place the marginal line numbers using |\marginparsep|. Prose
% sections which are numbered by line use |\linenumbersep| instead,
% which is a length defined in the \textsf{lineno} package. I have
% given values for both lengths which seem to place line numbers on
% the left and on the right side in prose sections roughly where they
% are placed in verse sections. You can change these values with
% |\setcounter{countername}{length}|.
%
% |\verselinenumberstoleft| and |\verselinenumberstoright| also place
% the line numbers to the left or to the right, respectively, in prose
% sections. If you wish the numbering to appear on a different side
% in prose contexts you can set the side by issuing |\leftlinenumbers|
% or |\rightlinenumbers|. These last are commands from the
% \textsf{lineno} package. The two forms in which line numbers switch
% sides in prose contexts can't at the moment be used, because of a
% clash between how \textsf{lineno} handles line numbers that switch
% sides and the way I pass the line numbers to notes sections. If you
% have set the verse line numbers to switch sides, prose line numbers
% will appear on the right side. I hope soon to find a workaround for
% this problem.
%
% By default, the line modulo for prose sections is the same as that for
% verse sections; if you have a line number every 5 lines in verse,
% you will have the same in prose. You can set the prose line modulo
% independently with |\setprosemodulo|.
%
% \textsf{poemscol} may deal with rather long stretches of prose, but
% it is not designed to be used for critical editions of extended
% prose texts, as \texttt{EDMAC}, \textsf{ledmac}, or \textsf{ednotes}
% are. The method of entering line ranges into notes in prose
% contexts is something of a hack, and rather a worse one than the one
% employed in verse contexts, since it involves using two labels for
% each note, one to capture the line number of the beginning, the
% other to capture the line number of the end. Other limitations of
% this method may show up with longer prose extracts.
%
% \DescribeMacro{\prosesectiontitle} Prose sections may be titled with
% |\prosesectiontitle{}| which is essentially just |\poemtitle|, or
% |\prosesectiontitlenotitle|, which is essentially just
% |\poemtitlenotitle|. (Remember that if you use the latter command,
% you must specify a ``dummy'' title to use in the note and contents
% sections.) They will be formatted in the notes and contents
% sections as poems are. Alternatively, you can use
% |\literalcontents| and |\literaltextnotes| to set such titles as you
% please.
%
%\DescribeMacro{prosesection}
% Prose sections should be enclosed in a |prosesection| environment
% (between |\begin{prosesection}| and
% |\end{prosesection}|). Entering this environment sets the modulo repeat for line
% numbering to the same value that prevails in verse contexts, and
% resets the prose line number to zero. If for some reason you do not
% wish to reset the line number but continue on from where it left off at the end of
% the last prose section, use the |prosesectionnoreset| environment
% instead.
%
% \DescribeMacro{\setprosemodulo}
% If you wish to set the modulo repeat for line numbering in prose to
% some value different for that from verse contexts, issue the new
% modulo as the argument to |\setprosemodulo{}|.
%
%
% It is possible, if a prose section is interpolated in the midst of
% verse, to number the prose and verse continuously. To move from a
% verse passage to a prose passage, just before the |\end{poem}| at the
% end of the first verse passage issue |\saveverselinenumber| to save
% the number of the verse passage. After you issue
% |\begin{prosesection}| issue
% |\resetlinenumber[\theverselineumberscratch]| to apply that number to
% the prose section. To number continuously while moving from prose to
% verse is more tricky. One way might be to mark a label at the end of
% the prose passage with |\proselinelabel{prose end label}| (or some other
% suitably unique label). This label will record the line number of
% the last prose line. Pass that value to |\restoreverselinenumber|
% by issuing |\setcounterfromref{verselinenumberscratch}{prose end label}|.
% Then issue |\restoreverselinenumber| just after issuing the |\begin{poem}| that restarts
% the verse again. I would recommend
% against numbering verse and prose continuously, however, since a verse
% line and a prose line are different categories of thing, the one being
% an element of prosody, the other being only an element of typography.
%
%
% \DescribeMacro{\proselinelabel}
% |\proselinelabel| is simply |\linelabel| from \textsf{lineno}. I
% have provided the new name to make it easy to distinguish from
% |\poemlinelabel|.
%
%
%
% \DescribeMacro{\prosetextnote}
% \DescribeMacro{\prosemendation}
% \DescribeMacro{\proseexplanatory}
% Special versions of |\textnote|, |\emendation| and |\explanatory|
% are available for use in prose sections. |\prosetextnote|,
% |\proseemendation|, and |\proseexplanatory| differ from the verse
% versions in that they each require an extra argument, a unique label
% to be used in locating the line number for use by the notes
% commands. If |\maketextnotes|, |\makeemendations|, or
% |\makeexplanatorynotes| have been issued, the endnotes will be sent
% to the usual sections, where all the notes from that prose section
% will be grouped into a paragraph, with the entry headed by the title
% given by |\prosesectiontitle{}|, just as if that were the title of a
% poem. |\textnotesatfoot|, |\emendationsatfoot|, and
% |\explanationsatfoot| will send the notes from prose contexts to the
% usual footnote levels. Notes commands in prose contexts take three
% arguments. As in verse sections, in prose sections textnotes,
% explanatory notes, and emendations have an optional first argument
% for recording line ranges. As in verse sections, you can record
% these line ranges either by simply putting in the argument how many
% lines the lemma will refer to (a deprecated method retained for
% backward compatibility reasons), or the argument of a
% |\proselinelabel| command on the last line of the lemma. (The only
% difference from the verse version here is that you should make the
% label using the |\proselinelabel| command, rather than with the
% |\poemlinelabel| command.) The second argument is a label to
% identify each note uniquely, which is used to find the line number
% at which the note begins. You will need a different label for
% every note. The third argument is the text of the note, which
% should include both the lemma and the rest of the note, as in the
% notes for verse sections.
% |\proseemendation[]{}{}| and
% |\proseexplanatory[]{}{}| are coded the same way. So, if you wished
% to make a textual note on a passage that begins with ``Call me
% Ishmael.'' and ends ``a way of driving away the spleen,'' you would
% issue at the point where the note is to
% occur (at the beginning of the passage):
% \begin{verbatim}
% \prosetextnote[a way of driving away the spleen] {Call me Ishmael}
% {Call me Ishmael \ldots\ a way of driving away the spleen] text of
% textual note} \end{verbatim}, and on
% last line of the passage to which the note refers you would
% issue: \\ |\proselinelabel{a way of driving away the spleen}|.
%
% \DescribeMacro{\prosetsvariant}
% \DescribeMacro{\proseaccidental}
% \DescribeMacro{\prosetsaccidental}
% You can issue |\sources| and |\tsentry| in prose contexts as usual.
% For typescript variants and accidental variants you need to issue
% |\prosetsvariant[]{}{}|, |\proseaccidental{}{}|, and
% |\prosetsaccidental{}{}|. |\prosetsvariant| is entered just as
% |\prosetextnote[]{}{}| is, with an optional argument (for use with
% line ranges, as usual), and two mandatory arguments (the first a
% label to capture the line number, the second the lemma and comment).
% |\proseaccidental| and |\prosetsaccidental| take only the two mandatory arguments, since
% by definition an accidental variant is confined to one line.
%
% One caveat: because the line numbers for notes in prose contexts
% are generated by a label/ref mechanism, each note will result in a
% complaint about an undefined reference the first time the file is run through
% \LaTeX. Either run the first pass in quiet mode, or be prepared to
% ignore a lot of griping until
% \LaTeX\ has generated the .aux file at the end of the first run.
%
% \section{Paragraph and Sentence Annotation}\label{paragraphsentence}
% Annotating a prose section by sentence number, or by paragraph number and
% sentence number, has some advantages over annotating it by line
% number. The principal advantage is that the annotation and reference
% system can remain stable over multiple editions, even if they are set
% in different formats. The most familiar of such systems is the
% chapter and verse system in the Bible, introduced by Archbishop
% Stephen Langton in the thirteenth century (who divided the Vulgate
% edition into numbered chapters) and by Robert Estienne in the
% sixteenth century (who added the verse numbers). Such a form of
% annotation might be especially useful for medieval prosimetra, a form
% combining verse and prose. (Hence the commands that follow often
% begin with |pm|.)
%
% \DescribeMacro{pmsection}
% You should put prose marked up for sentence and paragraph
% annotation in a |pmsection| environment.
% You do not need to put prose marked up for sentence and paragraph
% annotation in a |prosesection| environment. That environment is
% only needed if you are line-numbering prose. You also do not need
% to load the \textsf{lineno} package if you are using the sentence
% and paragraph system for annotating prose. You might, however,
% still wish to set the title with |\prosesectiontitle|.
%
% \DescribeMacro{\setprosebysentence}
% |\setprosebysentence| sets \textsf{poemscol} to number prose by
% sentence rather than by line number. This command is mostly a
% placeholder now, used only for setting the value of |\marginparsep|
% to something better for prose. (|\marginparsep| sets how far the
% line numbers are from the text block.) |\verselinenumberstoleft|,
% |\verselinenumberstoright|, and |\verselinenumbersswitch| each pick
% convenient values for |\marginparsep|. By default these values all
% line up on the page, but if you change any of them, you may have to
% use reset |\marginparsep| to some value you will have to find by
% trial and error, since they each use |\marginparsep| in slightly
% different ways. You can change |\marginparsep| either by using
% |\setlength{\marginparsep}{length}| or, better, by using
% |\renewcommand| to change the setting of |\marginparsep| in
% |\verselinenumberstoleft| or whatever else you intend to use.
%
% \DescribeMacro{\pmsentence} Each sentence must begin with
% |\pmsentence|. |\pmsentence| increments the sentence counter,
% optionally puts the sentence number in the running text, and
% optionally puts the sentence number in the margin.
%
% |\runningsentencenumberstrue|
% sets sentence
% numbers in the running text.
% To set sentence numbers in the margin, issue
% |\marginsentencenumberstrue|. You can issue both, either, or neither of
% these commands.
%
% \DescribeMacro{\setpmmodulo}
% If you are putting sentence numbers in
% the margin, you need not number every sentence. Indeed, if there is
% more than one sentence on a line, the numbers will overwrite each
% other (unless you use the marn.sty package, and substitute |\marn|
% for |\pmclrightsidepar|, |\pmclleftsidepar| or |\pmclsidepar| in the code for
% |\pmsentence|). You can also avoid overlapping sentence numbers by
% using |\pmsentencetwo| and its siblings, defined below. You can set
% the modulo for sentence marginal numbers by issuing
% |\setpmmodulo{}|.
%
% \DescribeMacro{\pmsentencetwo}
% \DescribeMacro{\pmsentencethree}
% \DescribeMacro{\pmsentencefour} If you know, from a prior run,
% that there will be a second or third sentence on some particular
% line, marking them with these commmands will ensure that the
% marginal sentence numbers do not overwrite each other. These macros
% are something of a kludge, but they will do until I figure out how
% to do this better.
%
% \DescribeMacro{\pmnumberstoright}
% \DescribeMacro{\pmnumberstoleft}
% \DescribeMacro{\pmnumbersgutter}
% \DescribeMacro{\pmnumbersouter}
% If you wish to control the
% margin in which sentence and paragraph numbers appear, issue |\pmnumbersright|,
% |\pmnumbersleft|, |\pmnumbersgutter|, or
% |\pmnumbersouter|. By default, these numbers will line up with
% the line numbers in verse sections. If you change the value of
% |\marginparsep| for prose sections from those used by their verse equivalents, it is a
% good idea to issue the verse equivalent command
% (|\versenumberstoright| or whatever) again when you move
% from a prose to a verse environment.
%
%
% |\runningsentencenumberformat| sets the format of running sentence numbers. Currently it is
% |\textsuperscript| and |\tiny|.
% You can change this with |\renewcommand|. The format of marginal
% sentence numers is set by |\marginsentencenumberformat|. Currently it
% is |\tiny|. You can
% change this with |\renewcommmand|.
%
% \DescribeMacro{\pmpara}
% \DescribeMacro{\pmsentencebypara}
% \DescribeMacro{\pmsparainmartrue}
% \DescribeMacro{\pmpararunningtrue}
% You can also number paragraphs. Each paragraph must begin with
% |\pmpara|. |\pmpara| increments the paragraph counter, optionally
% puts the paragraph number in the running text, and optionally puts
% the paragraph number in the margin. To reset the sentence counter
% at the beginning of each paragraph, issue |\pmsentencebyparatrue| in
% your preamble. To set paragraph numbers in the margin, issue
% |\pmparainmartrue|. To set paragraph numbers in the running text,
% issue |\pmpararunningtrue|. You can issue both, either, or neither of
% these last two commands. Which margin these numbers are set in
% is controlled by the same commands that control placement of
% marginal sentence numbers.
%
% If you begin a paragraph with |\pmpara| \textsf{poemscol} will
% assume that you intend to include the paragraph number in your
% notes (in the form \emph{paragraph: sentence:} for simple
% references, or \emph{firstparagraph: firstsentence: --
% ;astparagraph: lastentence:} for ranges of sentences) even if you do not reset
% the sentence number at the beginning of each paragraph. Normally
% you would not issue |\pmpara| if you are not resetting the sentence
% number at the beginning of each paragraph, since under those
% circumstances you don't really need to keep track of the paragraph
% numbers, in which case each note would simply include the sentence
% number (just as in verse it would include the line number). In the
% unusual event in which you wish to put the paragraph number in the
% margin but refer only to sentence numbers in the notes, simply
% follow every use of |\pmpara| with |\pmparasfalse|.
%
% \DescribeMacro{\pmpararunningformat}\DescribeMacro{\pmparmarformat}
% The format of running paragraph numbers is set
% by |\pmparrunningformat|. Currently it is
% |\textbf| and |\small|.
% The format of marginal paragraph numbers is set by
% |\pmparmarformat|. Currently it is
% |\textbf| and |\small|. Either can
% be changed with |\renewcommand|.
%
% \subsection{Cross Reference by Sentence and Paragraph}
% \DescribeMacro{\sentencelabel}
% To make labels that refer to sentences or paragraphs, issue
% |\sentencelabel{}|. The label will be either both the paragraph
% number and the sentence number (if you are resetting sentence numbers
% by paragraph), or only the sentence number (if you are not resetting
% sentence numbers by paragraph).
%
% \subsection{End notes by Sentence and Paragraph}
%
% \begin{sloppypar}
% \DescribeMacro{\pmtextnote}
% \DescribeMacro{\pmexplanatory}
% \DescribeMacro{\pmemendation}
% \DescribeMacro{\pmaccidental}
% \DescribeMacro{\pmtsvariant}
% \DescribeMacro{\pmtsaccidental}
% |\pmtextnote|, |\pmexplanatory|, |\pmemendation|, |\pmaccidental|,
% |\pmtsvariant| and |\pmtsaccidental| are special versions of the
% usual endnote commands for use with annotations by sentence and
% paragraph. If you have not issued |\pmsentencebypara| these
% commands will write the sentence number at the head of each note,
% where the line number would usually go. If you have issued
% |\pmsentencebypara|, these commands will issue both the paragraph
% and sentence number, in the format \textless paragraph
% number\textgreater:\textless sentence number\textgreater. You can
% refer to ranges of sentences (or paragraphs and sentences) in a way
% very similar to how you do so in verse sections. At the end of the
% range, issue a |\sentencelabel| command, with a unique label. At
% the beginning of the range, issue your |\pmtextnote| command with the
% optional argument in square brackets before the main argument,
% giving your unique label as the value of that argument, e.g.
% |\pmtextnote[some label]{text of lemma] comment}|. At the end of
% your range, issue |\sentencelabel{some label}|, using the same
% label you put in the square brackets for the |\pmtextnote|. If you have not
% issued |\pmsentencebypara|, the range will simply be the range of
% sentence numbers. If you have issued |\pmsentencebypara|, the range
% will include paragraph and sentence numbers, like this:
% 4:12--6:13.\end{sloppypar}
%
% |\sources| needs no special handling if you are annotating by
% sentence and paragraph.
%
% \subsection{Footnotes by Sentence and Paragraph}
% |\textnoteatfoot| shifts |\pmtextnotes| to the foot, as with
% |\prosetextnote|. |\emendationsatfoot| and |\explanationsatfoot|
% work the same way.
% \subsection{Bible Chapter and Verse}
% Since |\pmsentence| and |\pmpar| are the moral equivalents of bible
% verse and chapter, |\biblechapter| and |\bibleverse| are provided
% for convenience.
% \section{Parallel Text Editions}
% \textsf{poemscol} does not make parallel texts in which the texts are
% set in parallel on the same page, but it can help one make parallel
% text editions in which the contrasting versions are set on facing
% verso and recto pages. \textsf{poemscol} does not provide the page
% breaks for parallel editions, and even if it did, one would still
% probably have to specify page breaks every two or three pages to keep
% the texts in register. If you are willing to set the page breaks
% yourself, however, it does provide macros for keeping the line count
% correct on successive recto or verso pages, and for keeping track of
% whether or not one was in the middle of a stanza when one closed the
% previous page on a particular side of the book. And it provides, in
% the |\synchrolabel| and |\synchroref| commands, a way of marking which
% lines on the recto side correspond to particular lines on the verso
% side. |\synchroref| will even tag the marginal line number it makes
% with a marker to specify the text to which it refers.
%
% \DescribeMacro{\startparalleltexts}
% \DescribeMacro{\startrectopage}
% \DescribeMacro{\finishrectopage}
% \DescribeMacro{\startversopage}
% \DescribeMacro{\finishversopage}
% You must begin a region of parallel text on a \emph{verso} page.
% Setting parallel texts requires one to redefine the poem and stanza
% environments. A parallel text region must begin with
% |\startparalleltexts| to redefine those environments. Verso pages
% should begin with |\startversopage| and end with |\finishversopage|.
% Recto pages should begin with |\startrectopage| and end with
% |\finishrectopage|. You have to declare the page breaks manually,
% so be sure you are putting the two |\finish| commands in places which
% will work.
%
% Although usually with \textsf{poemscol} it is up to you where to put
% the marginal line numbers, when you issue |\startparalleltexts| the
% positions are fixed as follows: marginal line numbers are in the left
% margin, line cross references (marking which lines in the recto text
% correspond to which lines in the verso text) are in the right margin.
%
% \DescribeMacro{\synchrolabel} \DescribeMacro{\synchroref}
% \DescribeMacro{\setsynchroflag} To mark these cross references, you
% need to make a label on the verso side, and a corresponding
% reference on the recto side. You may also wish to add a mark to
% that reference to specify what edition it refers to. So, for
% instance, if your verso text is the 1805 version of Wordsworth's
% \emph{The Prelude}, and your recto text is the 1850 version, you may
% wish to specify |\setsynchroflag{1850: }|, which will preface the
% references put out by the |\synchroref| command with `1850: '.
% Suppose you wished to tie the line ``Oh, what can ail thee, man at
% arms?'' on the verso side to the line ``Oh, what can ail thee,
% wretched wight?'' on the recto. To make the label, issue the
% |\synchrolabel| command on the verso side just after the
% |\verseline| or |\end{stanza}| which closes the line you wish to
% label:
%
% \begin{verbatim}
% Oh, what can ail thee, man at arms?\verseline
% \synchrolabel{Oh, what can ail thee, man at arms?}
% \end{verbatim}
% You don't have to quote the whole line in the label, but it should be
% long enough to uniquely pick out that line in the poem. (If the line
% is repeated in the poem, you will have to exercise your ingenuity in
% making up a unique label.)
%
% Over on the recto side, you will want to use |\synchroref| in order
% to print the marginal cross reference. The |\synchroref| command
% should come \emph{before} the |\verseline| that closes the line it is
% tied to, as follows:
%
% \begin{verbatim}
% Oh, what can ail thee, wretched wight?
% \synchroref{Oh what can ail thee, knight at arms?}\verseline
% \end{verbatim}
%
% \section{Using \textsf{poemscol} in a Multilingual World}
%
% \begin{sloppypar}
% \DescribeMacro{\changecontentsname}
% By default, \textsf{poemscol} uses English language titles for such
% things as the Table of Contents, the Explanatory Notes, and so on,
% and uses English language running headers. As of version 2.5 these
% are easily changed. To change the name of the Table of Contents
% (the default is CONTENTS) to Inhaltsverzeichnis, issue
% |\changecontentsname{Inhaltsverzeichnis}|. To change the running
% header on contents pages, issue
% |\changecontentsheader{your header}|.\end{sloppypar}
%
% \begin{sloppypar}
% \DescribeMacro{\changenotesname} To change the name for the endnote
% section for textual notes (the default is TEXTUAL NOTES), issue
% |\changenotesname{your version}|. To change the running header (by
% default ``Textual Notes to'') issue
% |\changenotesheader{your version}|.
% To change the name for
% the textual notes in the table of contents issue
% |\changetextnotescontentsname{your version}|.
% \DescribeMacro{\changesinglepageabbrev}
% \DescribeMacro{\changemultiplepageabbrev}
% Running headers refer to single pages with the English
% abbreviation ``p.'' and to multiple pages with the English
% abbreviation ``pp.'' To change these issue
% |\changesinglepageabbrev{new abbrev}| or
% |\changemultiplepageabbrev{new abbrev}| respectively. The ultimate
% outcome is to translate a header of the form ``Textual Notes to
% pp.~xx-yy'' to the form appropriate for your language.\end{sloppypar}
%
% \begin{sloppypar}
% \DescribeMacro{\changeemendationsname} To change the name for the endnote
% section for emendations (the default is EMENDATIONS), issue
% |\changeemendationsname{your version}|. To change the running header (by
% default ``Emendations to'') issue
% |\changeemendationsheader{your version}|. To change the name for
% the emendations in the table of contents issue
% |\changeemendationscontentsname{your version}.|\end{sloppypar}
%
%\begin{sloppypar}
% \DescribeMacro{\changeexplanationsname} To change the name for the endnote
% section for explanatory notes (the default is EXPLANATORY NOTES), issue
% |\changeexplanationsname{your version}|. To change the running header (by
% default ``Explanatory Notes to'') issue
% |\changeexplanationsheader{your version}|.
% To change the name for
% the explanatory notes in the table of contents issue
% |\changeexplanationscontentsname{your version}|.\end{sloppypar}
%
% \begin{sloppypar} \DescribeMacro{\changepoemindexname} To change the name
% for the index (the default is ``Index of Titles and First Lines'', issue
% |\changepoemindexname{your version}|. To change the running
% header (the default is ``Index of Titles and First Lines'') issue
% |\changepoemindexheader{your version}|. To change the contents
% entry for the index (the default is ``Index of Titles and First Lines'')
% issue
% |\changepoemindexcontentsname{your version}|.\end{sloppypar}
%
%\section{A sample driver file}
%
% If you are compiling a collected poems, you are probably preparing your
% volume from many files. You may (or may not) wish to subdivide your
% edition by the original volumes. Or you may subdivide by year, or by the
% significant phases of the poet's career. One way to keep in control of the process is
% to create a driver file, which calls all the appropriate\ .sty files
% and sets the variables globally, and then read in the sections of
% the edition using |\input|. Here is a version of the driver file I used for
% \emph{The Collected Poems of Robert Penn Warren}:
% \begin{verbatim}
% \documentclass[10pt,twoside]{article}
% \usepackage{fancyhdr,kdgreek,makeidx,times,multicol,geometry,}
% \usepackage{keyval,ifthen,mparhack,manyfoot,poemscol}
% \begin{document}
% \leftheader{The Collected Poems of Robert Penn Warren}
% \makeexplanatorynotes
% \makeemendations
% \maketextnotes
% \makepoemcontents
% \makeverselinenumbers
% \global\indexingontrue
% \global\includeaccidentalstrue
% \global\includetypescriptstrue
% \input maintitle.tex
% \input poems1922_1943.tex
% \input thirtysix.tex
% \input eleven.tex
% \input sp43.tex
% \input promises1.tex
% \input promises2.tex
% \input promises3.tex
% \input yeo1.tex.tex
% \input yeo2.tex.tex
% \input yeo3.tex.tex
% \input tale1.tex
% \input tale2.tex
% \input incarnations.tex
% \input audubon.tex
% \input orelse1.tex
% \input orelse2.tex
% \input arcturus.tex
% \input nowthen.tex
% \input beinghere.tex
% \input rumor1.tex
% \input rumor2.tex
% \input cj1.tex.tex
% \input cj2.tex.tex
% \input altitudes.tex.tex
% \input poems1943_1989.tex
% \input introduction.tex
% \finish
% \end{verbatim}
%
% \section{A sample poem markup}
% Here is a poem Robert Penn Warren wrote in his first volume,
% \emph{Thirty-Six Poems} (1935). The poem is the first poem of his
% sequence ``Kentucky Mountain Farm.'' I include the over-title, to
% demonstrate how to mark up such cases.
% \begin{verbatim}
% \sequencetitle{Kentucky Mountain Farm}
% \index{Kentucky Mountain Farm@{\em Kentucky Mountain Farm\/}}
% \sources{Text: TSP. Variants: SP43, SP66 (Deletes ``The Cardinal,'' ``The
% Jay,'' and ``Watershed''), SP75 (Same sections as SP66), SP85 (Restores
% ``Watershed''), {\em Helsinki\/} (includes only ``Rebuke of
% the Rocks'' and
% ``At the Hour of the Breaking of the Rocks'').
% ``The Owl'' (above) was marked as a section of ``Kentucky
% Mountain Farm'' when it first appeared in {\em Poetry,\/} but it was never
% included in any book version of the entire sequence. The sequence in {\em
% Poetry\/} included, in this order, ``The Owl,'' ``The Cardinal,'' and
% ``Watershed.'' TSP uses lower case Roman numerals in the section
% titles. The typescript drafts in the Beinecke Library do not seem to
% be setting copies.}
% \sequencefirstsectiontitle{I. Rebuke of the Rocks}
% \index{Rebuke of the Rocks@{\em Rebuke of the Rocks\/}}
% \sources{Text: TSP. Variants: {\em Nation\/}, 11 Jan.\ 1928,
% p.~47, {\em Literary
% Digest,\/} 28 Jan.\ 1928, p.~32, {\em Vanderbilt Masquerader,\/} 10
% (Dec.\ 1933), p.~16, SP43, SP66, SP75, SP85, {\em Helsinki\/},
% Broadside: The Press at Colorado College, printed on paper handmade by
% Thomas Leech for the American Poetry Society, April~26, 1985. This
% poem was not included in SP85 until the second set of galleys, in
% which a photocopy of the SP75 text is a stapled insert.}
% \begin{poem}
% \begin{stanza}
% Now on you is the hungry equinox,\verseline
% \index{Now on you is the hungry equinox}
% O little stubborn people of the hill,\verseline
% \accidental{hill,] \sameword--- {\em Nation,\/} {\em Literary Digest\/}
% \sameword, {\em Vanderbilt\/} (I include the reading
% from {\em Vanderbilt\/}
% even though it is the same as in TSP, because
% {\em Vanderbilt\/} was published
% after the other magazine versions but before TSP.)}
% The season of the obscene moon whose pull\verseline
% Disturbs the sod, the rabbit, the lank fox,\verseline
% Moving the waters, the boar's dull blood,\verseline
% And the acrid sap of the ironwood.\end{stanza}
%
% \begin{stanza}
% But breed no tender thing among the rocks.\verseline
% Rocks are too old under the mad moon,\verseline
% \accidental{old\missingpunct] \sameword, {\em Vanderbilt\/}}
% Renouncing passion by the strength that locks\verseline
% The eternal agony of fire in stone.\end{stanza}
%
% \begin{stanza}
% Then quit yourselves as stone and cease\verseline
% \accidental{stone\missingpunct] \sameword, {\em Vanderbilt\/}}
% To break the weary stubble-field for seed;\verseline
% Let not the naked cattle bear increase,\verseline
% Let barley wither and the bright milkweed.\verseline
% \accidental{milkweed.] milk-weed. {\em Vanderbilt\/}}
% Instruct the heart, lean men, of a rocky place\verseline
% That even the little flesh and fevered bone\verseline
% May keep the sweet sterility of stone.\end{stanza}
% \end{poem}
% \end{verbatim}
% \goodbreak
% \section{A sample divider page}
% \begin{verbatim}
% \begin{volumetitlepage}
%
% \volumetitle{Being Here}
% \volumeheader{Being Here}
% \volumesubtitle{Poetry 1977--1980}
% \volumededication{To Gabriel Thomas Penn\\
% (1836--1920)}
% \bigskip
%
% \volumeepigraph{OLD MAN: You get old and you can't do anybody
% any good any more.\\
% BOY: You do me some good, Grandpa. You
% tell me things.}
%
%
% \bigskip
%
% \volumeepigraph{There is in short no absolute time standard.}
% \volumeattribution{{\em Van Nostrand's Scientific Encyclopedia,\/}\\
% Fifth Edition, p. 2203}
%
% \bigskip
%
%
% \volumeepigraph{I thirst to know the power and nature of Time\ldots.}
% \volumeattribution{St.\ Augustine: {\em Confessions,\/}\\
% Book {\em XI,\/} Chapter {\em XXIII\/}\\
% Translated by Albert C. Outler}
%
%
% \bigskip
%
% \volumeepigraph{Time is the dimension in which God
% strives to define His own Being.}
%
% \sources{The typescript material in the Beinecke Library
% indicates that this
% book went through many drafts, and some rethinking about what to
% include and how to order the poems. Until a late stage of
% production---very late, since the typescript includes a designed
% mock-up of the proposed title page---the title of this volume was {\em
% Life is a Fable.\/} Indeed, as late as the time the book was set in
% galleys it was called {\em Life is a Fable\/}, although the title was
% corrected on the galleys. Like {\em Now and Then\/}, the typescript
% was assembled from photocopies of re-typed copies of poems made after
% their magazine appearance, with annotations giving the name of the
% magazine in which they occurred. Unlike {\em Now and Then\/}, the
% typescript seems to have been typed in one piece, and the annotations
% added for the convenience of the permissions department at
% Random House. The page numbers have been added---presumably
% later---in blue pen. The copy is marked up in Warren's hand in black
% pencil, and in another hand in red pencil. (Unless marked otherwise,
% all of the mark-up described here is in black pencil.) \tsentry{Like most
% Warren typescripts BHTS is single-spaced. The dedication to Gabriel
% Thomas Penn and the dialogue between the old man and the boy appeared
% on a separate page, and the three epigraphs appeared on another
% separate page. BHTS gives 1838 as the year of Gabriel
% Thomas Penn's
% birth (the error is corrected on the galleys). In the quotation from
% Augustine, the second word is corrected to ``thirst'' from ``yearn,''
% and the translator's name is added in pencil, not in Warren's
% handwriting.} In one of Warren's own
% copies at Western Kentucky University, he has corrected the date of
% Gabriel Thomas Penn's birth to 1837 (copy 310). Some revisions in this book
% may have come very late
% indeed. A letter to Erskine of January 28, 1980, refers to changes
% made in a bound manuscript that Warren kept after returning the
% copy-edited typescripts. There are revisions not only on the galleys,
% but also on the page proofs. There are even some corrections on the
% ``blues'' for this volume, including some new copy on a card referred
% to in a note on the cover of the ``blues'' but now lost. The Secker
% and Warburg London edition is, except for the title page, printed from
% the American plates. There is a copy of this book, marked up by
% Warren with
% proposed revisions for Stuart Wright's use on May 25, 1987, in the
% Special Collections
% Department of the Emory University Library. I quote Warren's
% notes by permission.
% Warren has also marked up, slightly, a copy of this book now in the
% Robert Penn Warren Room of the Library of the Kentucky Museum at
% Western Kentucky University. I quote that volume too by permission.
% The setting typescript for the section of SP85 drawn from this volume
% consisted of taped-in photocopies of passages from BH. Because the
% revisions for SP85 are sometimes a vexed question, I have indicated
% where the SP85 revisions are made on SP85TS.}
%
%
% \sources{Title Page] SP85 omits the dialogue between the old man and
% the young boy. SP85 capitalizes ``time standard'' in the quotation
% from Van Nostrand's Scientific Encyclopedia, and does not capitalize
% ``Time'' in the quotation from Augustine.}
%
%
%
% \end{volumetitlepage}
% \end{verbatim}
%
%
%
%
% \StopEventually{\PrintChanges\PrintIndex}
% \section{Implementation}
% \subsection{~Page geometry and crop marks}
% \begin{macro}{\tightgeometry} There's no reason why you should use the
% page geometry I specify here. If you issue |\tightgeometry| in your
% preamble, you will have the geometry I have used. If you issue
% |\tightleading| you will
% redefine |\normalsize| and |\small| to use tighter leading.
% Normal
% 10 point \LaTeX\ uses 12 point leading. Strictly to save money, I
% redefined |\normalsize| to use 11 point leading.
% I use the \textsf{geometry} package,
% since it's simpler to figure out. I give my page geometry here
% chiefly to remind the reader of some important variables that should
% be kept track of, such as marginparsep, which controls the
% separation of the marginal line numbers from the verse line,
% marginparwidth, which controls how wide the block for the marginal
% line numbers will be, headsep, which controls how far the text will
% be from the running headers, and footskip, which controls how far
% the last verse line will be from the marker which tells the reader
% that there is a stanza break at the end of the page (if there is
% one). I've also set the odd side margin and the even side margin
% for two-sided printing. Finally, I have set the default handling
% of page endings to |\raggedbottom|. Verse should always be set with
% a ragged bottom margin, otherwise \LaTeX\ will stretch the spaces
% between stanzas to make the bottom perfectly flush. When you enter
% prose sections, such as the editor's introduction, you should enter
% the command |\flushbottom| to make sure that the prose sections have
% flush page bottoms.
% \begin{macrocode}
\newcommand{\tightgeometry}{\geometry{verbose, tmargin= 33pt,
textwidth=318.21pt,textheight=550pt,
marginparsep=7pt,marginparwidth=10pt,
headheight= 15pt,
headsep=19pt,
footskip=15pt,
lmargin=132pt}
\setlength{\oddsidemargin}{60pt}
\setlength{\evensidemargin}{65.41pt}}
\newcommand{\tightleading}{%
\makeatletter
\renewcommand\normalsize{%
\@setfontsize\normalsize\@xpt\@xipt
\abovedisplayskip 10\p@ \@plus2\p@ \@minus5\p@
\abovedisplayshortskip \z@ \@plus3\p@
\belowdisplayshortskip 6\p@ \@plus3\p@ \@minus3\p@
\belowdisplayskip \abovedisplayskip
\let\@listi\@listI}
\makeatother
\normalsize
\makeatletter
\renewcommand\small{%
\@setfontsize\small\@ixpt{10}%
\abovedisplayskip 8.5\p@ \@plus3\p@ \@minus4\p@
\abovedisplayshortskip \z@ \@plus2\p@
\belowdisplayshortskip 4\p@ \@plus2\p@ \@minus2\p@
\def\@listi{\leftmargin\leftmargini
\topsep 4\p@ \@plus2\p@ \@minus2\p@
\parsep 2\p@ \@plus\p@ \@minus\p@
\itemsep \parsep}%
\belowdisplayskip \abovedisplayskip
}
\makeatother}
% \end{macrocode}
% \end{macro}
%
% \subsubsection{Internal font size commands} You will probably never need
% to use these font commands explicitly. I defined these for internal
% use within \textsf{poemscol}, so that a command will always call the
% same fonts.
%
% As a way of making global changes to repeated features I have
% defined various special fonts for special purposes. For instance,
% in a Collected Poems in which the poems are arranged by volume, with
% divider pages for the beginning of each volume, the first command
% sets the font for the volume title on the divider page, using the
% default font family, setting it in 18 point type on 23 point
% leading. The second command, as the name of the command indicates,
% sets the font for the subtitle of the volume to be 14 point type on
% 18 point leading. You can change these either by changing the
% values in your (renamed) style file, or by using |\renewcommand|.
% For instance, you can change the font parameters for the font for
% setting poem titles from 14 on 18 to 12 on 14 by issuing
% |\renewcommand{\poemtitlefont}{\fontsize{12}{14}\selectfont}| in
% your preamble. Notice that there are special fonts for titles in
% the back matter and in the table of contents as well.
% \begin{macrocode}
\newcommand{\volumetitlefont}{\fontsize{18}{23}\selectfont}
\newcommand{\volumesubtitlefont}{\fontsize{14}{18}\selectfont}
\newcommand{\poemtitlefont}{\fontsize{14}{18}\selectfont}
\newcommand{\sequencetitlefont}{\fontsize{16}{20}\selectfont}
\newcommand{\subsectiontitlefont}{\fontsize{12}{14.5}\selectfont}
\newcommand{\backmatterheaderfont}{\fontsize{16}{20}\selectfont}
\newcommand{\volumetitlesink}{\leavevmode\vspace{23.5pt}}
\newcommand{\backmattersink}{\leavevmode\vspace{21.5pt}}
\newcommand{\backmatterafterheadersink}{\leavevmode\vspace{11pt}}
\newcommand{\backmattertextfont}{\small}
\newcommand{\backmatterintrofont}{\normalsize}
\newcommand{\backmattervolumefont}{\fontsize{12}{14.5}\selectfont}
\newcommand{\backmattervolumesubtitlefont}{\fontsize{11}{13}\selectfont}
\newcommand{\contentsvolumefont}{\fontsize{14}{20}\selectfont}
\newcommand{\contentsvolumesubtitlefont}{\fontsize{12}{14.5}\selectfont}
\newcommand{\contentssequencetitlefont}{\fontsize{10}{14}\selectfont}
\newcommand{\contentspoemtitlefont}{\fontsize{10}{14}\selectfont}
% \end{macrocode}
% \subsection{~Miscellaneous dimensions and constants}
% \textsf{poemscol} sets relatively large penalties for widows and
% clubs, both in the main text, and in the notes sections. There are
% also special penalties after volume titles in the notes sections,
% since one does not want to leave a volume title in the notes
% sections stranded at the bottom of a page. (Setting penalties may
% not automatically solve all the problems, however. You can fix an
% intractable widow problem in the contents or in the notes sections
% by issuing |\literalcontents{\pagebreak}| or
% |\literalemend{\pagebreak}| just before you issue the
% |\poemtitle{}| or |\volumetitle{}| that resulted in the problematic
% title line.) \textsf{poemscol} also manipulates penalties for places like
% the space between a poem's title and its first line. It defines
% special values for the white space before and after poems and for
% the amount of a stanza break. |\contentsindentone|,
% |\contentsindenttwo|, and so on are amounts to indent different
% hierarchical levels, say of poetic sequences and subsequences, in
% the table of contents.
% \begin{macrocode}
\widowpenalty=300
\clubpenalty=300
\newcommand{\notespoemclubpenalty}{\penalty-300}
\newcommand{\notessequenceclubpenalty}{\penalty-1500}
\newcommand{\notesvolumetitlepenalty}{\penalty-1500}
% \end{macrocode}
% Since the right margin of verse is ragged anyway, I allowed some
% flexibility for slightly longer lines.
% \begin{macrocode}
\hfuzz=2pt
% \end{macrocode}
% For explicitly declared indented lines:
% \begin{macrocode}
\newcommand{\verseindent}{\hspace{2em}}
% \end{macrocode}
% A hierarchy of indentations for sequence section titles and
% subsection titles.
% \begin{macrocode}
\newdimen\titleindentamount \titleindentamount=1pc
\newdimen\titleindenttwoamount \titleindenttwoamount=2pc
\newdimen\titleindentthreeamount \titleindentthreeamount=3pc
\newcommand{\titleindent}{\hspace{\titleindentamount}}
\setlength{\parindent}{\titleindentamount}
% \end{macrocode}
% White space after poem titles, after poems, and after sequence
% titles.
% \begin{macrocode}
\newcommand{\afterpoemtitleskip}{\smallskip}
\newcommand{\afterpoemskip}{\bigskip}
\newcommand{\aftersequencetitleskip}{\medskip}
% \end{macrocode}
% A little extra white space between stanzas.
% \begin{macrocode}
\newcommand{\stanzaskip}{\medskip}
% \end{macrocode}
% A hierarchy of indentations for the table of contents:
% \begin{macrocode}
\newdimen\volumetitleshiftamount \volumetitleshiftamount=1pc
\newcommand{\volumetitleshift}{\hbox{\hspace{\volumetitleshiftamount}}}
\newdimen\voladditionalamount \voladditionalamount=2pc
\newdimen\contentsindentoneamount \contentsindentoneamount=24pt
\newcommand{\contentsindentone}{\hspace{\contentsindentoneamount}}
\newdimen\contentsindenttwoamount \contentsindenttwoamount=42pt
\newcommand{\contentsindenttwo}{\hspace{\contentsindenttwoamount}}
\newdimen\contentsindentthreeamount \contentsindentthreeamount=60pt
\newcommand{\contentsindentthree}{\hspace{\contentsindentthreeamount}}
\newdimen\contentsindentfouramount \contentsindentfouramount=72pt
\newcommand{\contentsindentfour}{\hspace{\contentsindentfouramount}}
\newdimen\contentsindentfiveamount \contentsindentfiveamount=80pt
\newcommand{\contentsindentfive}{\hspace{\contentsindentfiveamount}}
% \end{macrocode}
% Penalties to encourage page breaks before poem titles, before
% multi-line poem titles, and before sequence titles.
% \begin{macrocode}
\newcommand{\poemtitlepenalty}{\penalty-1000}
\newcommand{\multilinetitlepenalty}{\penalty-3000}
\newcommand{\sequencetitlepenalty}{\penalty-3000}
\newcommand{\multilinesequencepenalty}{\penalty-3500}
% \end{macrocode}
% \subsection{~Verse} The verse environment here is taken from \LaTeX,
% slightly modified to indent run over lines more. The idea is to
% distinguish the automatic indentation of run over lines from the
% explicitly declared indentation of indented lines. You can change
% the amount of indentation of runover lines with |\runoverindent{}|.
% \begin{macrocode}
\def\makeatletter{\catcode`\@=11}
\def\makeatother{\catcode`\@=12 }
\newcommand{\runoverindent}[1]{\global\edef\runoverindentvalue{#1}
}
\runoverindent{6em}
% pmclverse (runover indented more than it is in the normal verse
% environment)
\newenvironment{pmclverse}{%
\let\\=\@centercr%
\list{}{\itemsep\z@ \itemindent -\runoverindentvalue\listparindent \itemindent
\rightmargin 1sp\leftmargin 1sp\advance\leftmargin
\runoverindentvalue}\item[]}
{\endlist}
% rfoverse (flushes runover to right) (Just a placeholder now.)
\newif\ifrfv
\rfvfalse
\newcommand{\rightflushrunoververse}{\global\rfvtrue}
\newcommand{\indentrunoververse}{\global\rfvfalse}
\newenvironment{rfoverse}{\begin{pmclverse}}{\end{pmclverse}}
% verse environment with a switch
\renewenvironment{verse}{\ifrfv\begin{rfoverse}\else\begin{pmclverse}\fi}
{\ifrfv\end{rfoverse}\else\end{pmclverse}\fi}
% \end{macrocode}
% \subsection{~Miscellaneous internal counters}
% |\verselinenumber| is the line number, obviously. |\printlineindex|
% records how many lines have passed since the last marginal line
% number was output. |\lineindexrepeat| governs how often the marginal
% line numbers appear. |\lemmalines| and |\lemmaend| are for setting
% number ranges for multiline lemmas.
% \begin{macrocode}
\newcounter{verselinenumber}
\newcounter{printlineindex}
\newcounter{verselinenumberscratch}
\newcounter{printlineindexscratch}
\newcounter{lineindexrepeat} \setcounter{lineindexrepeat}{9}
\newcounter{lemmalines}
\setcounter{lemmalines}{0}
\newcounter{lemmaend}
\setcounter{lemmaend}{0}
% \end{macrocode}
% This next counter is used to make labels for each poem for the contents and notes sections.
% \begin{macrocode}
\newcounter{poemnumber}
\setcounter{poemnumber}{1}
% \end{macrocode}
% These next two are used to set the page numbers in the running
% headers of the various notes sections, which are of the form
% ``Textual notes to pp.~xx--yy.''
% \begin{macrocode}
\newcounter{notepageholdertitle} \setcounter{notepageholdertitle}{1}
\newcounter{notepageholdernote} \setcounter{notepageholdernote}{1}
% \end{macrocode}
% \subsection{~Miscellaneous token lists}
% Since the explanatory notes section and the emendations section should
% only open an entry for poems for which there actually are explanatory notes or
% emendations, the current are held in token lists in case they are needed.|\titlesofar|
% and |\titleincrement| are used to concatenate multi-line titles.
% \begin{macrocode}
\newtoks{\fulltitleholder}
\newtoks{\titlesofar}
\newtoks{\titleincrement}
% \end{macrocode}
% \subsection{~Miscellaneous booleans}
% Most of these have self-explanatory names.
% \begin{macrocode}
\newif\ifinstanza
\newif\ifinpoem
\newif\ifpoemcontentson
\newif\iftextnoteson
\newif\ifverselinenumbers
\newif\ifexplanon
\newif\ifemendationson
\global\verselinenumberstrue
\newif\ifindexingon
\global\indexingontrue
\ifindexingon
\makeindex
\fi
\newif\ifincludeaccidentals
\global\includeaccidentalstrue
\newif\ifincludetypescripts
\global\includetypescriptstrue
\newif\ifredundantemendations
\global\redundantemendationsfalse
\newif\ifnoemendyet
\newif\ifnoexplainyet
\global\noemendyettrue
\global\noexplainyettrue
\newif{\ifmiddlecontentsline}
\middlecontentslinefalse
\newif{\iflastcontentsline}
\lastcontentslinefalse
\newif{\ifputpagenumberincontents}
\putpagenumberincontentstrue
\newif{\ifputpagenumberinnotes}
\putpagenumberinnotestrue
\newif{\ifsinglelinetitle}
\singlelinetitletrue
\newif{\iftitlefirstline}
\titlefirstlinefalse
\newif{\iftitlemiddleline}
\titlemiddlelinefalse
\newif{\iftitlelastline}
\titlelastlinefalse
\newif{\ifverserightflush}
\verserightflushfalse
\newif\ifrangelemma
\rangelemmafalse
\newcommand{\makeverselinenumbers}{\global\verselinenumberstrue}
\let\makelinenumbers=\makeverselinenumbers% for compatibility
\newif\iftextnotesatend
\textnotesatendtrue
\newif\ifemendationsatend
\emendationsatendtrue
\newif\ifexplanatend
\explanatendtrue
\newif\iftextfootnotespara
\textfootnotesparatrue
\newif\ifsourcesfootnotespara
\sourcesfootnotesparafalse
\newif\ifemendationfootnotespara
\emendationfootnotesparatrue
\newif\ifexplanfootnotespara
\explanfootnotesparafalse
% \end{macrocode}
% \subsection{~Page styles} These define several special page styles.
% To use them you must have the \textsf{fancyhdr} package installed.
% First, the default running headers: the right side (|\volumeheader|)
% is the title of the volume in a multivolume edition, and the left
% (|\leftheader|) is the title of the general collection.
% \begin{macro}{\volumeheader} \begin{macro}{\leftheader}
% \begin{macrocode}
\newcommand{\volumeheader}[1]{\global\edef\volumeheadervalue{#1}
}
\newcommand{\leftheader}[1]{\global\edef\leftheadervalue{#1}
}
\leftheader{\relax}
\volumeheader{\relax}
\newcommand{\rightheader}[1]{\volumeheader{#1}}
% \end{macrocode}
% \end{macro}
% \end{macro}
% The default page style. Note the use of the mark mechanism to keep
% track of cases where the stanza breaks and page breaks overlap.
% \begin{macro}{\pagestyle{fancy}}
% \begin{macrocode}
\newlength{\headoffsetlength}
\setlength{\headoffsetlength}{-1sp}
%\addtolength{\headoffsetlength}{\parindent}
\raggedbottom
\pagestyle{fancy}
\fancyhead{}
\fancyfoot{}
\fancyhfoffset[RO,LE]{\headoffsetlength}
\fancyhead[RO]{{\small\textrm{\thepage}}}
\fancyhead[LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{\hfil{\small{\em \volumeheadervalue}}}
\fancyhead[CE]{{\small{\em \leftheadervalue}}\hfil}
\fancyfoot[CE]{{\small \botmark}\hfil}
\fancyfoot[CO]{\hfil{\small \botmark}}
\renewcommand{\headrulewidth}{0pt}
\renewcommand{\footrulewidth}{0pt}
\fancypagestyle{main}{%
\fancyhead{}
\fancyfoot{}
\fancyhfoffset[RO,LE]{\headoffsetlength}
\fancyhead[RO]{{\small\textrm{\thepage}}}
\fancyhead[LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{\hfil{\small{\em \volumeheadervalue}}}
\fancyhead[CE]{{\small{\em \leftheadervalue}}\hfil}
\fancyfoot[CE]{{\small \botmark}\hfil}
\fancyfoot[CO]{\hfil{\small \botmark}}
\renewcommand{\headrulewidth}{0pt}
\renewcommand{\footrulewidth}{0pt}
}
% \end{macrocode}
% \end{macro}
% Style for the first page of every volume in a Collected Poems. You
% don't have to call this style explicitly. It is called by the |\volumetitlepage|
% environment. But of course if you want to change the style of those
% pages, you should do it here.
% \begin{macrocode}
\fancypagestyle{volumefirststyle}{%
\fancyhf{}
\fancyfoot[C]{\hfil{\small \botmark}}
\renewcommand{\headrulewidth}{0pt}
\renewcommand{\footrulewidth}{0pt}
}
% \end{macrocode}
% Style for plain pages.
% \begin{macrocode}
\fancypagestyle{plain}{%
\fancyhf{}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}
\renewcommand{\headrulewidth}{0pt}
\renewcommand{\footrulewidth}{0pt}
}
% \end{macrocode}
% Style for divider pages between volumes
% \begin{macrocode}
\fancypagestyle{volumetitlestyle}{%
\fancyhf{}
\renewcommand{\headrulewidth}{0pt}
\renewcommand{\footrulewidth}{0pt}
}
% \end{macrocode}
% \begin{macro}{\resetpagestyle}
% |\resetpagestyle| restores the fancy page style of the main sections of the
% book. |\putpoemcontents| changes the fancy page style, and |\resetpagestyle|,
% which is called by |\putpoemcontents| as it finishes, restores the original
% style
% \begin{macrocode}
\newcommand{\resetpagestyle}{\pagestyle{main}
% \fancyhead{}
% \fancyfoot{}
% \fancyhead[RO,LE]{{\small\textrm{\thepage}}}
% \fancyhead[CO]{\hfil{\small{\em \volumeheadervalue}}}
% \fancyhead[CE]{{\small{\em \leftheadervalue}\hfil}}
% \fancyfoot[CE]{{\small \botmark}\hfil}
% \fancyfoot[CO]{\hfil{\small \botmark}}
% \renewcommand{\headrulewidth}{0pt}
% \renewcommand{\footrulewidth}{0pt}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\clearemptydoublepage}
% This macro is useful for making sure that the verso of a title
% page is blank.
% \begin{macrocode}
\newcommand{\clearemptydoublepage}{\newpage{\pagestyle{empty}\cleardoublepage}}
%
% \end{macrocode}
% \end{macro}
% \begin{macro}{\mymarks}
% Here the marks mechanism keeps track of pages from which notes
% come. Marks are used different in the notes sections and in the body
% of the volume. In the body, they are used to keep track of cases
% where a stanza break falls on a page break. In the notes sections,
% they set the running headers.
% \begin{macrocode}
\newtoks{\singlepageabbrev}
\singlepageabbrev={p.}
\newcommand{\changesinglepageabbrev}[1]{\singlepageabbrev={#1}}
\newtoks{\multiplepageabbrev}
\newcommand{\changemultiplepageabbrev}[1]{\multiplepageabbrev={#1}}
\multiplepageabbrev{pp.}
\newcommand{\mymarks}{%
\ifthenelse{\equal{\firstmark}{\botmark}}%
{\unskip ~\the\singlepageabbrev~\firstmark}% if equal
{\unskip ~\the\multiplepageabbrev~\firstmark--\botmark}}%if not equal
\newcommand{\poemdotfill}{\dotfill}
% \end{macrocode}
% \end{macro}
% \subsection{~Environments: poem, and stanza} Here are definitions
% of the poem and stanza environments, and of the |\verseline| and
% |\stanzalinestraddle| macros.
% \begin{macro}{stanza}
% Page breaks are slightly encouraged in stanza breaks. Notice that
% entering a stanza sets the mark to |\relax| and leaving it sets the
% mark to * (the default value of |\stanzaatbottom|). If you want to
% use some other symbol for this purpose, use |\stanzaatbottom{}| or
% |\nostanzaatbottom{}| (if you also want to mark cases where there
% is \emph{no} stanza break at the bottom of the page) to change it.
% \begin{macrocode}
\newenvironment{stanza}{\penalty-100\instanzatrue\mark{\nostanzaatbottomvalue\ }}
{\nobreak\mark{\stanzaatbottomvalue\ }\nobreak\ifspeciallinelock%
\relax\else%
\nolinebreak\incrementverselinenumber%
\fi%
\speciallinelockfalse%
\nobreak
\instanzafalse
\stanzaskip
}
\newenvironment{marginenvironment}{}{}
\newcommand{\stanzalinestraddle}
{\begin{stanza}\addtocounter{verselinenumber}{-1}%
\addtocounter{printlineindex}{-1}%
}
% \end{macrocode}
% The next two environments are for contents entries and titles. The
% idea is to handle overrun titles the way overrun lines are handled
% inverse. Contents entries indent the overrun slightly. Titles do
% not indent the overrun relative to the first line, but preserve the
% indentation of that line.
% \begin{macrocode}
\newlength{\contentsentryoverrun}
\setlength{\contentsentryoverrun}{\contentsindentoneamount}
\newenvironment{contentsentryenvironment}{%
\language=255%no hyphenation in contents
\let\\=\@centercr%
\list{}{\topsep\z@%
\partopsep\z@%
\itemsep\z@ \itemindent -\contentsentryoverrun\listparindent \itemindent
\rightmargin 1sp\leftmargin 1sp\advance\leftmargin
\contentsentryoverrun}\item[]}{\endlist}
\newlength{\titleentryoverrun}
\setlength{\titleentryoverrun}{\z@}
\newenvironment{titleentryenvironment}{%
\language=255%no hyphenation in poem titles
\let\\=\@centercr%
\list{}{\topsep\z@%
\partopsep\z@%
\itemsep\z@ \itemindent -\titleentryoverrun\listparindent \itemindent
\rightmargin 1sp\leftmargin 1sp\advance\leftmargin
\titleentryoverrun}\item[]}{\endlist}
% \end{macrocode}
% \end{macro}
% The poem environment. The little trick about setting the language
% number is designed to suppress automatic hyphenation in the poem
% environment. The booleans tell the |\emendation{}| and
% |\explanatory{}| macros that there have not yet been emendations or
% explanatory notes for this poem. The little trick with |\mark| sets
% the value of |\mark| to the current value of |\stanzaatbottom| (by
% default *) if the current location is in a poem but not in a stanza
% (which is to say, in a stanza break). The |\pagestyle| for poetry
% sets the value of |\mark| in the footer, which is * if the page break
% happens at a stanza break, and |\relax| if the page break happens
% anywhere else.
% \begin{macro}{poem}
% \begin{macrocode}
\newenvironment{poem}{\raggedright%
\language=255%no hyphenation in verse
\noemendyettrue%
\noexplainyettrue%
\setcounter{verselinenumber}{0}\setcounter{printlineindex}{0}%
\nobreak\begin{verse}%
\inpoemtrue\nobreak\mark{\relax}%
}{\end{verse}%
\inpoemfalse\mark{\relax}%
\goodbreak\afterpoemskip%\bigskip
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{rightflushverse}
% Sets verse with the runover portions of long lines flushed to the right. Each line
% must begin with |\rightversebegin|.This code was suggested to me by Mark Wooding
% on comp.text.tex, who describes the code as ``very unpleasant.''
% \begin{macrocode}
\newenvironment{rightflushverse}{\let\oldleftskip=\leftskip%
\leftskip=1 \leftskip\advance\leftskip by 0pt plus 1fill}%
{\let\leftskip=\oldleftskip}
% \end{macrocode}
% \end{macro}
% \subsection{~Environments: main title page, divider pages}
% Environments for the main title page, and for the divider pages for
% individual volumes in a Collected Poems.
% \begin{macro}{volumetitlepage}
% \begin{macro}{maintitlepage}
% \begin{macro}{booksectionpage}
% \begin{macrocode}
\newenvironment{volumetitlepage}
{\par\clearpage{\pagestyle{volumetitlestyle}\cleardoublepage}
\thispagestyle{volumetitlestyle}}
{\newpage\thispagestyle{volumetitlestyle}
\cleardoublepage\thispagestyle{volumefirststyle}}
\newenvironment{maintitlepage}
{\par\cleardoublepage\thispagestyle{volumetitlestyle}
}{\newpage\thispagestyle{volumetitlestyle}\cleardoublepage}
\newenvironment{booksectionpage}
{\par\newpage\thispagestyle{volumetitlestyle}}{\newpage}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \subsection{~Marginal line numbers, verse lines, line cross
% references, etc.}\label{marginalgeometry} The default is that the
% line numbers are on the right side, and that the |\marginparsep| is
% 18pt. If you use |\pmclleftsidepar| the placement of the number is
% controlled by |\marginparsep| and |\marginparwidth|. You should
% experiment with different values until you find a set that suits
% you. A rule of thumb for me is that the |\marginparsep| if the
% numbers is on the right should be the negative of the value if it is
% on the left. First, some lengths and ifs:
% \begin{macrocode}
\setlength{\marginparsep}{18pt}
\setlength{\marginparwidth}{10pt}
\newif\ifnumbersswitch \numbersswitchfalse
\newif\ifnumbersright \numbersrighttrue
% \end{macrocode}
% Next, code for |\pmclsidepar|, taken from the memoir class, by
% Peter Wilson. Modified by Dan Luecking.
% \begin{macro}{\pmclsidepar}
% \begin{macrocode}
\newcommand{\pmclsidepar}{\@dblarg{\@pmclsidepar}}
%\long\def\@pmclsidepar[#1]#2{\@bsphack\leavevmode\vadjust{%
\long\def\@pmclsidepar[#1]#2{\@bsphack\strut\vadjust{% added
\checkoddpage
\ifpmclsideparswitch
\ifpmclreversesidepar
\ifoddpage
\oddpagefalse
\else
\oddpagetrue
\fi
\fi
\else
\oddpagetrue
\ifpmclreversesidepar
\oddpagefalse
\fi
\fi
\rlap{\kern-\parindent
\if@twocolumn
\if@firstcolumn % put at left
\kern -\marginparsep \kern -\marginparwidth % at left
\else % put at right
\kern \columnwidth \kern \marginparsep % at right
\fi
\else
\ifoddpage % put at right
\kern \textwidth \kern \marginparsep % at right
\else % put at left
\kern -\marginparsep \kern -\marginparwidth % at left
\fi
\fi
% \vbox to 0pt{%
% \kern \pmclsideparvshift% % vertical shift to align top text lines
% \begin{minipage}{\marginparwidth}%
\setbox0=\vtop to 0pt{% added
\begin{minipage}[t]{\marginparwidth}% added
\ifoddpage #2\else #1\fi%
\end{minipage}%
% \vss}}}\@esphack}
\vss}% added
\vtop to 0pt{\kern\pmclsideparvshift % default should be 0pt
\kern-\dp\strutbox \kern-\ht0 \box0 \vss}}}\@esphack}% added
% \end{macrocode}
% \end{macro}
% \begin{macro}{\thepmemc@@page}
% The value of the page counter.
% \begin{macrocode}
\gdef\thepmemc@@page{\the\c@page}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmemlabel}
% A version of |\label| that uses |\pmemprotected@write|.
% \begin{macrocode}
\providecommand{\pmemlabel}[1]{\@bsphack
\pmemprotected@write\@auxout{}%
{\string\newpmemlabel{#1}{\thepmemc@@page}}%
\@esphack}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmemprotected@write}
% |\pmemprotected@write| is a modified version of the kernel's
% |\protected@write|.
%
% \begin{macrocode}
\long\def\pmemprotected@write#1#2#3{%
\begingroup
\let\thepmemc@@page\relax
#2%
\let\protect\@unexpandable@protect
\edef\reserved@a{\write#1{#3}}%
\reserved@a
\endgroup
\if@nobreak\ifvmode\nobreak\fi\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\newpmemlabel}
% \begin{macro}{\pmemlabelref}
% We have to be able to cope with a particular label
% not (yet) being in the the aux file when we come to check
% the page number.
% \begin{macrocode}
\providecommand{\newpmemlabel}[2]{{\global\@namedef{m@#1}{#2}}}
\providecommand{\pmemlabelref}[1]{%
\expandafter\ifx\csname m@#1\endcsname\relax
0%
\else
\csname m@#1\endcsname
\fi}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\@memcnta}
% We need a scratch count register.
% \begin{macrocode}
\newcount\@memcnta
% \end{macrocode}
% \end{macro}
% \begin{macro}{\checkoddpage}
% This is the user level command to check for odd/even page. It does
% a robust check for |\strictpagecheck| otherwise the simple minded
% check. It sets |\ifoddpage| to TRUE if the page is odd, otherwise
% it sets it to FALSE.
%
% This is now fixed so that it should work for non-arabic page numbering.
% It uses a new label/pageref variant based on the page counter value, not
% its printed representation. This also gets rid of worrying about hyperref!!
% The problem was discovered by Bastiaan Niels Veelo
%
% \begin{macrocode}
\DeclareRobustCommand{\checkoddpage}{%
\oddpagefalse%
\ifstrictpagecheck%
\stepcounter{cp@cntr}\pmemlabel{\cplabel\thecp@cntr}%
\@memcnta=\pmemlabelref{\cplabel\thecp@cntr}\relax
\ifodd\@memcnta\oddpagetrue\fi
\else
\ifodd\c@page\oddpagetrue\fi
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\ifpmclreversesidepar}
% \begin{macro}{\ifpmclsideparswitch}
% Analogues of |\marginpar| controls.
% \begin{macrocode}
\newif\ifpmclreversesidepar
% \pmclreversesideparfalse
\pmclreversesidepartrue
\newif\ifpmclsideparswitch
\pmclsideparswitchfalse
\if@twoside \pmclsideparswitchtrue \fi
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\ifoddpage}
% \begin{macro}{\ifstrictpagecheck}
% \begin{macro}{\c@cp@cntr}
% \begin{macro}{\cplabel}
% The boolean |\ifoddpage| is TRUE if the checked page is odd. The
% boolean |\ifstrictpagecheck| is for turning on (TRUE) and off (FALSE)
% the strictest method of page checking. The counter |cp@cntr| is used
% to make unique labels, which start with |\cplabel|.
% \begin{macrocode}
\newif\ifoddpage
\newif\ifstrictpagecheck
\strictpagecheckfalse
\newcounter{cp@cntr}
\newcommand{\cplabel}{^_}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% Two-column and one-column printing is again realized via a switch
% which is defined in the kernel. The default is single column printing.
%
%
% \begin{macro}{\pmclsideparvshift}
% Vertical shift for sidepar to align with text line
% \begin{macrocode}
\newlength{\pmclsideparvshift}
% \setlength{\pmclsideparvshift}{-2.08ex}% seems to work for all font sizes
%\setlength{\pmclsideparvshift}{-2.58ex}
\setlength{\pmclsideparvshift}{0ex}
% \end{macrocode}
% \end{macro}
% My code resumes here
% \begin{macro}{\verselinenumberstoleft}
% \begin{macro}{\verselinenumberstoright}
% \begin{macrocode}
\newcommand{\verselinenumberstoleft}{%
\setlength{\marginparsep}{18pt}%
\setlength{\marginparwidth}{10pt}%
\numbersswitchfalse\numbersrightfalse}
\newcommand{\verselinenumberstoright}{%
\setlength{\marginparsep}{18pt}%
\setlength{\marginparwidth}{10pt}%
\numbersswitchfalse\numbersrighttrue}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\verselinenumbersswitch}
% \begin{macro}{\verselinenumbersgutter}
% \begin{macro}{\verselinenumbersouter}
% \begin{macrocode}
\newcommand{\verselinenumbersswitch}{%
\strictpagechecktrue%
\setlength{\marginparsep}{18pt}%
\setlength{\marginparwidth}{10pt}%
\numbersswitchtrue\numbersrightfalse\pmclsideparswitchtrue}
\newif\ifnumbersgutter \numbersgutterfalse%
\newcommand{\verselinenumbersgutter}{\verselinenumbersswitch%
\pmclreversesideparfalse%
\numbersguttertrue%
}
\newcommand{\verselinenumbersouter}{\verselinenumbersswitch%
\pmclreversesidepartrue%
\numbersgutterfalse}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \begin{macro}{\putverselinenumber}
% \begin{macrocode}
\newcommand{\putverselinenumber}{\nolinebreak\begin{marginenvironment}%
\nolinebreak%
% \ifnumbersswitch\marginpar{\hfil\textrm{\scriptsize\theverselinenumber}}%
% \else%
% \ifnumbersright\marginpar{\hfil\textrm{\scriptsize\theverselinenumber}}%
% \else%
% \marginpar{\textrm{\scriptsize\theverselinenumber}\hfil}%
% \fi%
% \fi
\ifnumbersswitch\pmclsidepar{\hfil\textrm{\scriptsize\theverselinenumber}}%
\else%
\ifnumbersright\pmclrightsidepar{\hfil\textrm{\scriptsize\theverselinenumber}}%
\else%
\pmclleftsidepar
{\textrm{\scriptsize\theverselinenumber}\hfil}%
\fi%
\fi%
% \marn{\hfil\textrm{\theverselinenumber}}
% \marginpar{\hfil\textrm{\scriptsize\theverselinenumber}}
% \linenumberside{\textrm{\scriptsize\theverselinenumber}\hfil}
% \pmclrightsidepar{\textrm{\scriptsize\theverselinenumber}}
\nolinebreak%
\end{marginenvironment}%
\nolinebreak%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\verseline}
% \begin{macrocode}
\newif\ifspeciallinelock
\speciallinelockfalse
\newcommand{\verseline}{\ifspeciallinelock%
\relax\else%
\nolinebreak\incrementverselinenumber%
\fi%
\speciallinelockfalse%
\nolinebreak\\
}
\newcommand{\incrementverselinenumber}{%
\nolinebreak\addtocounter{verselinenumber}{1}%
\addtocounter{printlineindex}{1}%
\ifnum\theprintlineindex>\thelineindexrepeat%
\ifverselinenumbers\nobreak%
\putverselinenumber\nobreak%
\fi\nobreak%
\setcounter{printlineindex}{0}%
\fi%
}
\newcommand{\setverselinemodulo}[1]{%
\setcounter{lineindexrepeat}{#1}%
\addtocounter{lineindexrepeat}{-1}%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\linebend}
% A linebend is a a normal linebreak from \LaTeX, with no incrementing
% of the line number counter, but the indentation makes the line look
% like a run over line. If you change the value of the run over in the
% definition of the |\verse| environment, be sure to change it here
% too. |\linebend| should be used for tweaking how \textsf{poemscol}
% runs over long lines.
%
% \begin{macrocode}
\newcommand{\linebend}{\\
\hspace{\runoverindentvalue}%
}
% \end{macrocode}
% \end{macro}
% |\saveverselinenumber| and |\restoreverselinenumber| are useful for setting
% prose interjections in the midst of poems.
% \begin{macro}{\saveverselinenumber}
% \begin{macro}{\restoreverselinenumber}
% \begin{macrocode}
\newcommand{\saveverselinenumber}{\setcounter{verselinenumberscratch}%
{\value{verselinenumber}}%
\setcounter{printlineindexscratch}{\value{printlineindex}}}
\newcommand{\restoreverselinenumber}{\setcounter{verselinenumber}%
{\value{verselinenumberscratch}}%
\setcounter{printlineindex}{\value{printlineindexscratch}}}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\rightversebegin}
% By default, \textsf{poemscol} indents the runover portion of long lines by the
% amount |\runoverindent| (by default 6 em). It is possible to set verse so that
% the runover portion is flushed to the right margin. To do this, you should
% enclose the |\poem| environment in the |\rightflushverse| environment. And you
% must mark the beginning of each verse line with |\rightversebegin|
% \begin{macrocode}
\newcommand{\rightversebegin}
{\leavevmode\nobreak\hskip0pt plus -1fill\ignorespaces}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\hour}
% |\hour{}| is useful for typesetting the AM and the PM in the time.
% \begin{macrocode}
\newcommand{\hour}[1]{{{\textsc{#1}}\ $\!\!\!$}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\brokenline}
% \begin{macro}{\versephantom}
% |\brokenline| and |\versephantom{}| are a pair, useful for setting
% cases where there is a line break in the midst of a single metrical
% line. |\tweakbrokenline| ensures that the line number will mark
% the first partial line if the line numbers are on the left, the
% last partial line if the line numbers are on the right. If you
% have issued |\tweakbrokenline| in your preamble, the setting of
% runover lines may not be consistent with the setting of broken
% lines, because the line number will be set on the level of the end
% of the line. This is not a problem if the line numbers are set on
% the right, but it may look odd if the numbers are set on the left.
% |\startverseline| will ensure that the line number marks the
% beginning of any line it begins. If you put |\startverseline| at
% the beginning of the runover lines, it will ensure that the line
% number marks the beginning, not the end, of the line. If you wish
% |\startverseline| to align the number with the beginning of
% runover lines when the line number is on the left, and with the
% end of runover lines when the line number is on the right, issue
% |\tweakstartverseline| in your preamble.
% \begin{macrocode}
\newcommand{\brokenline}{\\}
\newcommand{\versephantom}[1]{\leavevmode\phantom{#1}}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\tweakbrokenline}
% Causes |\brokenline| to set the line number level with the
% beginning of the line if the number is on the left, level with the
% end of the line if the number is on the right. Issue it in the
% preamble.
% \begin{macrocode}
\newcommand{\tweakbrokenline}{%
\renewcommand{\brokenline}{\ifnumbersswitch\relax%
\ifnumbersgutter% shift on odd pages for gutter numbers
\ifodd\c@page \relax \else \speciallinelocktrue\incrementverselinenumber\fi
\else % shift on even pages for outer numbers
\ifodd\c@page \speciallinelocktrue\incrementverselinenumber \fi
\fi
\else \ifnumbersright \relax%
\else \speciallinelocktrue\incrementverselinenumber%
\fi%
\fi%
\\}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\brokenlineatbeginning}
% Issue |\brokenlineatbeginning| if you want broken line to set the
% line number level with the beginning of the line, regardless of
% whether the line number is at the right or at the left
% \begin{macrocode}
\newcommand{\brokenlineatbeginning}{%
\renewcommand{\brokenline}{%
\speciallinelocktrue\incrementverselinenumber%
\\
}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\startverseline}
% Put |\startverseline| at the beginning of every line where you wish
% to ensure that the line number is level with the beginning of the
% line. This is particularly useful for overrun lines when
% |\tweakbrokenline| or |\brokenlineatbeginning| is in effect.
% \begin{macrocode}
\newcommand{\startverseline}{%
\speciallinelocktrue%
\leavevmode%
%\kern-3pt
\incrementverselinenumber%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\tweakstartverseline}
% You may want |\startverseline| to align the line number with the
% beginning of the line if the line number is on the left, and with
% the end of the line if the line number is on the right. To do this,
% issue |\tweakstartline| in your preamble.
% \begin{macrocode}
\newcommand{\tweakstartverseline}{%
\renewcommand{\startverseline}{%
\leavevmode%
\ifnumbersswitch%
% gutter case: shift on odd pages to top of runover line
\ifnumbersgutter%
\ifodd\c@page \relax \else \speciallinelocktrue\incrementverselinenumber\fi
% outer case: shift on even pages to top of runover line
\else
\ifodd\c@page \speciallinelocktrue\incrementverselinenumber \fi
\fi% end of ifnumbersgutter
\else \ifnumbersright \relax% numbers don't switch. Are they to the right?
\else \speciallinelocktrue\incrementverselinenumber% or to the left?
\fi% end of ifnumbersright
\fi% end of ifnumbersswitch
}% end of renewcommand
}% end of tweakverseline
% \end{macrocode}
% \end{macro}
% \begin{macro}{\poemlinelabel}
% |\poemlinelabel| is a hacked version of |\label| for crossreferences by
% line.
% \begin{macrocode}
\def\poemlinelabel#1{\@bsphack
\protected@write\@auxout{}%
{\string\newlabel{#1}{{\theverselinenumber}{\thepage}}}%
\@esphack
}
% \end{macrocode}
% \end{macro}
% \subsection{~Setup for contents, textual notes, emendations, and explanatory notes}
% First, the table of contents:
% \begin{macro}{\makepoemcontents}
% An external file is created with the extension .ctn, and the
% filename of your driver file. The
% channel to that file is called |\poemcontents|. The rest of the
% command is the page style for the contents section. You will notice
% the running head Contents, and the title of the Contents section. I am
% assuming that the table of contents starts on page 5, but it may be
% different in different books.
% If you want to change that page
% number (say, to page 3) without messing with this file, issue
% |\literalcontents{\setcounter{page}{3}| just after you issue
% |\makepoemcontents| Alternatively, you can issue |\makepoemcontents{}| with its
% optional argument, putting the page number in the argument.
% \begin{macrocode}
\newtoks{\pmclcontentsname}
\pmclcontentsname={CONTENTS}
\newtoks{\pmclcontentsheader}
\pmclcontentsheader={Contents}
\newcommand{\changecontentsname}[1]{%
\pmclcontentsname={#1}}
\newcommand{\changecontentsheader}[1]{%
\pmclcontentsheader={#1}}
\newcommand{\makepoemcontents}[1][5]{\global\poemcontentsontrue
\newwrite\poemcontents
\immediate\openout\poemcontents=\jobname.ctn
\literalcontents{\flushbottom\normalfont
{\par\clearpage{\pagestyle{volumetitlestyle}\cleardoublepage}
\pagestyle{fancy}\thispagestyle{volumetitlestyle}}
\pagenumbering{roman}
\setcounter{page}{#1}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{{\small{\em \the\pmclcontentsheader}}}
\fancyhead[CE]{{\small{\em \the\pmclcontentsheader}}}
\fancyfoot{}
\backmattersink
\begin{center}{\normalfont \backmatterheaderfont
\the\pmclcontentsname}\end{center}
\lefthyphenmin=2\backmatterafterheadersink\tolerance=500\language=0}
\literalcontents{ \relax}}
% \end{macrocode}
% \end{macro}
% Next, the textual collations:
% \begin{macro}{\maketextnotes} Like the |\makecontents| macro,
% |\maketextnotes| opens an external file with the extension .ent. It
% makes sure that line numbering is on (since it makes no sense to make
% notes without numbering the lines, particularly since the
% |\textnote{}| macro uses the line number). And it makes sure that the
% notes section is set with a flush bottom line, rather than with the
% ragged bottom line used for the verse sections. Also, it sets a
% label for sending the page number of the textual notes to the table of
% contents.
% \begin{macrocode}
\newtoks{\pmclnotesname}
\pmclnotesname={TEXTUAL NOTES}
\newcommand{\changenotesname}[1]{\pmclnotesname={#1}}
\newtoks{\notesheadername}
\notesheadername={Textual Notes to}
\newcommand{\changenotesheader}[1]{\notesheadername={#1}}
\newtoks{\textnotescontentsname}
\textnotescontentsname={Textual Notes}
\newcommand{\changetextnotescontentsname}[1]{\textnotescontentsname={#1}}
\newcommand{\maketextnotes}{\global\textnotesontrue
\global\verselinenumberstrue
\newwrite\textnotes
\immediate\openout\textnotes=\jobname.ent
\literaltextnote{\flushbottom{\par\clearpage
{\pagestyle{volumetitlestyle}\cleardoublepage}
\thispagestyle{volumetitlestyle}}
\fancyhead{}
\fancyfoot{}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{{\small{\em \the\notesheadername~\mymarks}}}
\fancyhead[CE]{{\small{\em \the\notesheadername~\mymarks}}}
\fancyfoot[C]{}
\mark{3}
\backmattersink
\begin{center}{\normalfont \backmatterheaderfont \the\pmclnotesname}\end{center}
\label{textualnotes}
\lefthyphenmin=2\backmatterafterheadersink\tolerance=500\language=0
\normalfont \backmattertextfont}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\makeemendations}
% Next, the emendations section:
% \begin{macrocode}
\newtoks{\emendationsname}
\emendationsname={EMENDATIONS}
\newcommand{\changeemendationsname}[1]{\emendationsname={#1}}
\newtoks{\emendationsheadername}
\emendationsheadername={Emendations to}
\newcommand{\changeemendationsheader}[1]{\emendationsheadername={#1}}
\newtoks{\emendationscontentsname}
\emendationscontentsname={Emendations}
\newcommand{\changeemendationscontentsname}[1]{%
\emendationscontentsname={#1}}
\newcommand{\makeemendations}{\global\emendationsontrue
\newwrite\emendations
\global\verselinenumberstrue
\immediate\openout\emendations=\jobname.emd
\literalemend{\flushbottom{\par\clearpage
{\pagestyle{volumetitlestyle}\cleardoublepage}
\thispagestyle{volumetitlestyle}}
\fancyhead{}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{{\small{\em \the\emendationsheadername~\mymarks}}}
\fancyhead[CE]{{\small{\em \the\emendationsheadername~\mymarks}}}
\fancyfoot{}
\mark{3}
\backmattersink
\begin{center}{\normalfont \backmatterheaderfont
\the\emendationsname}\end{center}
\label{emendationnotes}
\lefthyphenmin=2\backmatterafterheadersink\tolerance=500\language=0
\normalfont \backmattertextfont}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\makeexplanatorynotes}
% And the explanatory notes:
% \begin{macrocode}
\newtoks{\explanationsname}
\explanationsname={EXPLANATORY NOTES}
\newcommand{\changeexplanationsname}[1]{\explanationsname={#1}}
\newtoks{\explanationsheadername}
\explanationsheadername={Explanatory Notes to}
\newcommand{\changeexplanationsheader}[1]{\explanationsheadername={#1}}
\newtoks{\explanationscontentsname}
\explanationscontentsname={Explanatory Notes}
\newcommand{\changeexplanationscontentsname}[1]{%
\explanationscontentsname={#1}}
\newcommand{\makeexplanatorynotes}{\global\explanontrue
\global\verselinenumberstrue
\newwrite\explanations
\immediate\openout\explanations=\jobname.enx
\literalexplain{\flushbottom{\par\clearpage
{\pagestyle{volumetitlestyle}\cleardoublepage}
\thispagestyle{volumetitlestyle}}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{{\small{\em \the\explanationsheadername~\mymarks}}}
\fancyhead[CE]{{\small{\em \the\explanationsheadername~\mymarks}}}
\fancyfoot{}
\mark{3}
\backmattersink
\begin{center}{\normalfont \backmatterheaderfont
\the\explanationsname}\end{center}
\label{explanatorynotes}
\lefthyphenmin=2\backmatterafterheadersink\tolerance=500\language=0
\normalfont \backmattertextfont }
}
% \end{macrocode}
% \end{macro}
% Auxiliary commands for note and title sections
% \begin{macrocode}
%
\newcommand{\@pagemarktotextnotes}[1]{%
\immediate\write\textnotes{\string\setcounterfrompageref\string{notepageholdertitle\string}%
\string{#1\string}\string\unskip}%
\immediate\write\textnotes{\string\mark%
\string{\string\thenotepageholdertitle\string}}%
}
\newcommand{\@poempagetotextnotes}[1]{%
\immediate\write\textnotes{\string\par\string\argpageref\string{#1\string}\string\unskip}%
\@pagemarktotextnotes{#1}}
\newcommand{\@poemtitletotextnotes}[1]{\literaltextnote{\textbf{#1}}}
% \end{macrocode}
%
% \subsection{~Book, volume, and volume section titles}
% \begin{macro}{\wholebooktitle}
% \begin{macro}{\booksection}
% \begin{macrocode}
\newcommand{\wholebooktitle}[1]{{\Huge\begin{center}
\hbox{#1}\end{center}}
}
\newcommand{\booksection}[1]{\volumesection{#1}}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\volumetitle{}}
% \begin{macrocode}
\newcommand{\volumetitle}[1]{%
\set@p@emtitle{#1}{\volumetitlesink\par}{\volumetitlefont}
{\relax}{\nobreak\par\nobreak}{\z@}
\putpagenumberincontentsfalse
\putpagenumberinnotesfalse
\literalcontents{\goodbreak}
\c@ntentsinfo{#1}{\relax}{\contentsvolumefont}
{\contentsindentoneamount}
\literalcontents{\vspace{5pt}\par\nobreak}
\literaltextnote{\notesvolumetitlepenalty\bigskip\goodbreak\par}
\t@xtnotesinfo{\backmattervolumefont #1 \backmattertextfont\nobreak}
\putpagenumberincontentstrue
\putpagenumberinnotestrue}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\volumetitlefirstline}
% \begin{macro}{\volumetitlelastline}
% \begin{macro}{\volumesubtitle}
% \begin{macro}{\volumesectiontitle}
% \begin{macrocode}
\newcommand{\volumetitlefirstline}[1]{\firstlinesettings%
\set@p@emtitle{#1}{\volumetitlesink\par}
{\volumetitlefont}
{\relax}{\nobreak\par\nobreak}{\z@}
\putpagenumberincontentsfalse
\putpagenumberinnotesfalse
\c@ntentsinfo{#1}{\relax}{\contentsvolumefont}
{\contentsindentoneamount}
% \literalcontents{\vspace{5pt}\par\nobreak}
% \literaltextnote{\notesvolumetitlepenalty\bigskip\par}
\t@xtnotesinfo{\backmattervolumefont #1 \backmattertextfont\nobreak}
\putpagenumberincontentstrue
\putpagenumberinnotestrue}
\newcommand{\volumetitlemiddleline}[1]{\middlelinesettings%
\set@p@emtitle{#1}{\relax}
{\volumetitlefont}
{\relax}{\nobreak\par\nobreak}{\z@}
\putpagenumberincontentsfalse
\putpagenumberinnotesfalse
\c@ntentsinfo{#1}{\contentsindentone}{\contentsvolumefont}
{\contentsindenttwoamount}
\t@xtnotesinfo{\backmattervolumefont #1 \backmattertextfont\nobreak}
\putpagenumberincontentstrue
\putpagenumberinnotestrue}
\newcommand{\volumetitlelastline}[1]{\lastlinesettings%
\set@p@emtitle{#1}{\relax}
{\volumetitlefont}
{\relax}{\nobreak\par\nobreak}{\z@}
\putpagenumberincontentsfalse
\putpagenumberinnotesfalse
\c@ntentsinfo{#1}{\contentsindentone}{\contentsvolumefont}
{\contentsindenttwoamount}
\literalcontents{\vspace{5pt}\par\nobreak}
\t@xtnotesinfo{\backmattervolumefont #1 \backmattertextfont\nobreak}
\putpagenumberincontentstrue
\putpagenumberinnotestrue}
\newcommand{\volumesubtitle}[1]{{\volumesubtitlefont
\volumetitleshift #1 \par}
\ifpoemcontentson
\literalcontents{{\contentsvolumesubtitlefont
#1\vspace{3pt}\par\nobreak}}
\fi
\iftextnoteson\iftextnotesatend
\immediate\write\textnotes{\string\backmattervolumesubtitlefont\ #1}
\immediate\write\textnotes{\string\par \string\backmattertextfont}
\immediate\write\textnotes{\string\nobreak}
\fi\fi
}
\newcommand{\volumesectiontitle}[1]
{\clearpage\thispagestyle{volumefirststyle}
\begin{center} {\volumesubtitlefont\textbf{#1}}
\end{center} \bigskip\bigskip
\ifpoemcontentson
\literalcontents{\goodbreak{\contentsvolumesubtitlefont #1\par\nobreak}}
\fi
\iftextnoteson\iftextnotesatend
\immediate\write\textnotes{\string\notesvolumetitlepenalty}
\immediate\write\textnotes{\string\par \string\begin{bf}}
\immediate\write\textnotes{#1 \string\end{bf}}
\immediate\write\textnotes{\string\par}
\immediate\write\textnotes{\string\nobreak}
\fi\fi
}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \subsection{~Commands for setting titles of poems and sequences}
% First, commands for sending labels to the table of contents and to
% the notes sections. Since these are internal commands, not intended
% to be issued in the body of the text, they might have been marked out
% with ``at'' signs to prevent accidental redefinition. But since they
% are repeatedly written out to the external files, it seemed more
% economical to run the risk of redefinition than to write out
% |\makeatletter| and |\makeatother| with every note.
% \begin{macrocode}
\newcommand{\makepoemlabel}[1]{\label{#1}}
\newcommand{\argpageref}[1]{\pageref{#1}}
% \end{macrocode}
% \subsubsection{Poem Titles}
% \begin{macro}{\poemtitle}\label{poemtitlecode}
% All of the other commands in this section are variations on this
% one, changing the penalties, the skips, the indentations, and the
% fonts. The command breaks into three sections. First, the title
% is set in the text. |\poemtitlepenalty| tests whether there is
% room for the title and the first couple of lines. |\poemtitlefont|
% globally sets the fonts for all poem titles. You can put the
% argument in an |\hbox{}| to make sure that the poem title is not
% broken across two lines, and the |\label| records the page for the
% contents and notes sections. |\afterpoemtitleskip| is the amount
% of white space after a poem title. |\fulltitleholder| and
% |\@compoundlabelscratch| record the title for concatenation later.
% All of these commands can manage titles with control sequences in
% them, such as for italics or international characters. In an
% earlier version there were special commands for such titles, using
% two arguments (one with the control sequence, one without it).
% Those commands are no longer necessary, but have been retained for
% backward compatibility with earlier versions.
%
% Second, the poem is entered in the external file for the table of
% contents. |\contentsindentone| sets it in one level in the hierarchy
% of indentations, and |\contentspoemtitlefont| is the type size used
% for poems in the table of contents. The |\pageref{}| holds the page
% number of the poem.
%
% Third, a new paragraph is opened in the textual notes for textual
% collations. |\@poempagetotextnotes{}| sends the page number to the
% textual notes. |\@poemtitletotextnotes{}| sends the title.
% \begin{macrocode}
\newcommand{\m@kep@emlabel}{\ifsinglelinetitle%
\addtocounter{poemnumber}{1}%
\makepoemlabel{poem\thepoemnumber}%
\else\iftitlefirstline%
\addtocounter{poemnumber}{1}%
\makepoemlabel{poem\thepoemnumber}%
\else \relax
\fi
\fi
}
\newcommand{\m@ken@teholder}[1]{%
\ifsinglelinetitle
\fulltitleholder={#1}%
\global\edef\@compoundlabelscratch{poem\thepoemnumber}%
\else\iftitlefirstline
\fulltitleholder={#1}%
\global\edef\@compoundlabelscratch{poem\thepoemnumber}%
\else\iftitlemiddleline
\titlesofar=\fulltitleholder
\titleincrement={~#1}%
\global\edef\titleconcat{\the\titlesofar \the\titleincrement}%
\fulltitleholder=\expandafter{\titleconcat}%
\global\edef\@compoundlabelscratch{poem\thepoemnumber}%
\else
\titlesofar=\fulltitleholder
\titleincrement={~#1}%
\global\edef\titleconcat{\the\titlesofar \the\titleincrement}%
\fulltitleholder=\expandafter{\titleconcat}%
\global\edef\@compoundlabelscratch{poem\thepoemnumber}%
\fi
\fi
\fi
}
\newcommand{\set@p@emtitle}[6]{\setlength{\titleentryoverrun}{#6}%
{#2}%
{#3 \begin{titleentryenvironment}{#4 #1}\end{titleentryenvironment}}%
{#5}%
\m@kep@emlabel
\m@ken@teholder{#1}%
\setlength{\titleentryoverrun}{\z@}}
\newcommand{\setcontentsleaders}[1]{%
\def\contentsleaders{#1\nobreak%
}}
\setcontentsleaders{~/~}
\newcommand{\c@ntentsinfo}[4]{\ifpoemcontentson
\immediate\write\poemcontents{\string\setlength\string\contentsentryoverrun\string{#4\string}}%
\immediate\write\poemcontents{\string\begin\string{contentsentryenvironment\string}}%
\literalcontents{#2{#3#1}}%
\ifputpagenumberincontents
\immediate\write\poemcontents{\string\contentsleaders}%
\immediate\write\poemcontents{\string\pageref
\string{poem\thepoemnumber\string}}%
\else
\literalcontents{\relax}%
\fi
\immediate\write\poemcontents{\string\end\string{contentsentryenvironment\string}}%
\immediate\write\poemcontents{\string\par}%
\immediate\write\poemcontents{\string\setlength\string\contentsentryoverrun
\string{\string\contentsindentoneamount\string}}%
\fi
}
\newcommand{\t@xtnotesinfo}[1]{\iftextnoteson
\iftextnotesatend
\immediate\write\textnotes{\string\notespoemclubpenalty}%
\ifputpagenumberinnotes
\@poempagetotextnotes{poem\thepoemnumber}%
\fi
\@poemtitletotextnotes{#1}%
% \else
% \relax
\fi\fi
}
\newcommand{\poemtitle}[1]{%
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\z@}%
\c@ntentsinfo{#1}{\contentsindentone}{\contentspoemtitlefont}%
{\contentsindenttwoamount}%
\t@xtnotesinfo{#1}%
}
\newcommand{\poemtitlenocontents}[1]{%
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\z@}%
\t@xtnotesinfo{#1}%
}
\newcommand{\poemtitlebaretitle}[1]{%
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\z@}%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\poemtitleitalic} Poems with italic titles or other
% formatting (such as |\hour{}|) take two arguments. The second
% argument is discarded. This command is to maintain backward compatibility
% with earlier versions.
% \begin{macrocode}
\newcommand{\poemtitleitalic}[2]{%
\poemtitle{#1}}
% \end{macrocode}
% \end{macro}
% For poem subtitles, see the entry on |\sequencesectionsubtitle{}|.
%
% \begin{macro}{\poemtitlefirstline}
% \begin{macro}{\poemtitlemiddleline}
% \begin{macro}{\poemtitlelastline}
% Next, macros for setting multiline poem titles. Notice the special larger
% penalty for page breaks in the middle of multiple line title.
% \begin{macrocode}
\newcommand{\firstlinesettings}{\singlelinetitlefalse
\titlefirstlinetrue
\putpagenumberincontentsfalse
\putpagenumberinnotestrue}
\newcommand{\middlelinesettings}{\singlelinetitlefalse
\titlemiddlelinetrue
\putpagenumberincontentsfalse
\putpagenumberinnotesfalse}
\newcommand{\lastlinesettings}{\singlelinetitlefalse
\titlelastlinetrue
\putpagenumberincontentstrue
\putpagenumberinnotesfalse}
\newcommand{\restoresinglelinesettings}{\putpagenumberinnotestrue
\putpagenumberincontentstrue
\titlefirstlinefalse
\titlemiddlelinefalse
\titlelastlinefalse
\singlelinetitletrue}
\newcommand{\poemtitlefirstline}[1]{
\firstlinesettings
\set@p@emtitle{#1}{\multilinetitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak}{\z@}%
\c@ntentsinfo{#1}{\contentsindentone}{\contentspoemtitlefont}%
{\contentsindenttwoamount}%
\t@xtnotesinfo{#1}%
\restoresinglelinesettings
}
% \end{macrocode}
% Notice the use of token registers and |\edef| here to concatenate the first and second
% lines.
% \begin{macrocode}
\newcommand{\poemtitlemiddleline}[1]{%
\middlelinesettings
\set@p@emtitle{#1}{\par\nobreak}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak}{\z@}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\restoresinglelinesettings
}
\newcommand{\poemtitlelastline}[1]{%
\lastlinesettings
\set@p@emtitle{#1}{\par\nobreak}{\poemtitlefont}%
{\relax}{\nobreak\par\afterpoemtitleskip\nobreak}{\z@}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\restoresinglelinesettings
}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% Titles for sections of poems, and multi-line titles of sections
% of poems
% \begin{macro}{\poemsectiontitle}
% \begin{macro}{\poemsectiontitlefirstline}
% \begin{macro}{\poemsectiontitlemiddleline}
% \begin{macro}{\poemsectiontitlelastline}
% \begin{macrocode}
\newcommand{\poemsectiontitle}[1]{%
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
}
\newcommand{\poemsectiontitlefirstline}[1]{%
\firstlinesettings
\set@p@emtitle{#1}{\multilinetitlepenalty}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak}{\titleindentamount}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\restoresinglelinesettings
}
\newcommand{\poemsectiontitlemiddleline}[1]{%
\middlelinesettings
\set@p@emtitle{#1}{\relax}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak}{\titleindentamount}%
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}%
{\contentsindentfouramount}%
\t@xtnotesinfo{#1}%
\restoresinglelinesettings
}
\newcommand{\poemsectiontitlelastline}[1]{%
\lastlinesettings
\set@p@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\afterpoemtitleskip\nobreak}%
{\titleindentamount}%
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}%
{\contentsindentfouramount}%
\t@xtnotesinfo{#1}%
\restoresinglelinesettings
}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \begin{macro}{\poemsectiontitlenocontents}
% \begin{macro}{\poemsectionbaretitle}
% \begin{macro}{\poemsubsectiontitle}
% \begin{macro}{\poemtitlenotitle}
% \begin{macro}{\poemtitlenotitleitalic}
% \begin{macrocode}
\newcommand{\poemsectiontitlenocontents}[1]{%
\sequencesubsectiontitlenocontents{#1}}%
\newcommand{\poemfirstsectiontitle}[1]{%
\set@p@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
}
\newcommand{\poemfirstsectiontitlebaretitle}[1]{%
\set@p@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}}
\newcommand{\poemsectiontitlebaretitle}[1]{%
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}%
}
\newcommand{\poemsubsectiontitle}[1]{%
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}%
{\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindenttwoamount}%
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}%
{\contentsindentfouramount}%
\t@xtnotesinfo{#1}%
}
\newcommand{\poemtitlenotitle}[1]{%
\m@kep@emlabel
\m@ken@teholder{#1}%
\c@ntentsinfo{#1}{\contentsindentone}{\contentspoemtitlefont}%
{\contentsindenttwoamount}%
\t@xtnotesinfo{#1}%
}
\newcommand{\poemtitlenotitleitalic}[2]{%
\poemtitlenotitle{1}}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
%
% \subsubsection{Poetic Sequences: Setting the Main Title}
% \begin{macro}{\sequencetitle}
% Variants here for multiple line titles and titles with font
% commands. Also some all-purpose kludges to work around other problems.
% \begin{macrocode}
\newcommand{\sequencetitle}[1]{
\set@p@emtitle{#1}{\sequencetitlepenalty}{\sequencetitlefont}
{\relax}{\nobreak\par\nobreak\aftersequencetitleskip\nobreak}{\z@}
\putpagenumberincontentsfalse
\c@ntentsinfo{#1}{\contentsindentone}{\contentssequencetitlefont}
{\contentsindenttwoamount}
\putpagenumberincontentstrue
\t@xtnotesinfo{#1}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\sequencetitlefirstline}
% \begin{macro}{\sequencetitlemiddleline}
% \begin{macro}{\sequencetitlelastline}
% To set the title of a poetic sequence if it requires several lines
% to do so.
% \begin{macrocode}
\newcommand{\sequencetitlefirstline}[1]{
\firstlinesettings
\set@p@emtitle{#1}{\multilinesequencepenalty}{\sequencetitlefont}
{\relax}{\nobreak\par\nobreak}{\z@}
\c@ntentsinfo{#1}{\contentsindentone}{\contentssequencetitlefont}
{\contentsindenttwoamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencetitlemiddleline}[1]{
\middlelinesettings
\set@p@emtitle{#1}{\par\nobreak}{\sequencetitlefont}
{\relax}{\nobreak\par\nobreak}{\z@}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentssequencetitlefont}
{\contentsindentthreeamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencetitlelastline}[1]{
\lastlinesettings
\set@p@emtitle{#1}{\par\nobreak}{\sequencetitlefont}
{\relax}{\nobreak\par\aftersequencetitleskip\nobreak}{\z@}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentssequencetitlefont}
{\contentsindentthreeamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \subsubsection{Sections of poetic sequences}
% \begin{macro}{\sequencesectiontitle}
% First, the easy case: a simple section of a poetic sequence.
% \begin{macrocode}
\newcommand{\sequencesectiontitle}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
{\contentsindentthreeamount}
\t@xtnotesinfo{#1}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\sequencefirstsectiontitle}
% The first poem in a sequence is a special case.
% \begin{macrocode}
\newcommand{\sequencefirstsectiontitle}[1]{
\set@p@emtitle{#1}{\par\nobreak\afterpoemtitleskip}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
{\contentsindentthreeamount}
\t@xtnotesinfo{#1}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\sequencesectiontitlenonotes}
% If you don't have any notes on a sequence section, it seems a shame
% to open an entry in the textual notes for that section:
% \begin{macrocode}
\newcommand{\sequencetitlenonotes}[1]{
\set@p@emtitle{#1}{\par\nobreak}{\sequencetitlefont}
{\relax}{\nobreak\par\aftersequencetitleskip\nobreak}{\z@}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentssequencetitlefont}
{\contentsindentthreeamount}
%\t@xtnotesinfo{#1}
}
\newcommand{\sequencesectiontitlenonotes}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
{\contentsindentthreeamount}
%\t@xtnotesinfo{#1}
}
% \end{macrocode}
% \end{macro}
% For multiple line titles of sequence sections
% \begin{macrocode}
\newcommand{\sequencesectiontitlefirstline}[1]{
\firstlinesettings
\set@p@emtitle{#1}{\multilinetitlepenalty}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak}{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
{\contentsindentthreeamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencesectiontitlemiddleline}[1]{
\middlelinesettings
\set@p@emtitle{#1}{\par\nobreak}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak}{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
{\contentsindentfouramount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencesectiontitlelastline}[1]{
\lastlinesettings
\set@p@emtitle{#1}{\par\nobreak}{\poemtitlefont}
{\titleindent}{\nobreak\par\afterpoemtitleskip\nobreak}{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
{\contentsindentfouramount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
% \end{macrocode}
% The following macros are
% to kludge around situations where the section title is just a number. This
% macro has two arguments. Originally, the first was the title of the section.
% The second is the title of the sequence as a whole. I've retained
% the second argument for backward compatibility with earlier versions, but
% you can set it to anything, since it's discarded now.
% \begin{macrocode}
\newcommand{\sequencefirstsectiontitlenocontents}[2]{
\set@p@emtitle{#1}{\par\nobreak\afterpoemtitleskip}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
%\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencesectiontitlenocontents}[2]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
%\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
\t@xtnotesinfo{#1}
}
% \end{macrocode}
% If the first section of a sequence is a multiple line title, the
% following macros can handle the special problems that situation poses.
% \begin{macrocode}
\newcommand{\sequencefirstsectiontitlefirstline}[1]{
\firstlinesettings
\set@p@emtitle{#1}{\par\nobreak\afterpoemtitleskip}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
{\contentsindentthreeamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencefirstsectiontitlemiddleline}[1]{
\sequencesectiontitlemiddleline{#1}}
\newcommand{\sequencefirstsectiontitlelastline}[1]
{\sequencesectiontitlelastline{#1}}
\newcommand{\sequencefirstsectiontitlenonotes}[1]{
\set@p@emtitle{#1}{\par\nobreak\afterpoemtitleskip}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentamount}
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}
{\contentsindentthreeamount}
%\t@xtnotesinfo{#1}
}
% \end{macrocode}
% \begin{macro}{\sequencesectionsubtitle}
% \begin{macro}{\poemsubtitle}
% \begin{macrocode}
\newcommand{\sequencesectionsubtitle}[1]{{\subsectiontitlefont \hbox{\titleindent #1}}
\nobreak\par\nobreak\afterpoemtitleskip\nobreak
}
\newcommand{\poemsubtitle}[1]{\sequencesectionsubtitle{#1}
}
% \end{macrocode}
% \end{macro}
% \end{macro}
% Another (former) kludge for special situations:
% \begin{macrocode}
\newcommand{\sequencesectiontitleitalicnonotes}[2]
{\sequencesectiontitlenonotes{#1}
}
% \end{macrocode}
% Italic titles used to require two arguments. These commands
% are retained only for backward compatibility.
%
% \begin{macro}{\sequencesectiontitleitalic}
% \begin{macrocode}
\newcommand{\sequencesectiontitleitalic}[2]{
\sequencesectiontitle{#1}}
\newcommand{\sequencesectiontitlefirstlineitalic}[2]
{\sequencesectiontitlefirstline{#1}}
\newcommand{\sequencesectiontitlebaretitle}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\titleindentamount}
}
% \end{macrocode}
% \end{macro}
% \subsubsection{Subsections of sequences}
% \begin{macro}{\sequencesubsectiontitle}
% Continuing several levels down: macros for setting subsections and
% subsubsections of sequences.
% \begin{macrocode}
\newcommand{\sequencesubsectiontitle}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindenttwoamount}
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
{\contentsindentfouramount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencesubsectiontitlenocontents}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindenttwoamount}
%\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}{\contentsindentfouramount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencefirstsubsectiontitle}[1]
{\set@p@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindenttwoamount}
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
{\contentsindentfouramount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencefirstsubsectiontitlenocontents}[1]
{\set@p@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindenttwoamount}
%\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
%{\contentsindentfouramount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencesubsectiontitlefirstline}[1]{
\firstlinesettings
\set@p@emtitle{#1}{\multilinetitlepenalty}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak}{\titleindenttwoamount}
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
{\contentsindentfouramount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencesubsectiontitlemiddleline}[1]{
\middlelinesettings
\set@p@emtitle{#1}{\nobreak}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak}{\titleindenttwoamount}
\c@ntentsinfo{#1}{\contentsindentfour}{\contentspoemtitlefont}
{\contentsindentfiveamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencesubsectiontitlelastline}[1]{
\lastlinesettings
\set@p@emtitle{#1}{\nobreak}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\afterpoemtitleskip\nobreak}
{\titleindenttwoamount}
\c@ntentsinfo{#1}{\contentsindentfour}{\contentspoemtitlefont}
{\contentsindentfiveamount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencesubsubsectiontitle}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}
{\titleindent\titleindent\titleindent}
{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentthreeamount}
\c@ntentsinfo{#1}{\contentsindentfour}{\contentspoemtitlefont}
{\contentsindentfiveamount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencesubsubsectiontitlenocontents}[1]{
\set@p@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}
{\titleindent\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentthreeamount}
%\c@ntentsinfo{#1}{\contentsindentfour}{\contentspoemtitlefont}
%{\contentsindentfiveamount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencefirstsubsubsectiontitlenocontents}[1]{
\set@p@emtitle{#1}{\nobreak\par\nobreak}{\subsectiontitlefont}
{\titleindent\titleindent\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}
{\titleindentthreeamount}
%\c@ntentsinfo{#1}{\contentsindentfour}{\contentspoemtitlefont}{\contentsindentfiveamount}
\t@xtnotesinfo{#1}
}
\newcommand{\sequencefirstsubsectiontitlefirstline}[1]{
\firstlinesettings
\set@p@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}
{\titleindent\titleindent}{\nobreak\par\nobreak}{\titleindenttwoamount}
\c@ntentsinfo{#1}{\contentsindentthree}{\contentspoemtitlefont}
{\contentsindentfouramount}
\t@xtnotesinfo{#1}
\restoresinglelinesettings
}
\newcommand{\sequencefirstsubsectiontitlemiddleline}[1]{
\sequencesubsectiontitlemiddleline{#1}}
\newcommand{\sequencefirstsubsectiontitlelastline}[1]{
\sequencesubsectiontitlelastline{#1}}
% \end{macrocode}
% \end{macro}
% Interjections in sequences, as in Robert Penn Warren's \emph{Or Else}.
% \begin{macrocode}
\newcommand{\interjectiontitlefirstline}[1]{
\sequencefirstsubsectiontitlefirstline{#1}}
\newcommand{\interjectiontitlelastline}[1]{
\sequencefirstsubsectiontitlelastline{#1}
}
\newcommand{\interjectiontitlemiddleline}[1]{
\sequencefirstsubsectionmiddleline{#1}
}
% \end{macrocode}
% \begin{macro}{\setmargpoemtitle}
% Titles with a marginal reference to the notes giving the page in
% the notes where a comment on the poem appears, as in Altenberg's
% Heredia edition.\label{JHpoemtitle} |\setmargpoemtitle| takes as
% its second argument anything you want to add to the line while the
% title is being processed. |\JHpoemtitle| is just
% |\setmargpoemtitle| with the second argument passed to |\JHlabel|,
% which actually makes the marginal mark.
% \begin{macrocode}
\newcommand{\setmargpoemtitle}[2]{%
\set@margp@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\z@}{#2}%
\c@ntentsinfo{#1}{\contentsindentone}{\contentspoemtitlefont}%
{\contentsindenttwoamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\set@margp@emtitle}[7]{\setlength{\titleentryoverrun}{#6}%
{#2}%
{#3 \begin{titleentryenvironment}%
{#4 #1 #7}\end{titleentryenvironment}}%
{#5}%
\m@kep@emlabel%
\m@ken@teholder{#1}%
\setlength{\titleentryoverrun}{\z@}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\JHpoemtitle} Macros to set marginal line
% references.
% \begin{macrocode}
% \newcommand{\JHpoemtitle}[2]{%
% \setmargpoemtitle{#1}{\JHlabel{#2}}%
% }
\newcommand{\JHpoemtitle}[2]{%
\set@margp@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\z@}%
{\JHlabel{#2}}%
\c@ntentsinfo{#1}{\contentsindentone}{\contentspoemtitlefont}%
{\contentsindenttwoamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHprosesectiontitle}[2]{%
\set@margp@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\relax}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}{\z@}%
{\JHlabel{#2}}%
\c@ntentsinfo{#1}{\contentsindentone}{\contentspoemtitlefont}%
{\contentsindenttwoamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHlabel}[1]{%
\marginpar{{\scriptsize{\the\margrefmarker~p.~\pageref{#1}}}}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\JHsequencetitle} Macros to set marginal page
% references for sequences, sequence sections, poem sections, poem
% subtitles, dedications, and epigraphs.
% \begin{macrocode}
\newcommand{\JHsequencetitle}[2]{%
\set@margp@emtitle{#1}{\sequencetitlepenalty}{\sequencetitlefont}%
{\relax}{\nobreak\par\nobreak\aftersequencetitleskip\nobreak}{\z@}%
{\JHlabel{#2}}%
\putpagenumberincontentsfalse%
\c@ntentsinfo{#1}{\contentsindentone}{\contentssequencetitlefont}%
{\contentsindenttwoamount}%
\putpagenumberincontentstrue%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHsequencesectiontitle}[2]{%
\set@margp@emtitle{#1}{\poemtitlepenalty}{\poemtitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}{\JHlabel{#2}}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHsequencefirstsectiontitle}[2]{%
\set@margp@emtitle{#1}{\par\nobreak\afterpoemtitleskip}{\poemtitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}{\JHlabel{#2}}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHpoemsectiontitle}[2]{%
\set@margp@emtitle{#1}{\poemtitlepenalty}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}{\JHlabel{#2}}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHpoemfirstsectiontitle}[2]{%
\set@margp@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}{\JHlabel{#2}}%
\c@ntentsinfo{#1}{\contentsindenttwo}{\contentspoemtitlefont}%
{\contentsindentthreeamount}%
\t@xtnotesinfo{#1}%
\sources{\label{#2}}%
}
\newcommand{\JHsequencesectionsubtitle}[2]{%
\set@margp@emtitle{#1}{\par\nobreak}{\subsectiontitlefont}%
{\titleindent}{\nobreak\par\nobreak\afterpoemtitleskip\nobreak}%
{\titleindentamount}{\JHlabel{#2}}%
\sources{\label{#2}}%
}
\newcommand{\JHpoemsubtitle}[2]{\JHsequencesectionsubtitle{#1}{#2}
}
\newcommand{\JHdedication}[2]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}%
\emph{#1}\JHlabel{#2}\end{epigraphquote}%
\sources{\label{#2}}\afterpoemtitleskip\nopagebreak}
\newcommand{\JHepigraph}[2]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}%
\emph{#1}\JHlabel{#2}\end{epigraphquote}%
\sources{\label{#2}}\afterpoemtitleskip\nopagebreak}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\margreftextnote} Macros to set marginal page
% references showing where in the apparatus a comment upon the
% marked line is to be found. |\margrefspecial{}| is for occasions
% when you might need to set the label by hand. For instance, suppose
% you have several textnotes on a line, and the note you wish to draw
% attention to is on a different page from the other notes.
% |\margreftextnote| under those circumstances will point only to the
% first note. Use |\margrefspecial| to point to the other note,
% giving |\margrefspecial| a unique argument, and opening that note
% with a \label{} command using the same argument.
%
% \begin{macrocode}
\newcounter{margrefnumber}
\setcounter{margrefnumber}{1}
\newtoks{\margrefmarker}
\margrefmarker={\dag}
\newcommand{\setmargrefmarker}[1]{\margrefmarker={#1}}
\newcommand{\makemargreflabel}{\string\label\string{margref\themargrefnumber\string}}
\newcommand{\setmargref}
{\marginpar{\scriptsize {\the\margrefmarker~p.~\pageref{margref\themargrefnumber}}}
}
\newcommand{\margreftextnote}{%
\iftextnoteson\addtocounter{margrefnumber}{1}%
\immediate\write\textnotes{\makemargreflabel}%
\setmargref\else\relax\fi%
}
\newcommand{\margrefexplanatory}{%
\ifexplanon\addtocounter{margrefnumber}{1}%
\immediate\write\explanations{\makemargreflabel}%
\setmargref\else\relax\fi%
}
\newcommand{\margrefemendation}{%
\ifemendationson\addtocounter{margrefnumber}{1}%
\immediate\write\emendations{\makemargreflabel}%
\setmargref\else\relax\fi%
}
\newcommand{\margrefspecial}[1]{%
\marginpar{\scriptsize {\the\margrefmarker~p.~\pageref{#1}}}
}
% \end{macrocode}
% \end{macro}
% To change other title making commands to produce titles which add
% something while processing the title, you should: 1. add one to
% the number of arguments it uses 2. replace the use of
% |\set@p@emtitle| with |\set@margp@emtitle| 3. add |{#2}| or
% |\JHlabel{#2}| or whatever as the
% last (seventh) argument to |\set@margp@emtitle|. So, to change
% |\sequencetitle{}| to |\JHsequencetitle{}{}| start with:
% \begin{verbatim}
% \newcommand{\sequencetitle}[1]{
% \set@p@emtitle{#1}{\sequencetitlepenalty}{\sequencetitlefont}
% {\relax}{\nobreak\par\nobreak\aftersequencetitleskip\nobreak}{\z@}
% \putpagenumberincontentsfalse
% \c@ntentsinfo{#1}{\contentsindentone}{\contentssequencetitlefont}
% {\contentsindenttwoamount}
% \putpagenumberincontentstrue
% \t@xtnotesinfo{#1}
% }
% \end{verbatim}
% and change it to
% \begin{verbatim}
% \catcode`\@=11
% \newcommand{\JHsequencetitle}[2]{
% \set@margp@emtitle{#1}{\sequencetitlepenalty}{\sequencetitlefont}
% {\relax}{\nobreak\par\nobreak\aftersequencetitleskip\nobreak}{\z@}
% {\JHlabel{#2}}\putpagenumberincontentsfalse
% \c@ntentsinfo{#1}{\contentsindentone}{\contentssequencetitlefont}
% {\contentsindenttwoamount}
% \putpagenumberincontentstrue
% \t@xtnotesinfo{#1}
% }
% \catcode`\@=12
% \end{verbatim}
% \subsection{~Epigraphs, headnotes, attributions, dedications}
% Notice that epigraphs to volumes are handled differently from
% epigraphs to poems.
% \begin{macro}{\epigraph}
% \begin{macro}{\headnote}
% \begin{macro}{\attribution}
% \begin{macro}{\poemdedication}
% \begin{macro}{\volumededication}
% \begin{macro}{\volumeepigraph}
% \begin{macro}{\volumeattribution}
% \begin{macrocode}
\newcommand{\epigraph}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
\emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\newcommand{\headnote}[1]{\epigraph{#1}}
\newcommand{\attribution}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
{\small\emph{#1}}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\newcommand{\poemdedication}[1]{\nopagebreak\afterpoemtitleskip\begin{epigraphquote}
\emph{#1}\end{epigraphquote}\afterpoemtitleskip\nopagebreak}
\providecommand{\dedication}[1]{\poemdedication{#1}}
\newcommand{\volumededication}[1]{\par\bigskip\begin{volumetitlepagequote}
\emph{#1}\end{volumetitlepagequote}}
\newcommand{\volumeepigraph}[1]{\par\bigskip\begin{volumetitlepagequote}
\emph{#1}\end{volumetitlepagequote}}
\newcommand{\volumeattribution}[1]{\par\smallskip\begin{volumetitlepagequote}
{\small \emph{#1}}\end{volumetitlepagequote}}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \end{macro}
% \subsection{~Tools used for making note sections} The main tool is
% a dirty trick borrowed from John Lavagnino's package for endnotes,
% \textsf{endnotes}, which allows for writing out literal characters to an
% external file. The trick involves redefining the space character as
% the newline character and treating the text of the note as the body of
% a macro that |\meaning| specifies. The result is that the text is
% written to the external file in a long ribbon one word wide.
% \begin{macrocode}
\def\strip#1>{}
\newcommand{\literaltextnote}[1]{\iftextnotesatend
\begingroup
\def\next{#1}%
\newlinechar='40
\immediate\write\textnotes{\expandafter\strip\meaning\next}%
\endgroup\fi
}
\newcommand{\literalemend}[1]{\ifemendationsatend
\begingroup
\def\next{#1}%
\newlinechar='40
\immediate\write\emendations{\expandafter\strip\meaning\next}%
\endgroup\fi
}
\newcommand{\literalexplain}[1]{\ifexplanatend
\begingroup
\def\next{#1}%
\newlinechar='40
\immediate\write\explanations{\expandafter\strip\meaning\next}%
\endgroup\fi
}
\newcommand{\literalcontents}[1]{\ifpoemcontentson
\begingroup
\def\next{#1}%
\newlinechar='40
\immediate\write\poemcontents{\expandafter\strip\meaning\next}%
\endgroup\fi
}
\newcommand{\literaltextnoteshort}[1]{
\iftextnotesatend
\begingroup
\def\next{#1}%
\immediate\write\textnotes{\expandafter\strip\meaning\next}%
\endgroup\fi}
\newcommand{\literalemendshort}[1]{\ifemendationsatend
\begingroup
\def\next{#1}%
\immediate\write\emendations{\expandafter\strip\meaning\next}%
\endgroup\fi}
\newcommand{\literalexplainshort}[1]{\ifexplanatend
\begingroup
\def\next{#1}%
\immediate\write\explanations{\expandafter\strip\meaning\next}%
\endgroup\fi}
\newcommand{\literalcontentsshort}[1]{\ifpoemcontentson
\begingroup
\immediate\write\poemcontents{\expandafter\strip\meaning\next}%
\endgroup\fi}
\newcommand{\sameword}{$\sim$}
\newcommand{\missingpunct}{${}_{\wedge}$}
% \end{macrocode}
% \begin{macro}{\pmccheckifinteger}
% |\pmccheckifinteger{|\meta{num}|}| checks if \meta{num} is an integer.
% If it is, then |\ifinteger| is set TRUE, otherwise it is set FALSE.
% (Code taken from memoir class, and based on Donald Arseneau's
% |\Lpack{cite}| package).
% \begin{macrocode}
\newcommand{\pmccheckifinteger}[1]{%
\protected@edef\@vsa{#1}%
\ifcat _\ifnum9<1\pmcgobm{#1} _\else A\fi
\integertrue%
\else
\integerfalse%
\fi%
}
\newif\ifinteger
% \begin{macro}{\pmcgobm}
% |\pmcgobm{|\meta{num}|}| is defined as \meta{num}. It could be defined as: \\
% |\newcommand{\pmcgobm}[1]{\ifx-#1\expandafter\gobm\else#1\fi}| \\
% which would remove a leading minus sign (hyphen) from its argument
% (|gobm| = gobble minus sign).
% (Code from memoir class and a posting to comp.text.tex by Donald Arseneau on 1997/07/21).
% \begin{macrocode}
\newcommand{\pmcgobm}[1]{#1}
% \end{macrocode}
% \end{macro}
% \subsection{~Commands to make notes and send info to contents}
% \begin{macro}{\setlemmarange}
% |\setlemmarange| calculates the range of line numbers for multi-line
% lemmas.
% \begin{macrocode}
% \newcommand{\setlemmarange}[1]{
% \setcounter{lemmalines}{#1}
% \ifthenelse{\equal{\value{lemmalines}}{0}}{\rangelemmafalse}{\rangelemmatrue}
% \setcounter{lemmaend}{\theverselinenumber}
% \addtocounter{lemmaend}{\thelemmalines}
% }
\newcommand{\setlemmarange}[1]{%
\pmccheckifinteger{#1}%
\ifinteger
\setcounter{lemmalines}{#1}%
\ifthenelse{\equal{\value{lemmalines}}{0}}{\rangelemmafalse}{\rangelemmatrue}%
\setcounter{lemmaend}{\theverselinenumber}%
\addtocounter{lemmaend}{\thelemmalines}%
\else
\setcounterfromref{lemmaend}{#1}\rangelemmatrue
\fi
\makeatother}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\citerange}
% |\citerange| sets the range of line numbers for multi-line lemmas
% \begin{macrocode}
\newcommand{\citerange}{%
\ifrangelemma
\theverselinenumber --\thelemmaend
\else
\theverselinenumber
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\resetlemmacounters}
% |\resetlemmacounters| resets the counts for multiline lemmas.
% \begin{macrocode}
\newcommand{\resetlemmacounters}{\rangelemmafalse
\setcounter{lemmalines}{0}%
\setcounter{lemmaend}{0}%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\checknoteheaders}
% |\checknoteheaders| Checks and corrects the values in the running
% headers of notes sections. The running headers are of the form
% ``Notes to pages xx--yy.'' Every title and every note checks
% whether the values in the running header should be changed. This
% command essentially gives a list of strings to be written on the
% external file for the note section. When these strings are read
% back in when the file is set, they make a little program that
% recalculates the values in the headers during the processing of
% every note. Also typesets the line number or line number range in
% notes sections.
% \begin{macrocode}
\newcommand{\checknoteheaders}{\string\setcounter\string{notepageholdernote\string}%
\string{\thepage\string}\string\ifhmode\string\unskip\string\fi%
\string\ifthenelse\string{\string\value\string{notepageholdernote\string}>%
\string\value\string{notepageholdertitle\string}\string}%
\string{\string\mark\string{\string\thenotepageholdernote\string}\string}%
\string{\string\mark\string{\string\thenotepageholdertitle\string}\string}\string\unskip
\string\unskip\string\relax\ \citerange :\string~\string\nolinebreak}%
% \end{macrocode}
% \end{macro}
% \begin{macro}{\textnote}
% The
% basic |\textnote{}| command, on which everything else is based, has
% several parts. First, it writes out a little program
% on the external endnotes file which, when it is read back in when
% the endnotes are typeset, sets a variable with the value of
% the page of the line the note is commenting upon and checks to see
% whether that value is equal to or greater than that of previous notes
% on that page of notes. Depending upon the outcome of that test, it
% sets the value of |\mark| with the correct numbers to print the proper
% running header of the form ``Textual Notes to pp.xx--yy.'' Second, it
% sends the line number of the line it is a comment upon and the text of
% the note to the notes section. The optional first argument is the
% number of lines covered by a multiline lemma. If there is no
% optional first argument specified, the default is 0. The second
% argument is the text of the note, which includes the rest of the
% lemma, other than the line number. It is up to you to suitably
% abbreviate long lemmas.
%
%
%
% \begin{macrocode}
\newcommand{\textnote}[2][0]{%
\iftextnoteson
\setlemmarange{#1}%
\immediate\write\textnotes{\checknoteheaders}%
\literaltextnote{#2}%
\fi
\resetlemmacounters
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\accidental}
% Accidentals: As it is, the command just tests to see whether
% accidentals are being included or not, and sets the accidental as a
% textnote if accidentals are being included. It would not be hard to
% divert accidentals to another external file in order to compile a
% separate list of accidentals. Accidentals, by their nature, cannot have multiline
% lemmas.
% \begin{macrocode}
\newcommand{\accidental}[1]{%
\iftextnoteson%
\ifincludeaccidentals%
\iftextnotesatend\immediate\write\textnotes{\string\nobreak}\fi%
\textnote{#1}%
\iftextnotesatend\immediate\write\textnotes{\string\nobreak}\fi%
\fi\fi
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\tsvariant}
% \begin{macro}{\tsaccidental}
% Typescript variants. Treated like accidentals. If they are being
% collected, they are sent to the textual notes. Again, it would not be
% hard to collect them separately. Typescript variants can have
% multiline lemmas.
% \begin{macrocode}
\newcommand{\tsvariant}[2][0]{%
\iftextnoteson
\ifincludetypescripts%
\iftextnotesatend\immediate\write\textnotes{\string\nobreak}\fi%
\textnote[#1]{#2}%
\iftextnotesatend\immediate\write\textnotes{\string\nobreak}\fi%
\fi\fi
}
\newcommand{\tsaccidental}[1]{\iftextnoteson\ifincludetypescripts\accidental{#1}\fi\fi}
% \end{macrocode}
% \end{macro}
% \end{macro}
% \begin{macro}{\tsentry}
% Typescript entries. Allows one to to selectively include or exclude
% typescript entries from lists of variants. If an entry begins with
% a comma (as it commonly will, since it will typically be a member
% of a list of entries, you need not put |\unskip| before the comma,
% since \textsf{poemscol} will do it for you. Thanks to Donald
% Arseneau for suggesting how to do this.
% \begin{macrocode}
\newcommand{\tsentry}[1]{\iftextnoteson\ifincludetypescripts{\@ifnextchar,{\unskip}{%
�\@ifnextchar;{\unskip}{}%
}#1}\fi\fi\unskip}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\sources}
% |\sources{}| is essentially a |\textnote{}| with no line number
% and no page checking. Useful for typesetting the sources of the text
% (hence the name) and for sending literal characters to the endnotes
% file for other purposes.
% \begin{macrocode}
\newcommand{\sources}[1]{%
\iftextnoteson
\begingroup
\newlinechar='40
\def\next{#1}%
\immediate\write\textnotes{\expandafter\strip\meaning\next}%
\endgroup
\fi
}
% \end{macrocode}
% \end{macro}
%
% \subsection{~Emendations and explanatory notes}
% The difference between these kinds of notes and ordinary
% |\textnotes{}| is that they must first test to see whether there have
% been any emendations or explanatory notes for the poem in question.
% If there have not been prior notes, then a new paragraph must be
% opened and the page number and title of the poem set in the note
% section.
% \begin{macro}{\titletoothernotes}
% |\titletoothernotes| sends the page and title information to the
% Emendations or Explanatory Notes sections. It is called only for
% the first emendation or explanatory note for a poem. It is designed
% so that if the user wishes to define another category of notes in
% which might not apply to all of the poems to be set --- not all
% poems, for instance, have emendations --- this command can be used
% for those notes as well.
% \begin{macrocode}
\newcommand{\titletoothernotes}{\string\par
\string\argpageref\string{\@compoundlabelscratch\string}%
\string\setcounterfrompageref\string{notepageholdertitle\string}%
\string{\@compoundlabelscratch\string}%
\string\textbf\string{\ \the\fulltitleholder\string}}%
% \end{macrocode}
% \end{macro}
% \begin{macro}{\emendation}
% \begin{macrocode}
\newcommand{\emendation}[2][0]{
\ifemendationson
\setlemmarange{#1}%
\ifredundantemendations
\iftextnoteson
\ifrangelemma
\textnote[#1]{#2}%
\else
\textnote{#2}%
\fi % ifrangelemma}
\fi %iftextnoteson
\fi % ifredundantemendations
\ifnoemendyet % firstemendation
\firstemendation
\fi %noemendyet
\global\noemendyetfalse
\immediate\write\emendations{\checknoteheaders}%
\literalemend{#2}%
\fi % ifemendationson
\resetlemmacounters
}
% \end{macrocode}
% \end{macro}
% This next is an internal command,
% called by |\emendation|. There's no need to use it explicitly.
% \begin{macrocode}
\newcommand{\firstemendation}{\ifemendationsatend
\immediate\write\emendations{\titletoothernotes}\fi
}
% \end{macrocode}
% \begin{macro}{\explanatory}
% Again, |\firstexplanatory| is internal, called by |\explanatory|.
% \begin{macrocode}
\newcommand{\explanatory}[2][0]{%
\ifexplanon
\setlemmarange{#1}%
\ifnoexplainyet % first explanation
\firstexplanatory
\fi %noexplainyet
\global\noexplainyetfalse
\immediate\write\explanations{\checknoteheaders}%
\literalexplain{#2}%
\fi % ifexplanon
\resetlemmacounters
}
\newcommand{\firstexplanatory}{\ifexplanatend
\immediate\write\explanations{\titletoothernotes}\fi
}
% \end{macrocode}
% \end{macro}
%
% \subsection{~Making new notes sections}
%
% \begin{macro}{\definenewnotetype} This monster macro has nine
% sections, and does all of the things required to set up a new end
% notes section. If you decide to mark a new kind of note in your
% text with, say |\mynote|, but decide at the last moment against
% including those notes in your edition, simply don't issue |\putmynotes| at
% the point it might have appeared, and neither the notes section nor
% the contents entry for it will be included.
%
% \begin{macrocode}
\makeatletter
\long\def\appendtomacro#1#2{%
\begingroup
\toks@\expandafter{#1#2}%
\xdef#1{\the\toks@}%
\endgroup}
\makeatother
\newcommand{\definenewnotetype}[5]{%
% 1. make an if and set it to true by default. make an if for the first
% instance of the command per poem and set it to false
% Thanks to Igor Pechtchanski and Ulrich Schwarz.
\expandafter\newif\csname if#1son\endcsname
\global\csname #1sontrue\endcsname
\expandafter\newif\csname ifno#1yet\endcsname
\csname no#1yettrue\endcsname
% 2. open a new output stream
\expandafter\newwrite\csname #1s\endcsname
% 3. open a file to associate with the stream
\immediate\expandafter\openout\csname #1s\endcsname=\expandafter\jobname .#2
% 4. set up a literalwrite command
\expandafter\newcommand\csname literal#1\endcsname[1]{
\begingroup
\def\next{##1}%
\newlinechar='40
\immediate\write\expandafter\csname #1s\endcsname{\expandafter\strip\meaning\next}%
\endgroup}
% 5. send heading information to output file
% first, use literaltext to send commands without parameters
\csname literal#1\endcsname{\flushbottom{\par\clearpage
{\pagestyle{volumetitlestyle}\cleardoublepage}
\thispagestyle{volumetitlestyle}}
\fancyhead{}
\fancyfoot{}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}}
% then immediate write to send the parameter for the marks in the
% headers
\immediate\write\csname #1s\endcsname{\string\fancyhead[CO]\string{\string{\string\small
\string{\string\em\ #3\string~\string\mymarks\string}\string}\string}}
\immediate\write\csname #1s\endcsname{\string\fancyhead[CE]\string{\string{\string\small
\string{\string\em\ #3\string~\string\mymarks\string}\string}\string}}
% then literal to finish the headers
\csname literal#1\endcsname{\fancyfoot[C]{}
\mark{3}
\backmattersink}
% then immediate write to send the title of the section to print at
% the top of the page
\immediate\write\csname #1s\endcsname{
\string\begin\string{center\string}
\string{\string\normalfont \string\backmatterheaderfont\ #4\string}
\string\end\string{center\string}}
% immediate write to set a label for the table of contents
\immediate\write\csname #1s\endcsname{
\string\label\string{#1notes\string}}
% literal write to turn hyphenation on and set the font for the note
% section
\csname literal#1\endcsname{\lefthyphenmin=2\backmatterafterheadersink
\tolerance=500\language=0
\normalfont \backmattertextfont}
% 6. set up a command to write the page and title of the poem for the first
% instance of this kind of note in a poem
\expandafter\newcommand\csname first#1\endcsname{
\immediate\write\expandafter\csname#1s\endcsname{\titletoothernotes}}
% 7. set up a command to write a note, complete with line numbers
\expandafter\newcommand\csname #1\endcsname[2][0]{%
\setlemmarange{##1}%
\csname ifno#1yet\endcsname%
\csname first#1\endcsname%
\fi%
\global\csname no#1yetfalse\endcsname%
\immediate\write\expandafter\csname #1s\endcsname{\checknoteheaders}%
\csname literal#1\endcsname{##2}%
\resetlemmacounters%
}
% prose version
\expandafter\newcommand\csname prose#1\endcsname[3][0]{% %
\unskip\proselinelabel{##2}%
\setproselemmarange{##2}{##1}%
\csname ifno#1yet\endcsname%
\csname first#1\endcsname%
\fi%
\global\csname no#1yetfalse\endcsname%
\immediate\write\expandafter\csname #1s\endcsname{\checkprosenoteheaders}%
\csname literal#1\endcsname{##3}%
\resetlemmacounters\unskip%
}
% pm version
\expandafter\newcommand\csname pm#1\endcsname[2][0]{%
\setpmlemmarange{##1}%
\csname ifno#1yet\endcsname%
\csname first#1\endcsname%
\fi%
\global\csname no#1yetfalse\endcsname%
\immediate\write\expandafter\csname #1s\endcsname{\pmchecknoteheaders\string~}%
\immediate\write\expandafter\csname #1s\endcsname{\pmciterange}%
\csname literal#1\endcsname{##2}%
\pmresetlemmacounters\unskip%
}
% 8. modify the end of the poem environment to reset the first
% command per poem boolean (so that the page and title will be set in
% the notes section when the first note is called for a poem)
% thanks to Heiko Oberdiek
\makeatletter
\appendtomacro{\poem}{\global\expandafter\csname no#1yettrue\endcsname}
\makeatother
\makeatletter
\appendtomacro{\prosesection}{\global\expandafter\csname no#1yettrue\endcsname}
\makeatother
\makeatletter
\appendtomacro{\pmsection}{\global\expandafter\csname no#1yettrue\endcsname}
\makeatother
% 9. command for closing the output file
% command for reading in and printing the output file
\expandafter\newcommand\csname put#1s\endcsname{
\newpage\hyphenationforsmall
\immediate\expandafter\closeout\csname #1s\endcsname
\expandafter\input \jobname.#2
\ifpoemcontentson
\immediate\write\poemcontents{\string\contentspoemtitlefont\ #5}
\immediate\write\poemcontents{\string~ \string\contentsleaders
\string~\ \string\pageref{#1notes} \string\par}
\immediate\write\poemcontents{\string\par \string\smallskip}
\fi
}
% 10. command for making a marginal mark at a line, giving the page
% number in the apparatus where a note is to be found
\expandafter\newcommand\csname margref#1\endcsname{%
\addtocounter{margrefnumber}{1}
\immediate\write\expandafter\csname #1s\endcsname{\makemargreflabel}%
\setmargref
}
}
% \end{macrocode}
% \end{macro}
% \subsection{~Prose sections}\textsf{poemscol} calls on
% \textsf{lineno} to do all the heavy lifting for making line numbers
% in prose sections and for making endnotes of various kinds for prose
% sections. First, set up a counter for the line number and for the
% modulo line number for prose sections, and set it to equal that used
% in verse sections. Then set the font for marginal line numbers to
% the size used in marginal line numbers in verse sections.
% \begin{macrocode}
\newcounter{proselinenumber}
\setcounter{proselinenumber}{1}
\newcounter{prosemodulo}
\setcounter{prosemodulo}{\value{lineindexrepeat}}
\addtocounter{prosemodulo}{1}
\newcommand{\setprosemodulo}[1]{\modulolinenumbers[#1]}
% \end{macrocode}
% Then commands for setting titles of prose sections. These are just
% versions of |\poemtitle|. Fancier versions will follow if there is
% need.
% \begin{macrocode}
\newcommand{\prosesectiontitle}[1]{\poemtitle{#1}}
\newcommand{\prosesectiontitlenotitle}[1]{\poemtitlenotitle{#1}}
% \end{macrocode}
% Next, environments for prose sections. The environment resets (or
% doesn't, in the second case) the marginal line number. The
% default modulo line number is that prevailing in verse sections,
% but you can change it at will.
% \begin{macrocode}
\setcounter{prosemodulo}{\value{lineindexrepeat}}%
\addtocounter{prosemodulo}{1}%
\ifx\modulolinenumbers\undefined%
\relax\else
\modulolinenumbers[\value{prosemodulo}]% if lineno is called
\fi
\newenvironment{prosesection}
{\resetlinenumber\begin{linenumbers}%
\renewcommand{\linenumberfont}{\scriptsize}%
\ifnumbersright\rightlinenumbers*\setlength{\linenumbersep}{-\marginparsep}%
%\else\ifnumbersswitch\switchlinenumbers\setlength{\linenumbersep}{\marginparsep}%
\else\ifnumbersswitch\rightlinenumbers*\setlength{\linenumbersep}{-\marginparsep}%
\else\leftlinenumbers*\setlength{\linenumbersep}{\marginparsep}%
\addtolength{\linenumbersep}{5pt}% seems about right
\fi\fi
\noemendyettrue%
\noexplainyettrue%
}
{\end{linenumbers}}
\newenvironment{prosesectionnoreset}
{\begin{linenumbers}%
\renewcommand{\linenumberfont}{\scriptsize}
\ifnumbersright\rightlinenumbers*\setlength{\linenumbersep}{-\marginparsep}%
%\else\ifnumbersswitch\switchlinenumbers\setlength{\linenumbersep}{\marginparsep}%
\else\ifnumbersswitch\rightlinenumbers*\setlength{\linenumbersep}{-\marginparsep}%
\else\leftlinenumbers*\setlength{\linenumbersep}{\marginparsep}%
\addtolength{\linenumbersep}{5pt}% seems about right
\fi\fi
% \noemendyettrue%
% \noexplainyettrue%
}{\end{linenumbers}}
% \end{macrocode}
%
% Set up commands for notes sections.
% \begin{macro}{\setproselemmastart}
% Finds the line number at the beginning of a lemma. Thanks to Robin
% Fairbairns and Heiko Oberdiek for |\ifrefundefined|.
% Fairbairns version
% \begin{macrocode}
% \newcommand*\ifrefundefined[1] {%
% � �\expandafter\ifx\csname r@#1\endcsname\relax
% }
% Oberdiek version
\makeatletter
\newcommand*{\ifrefundefined}[1]{%
\expandafter\ifx\csname r@#1\endcsname\relax
\expandafter\@firstoftwo
\else
\expandafter\@secondoftwo
\fi
}
\newcommand*{\@extract@ref}[2]{%
\expandafter\expandafter\expandafter#1\csname
r@#2\endcsname{}{}\@nil
}
\newcommand*{\@extractref}{%
\@extract@ref\@car
}
\newcommand*{\@extractpageref}{%
\@extract@ref\@secondcar
}
\long\def\@secondcar#1#2#3\@nil{#2}
\newcommand*{\setcounterfromref}[2]{%
\ifrefundefined{#2}{%
\protect\G@refundefinedtrue
\@latex@warning{Reference `#2' on page \thepage \space
undefined}%
\setcounter{#1}{0}%
}{%
\setcounter{#1}{\@extractref{#2}}%
}%
}
\newcommand*{\setcounterfrompageref}[2]{%
\ifrefundefined{#2}{%
\protect\G@refundefinedtrue
\@latex@warning{Reference `#2' on page \thepage \space
undefined}%
\setcounter{#1}{0}%
}{%
\setcounter{#1}{\@extractpageref{#2}}%
}%
}
%
\makeatother
\newcommand{\setproselemmastart}[1]{%
\unskip
\setcounterfromref{proselinenumber}{#1}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\setproselemmarange}
% Finds the end of a multi-line lemma.
% \begin{macrocode}
% \newcommand{\setproselemmarange}[2]{%
% \setproselemmastart{#1}%
% \setcounter{lemmalines}{#2}%
% \ifthenelse{\equal{\value{lemmalines}}{0}}{\rangelemmafalse}{\rangelemmatrue}%
% \setcounter{lemmaend}{\theproselinenumber}%
% \addtocounter{lemmaend}{\thelemmalines}\unskip%
% }
\newcommand{\setproselemmarange}[2]{%
\setproselemmastart{#1}%
\pmccheckifinteger{#2}%
\ifinteger
\setcounter{lemmalines}{#2}%
\ifthenelse{\equal{\value{lemmalines}}{0}}{\rangelemmafalse}{\rangelemmatrue}%
\setcounter{lemmaend}{\theproselinenumber}%
\addtocounter{lemmaend}{\thelemmalines}\unskip%
\else
% \ref{#2}
\setcounterfromref{lemmaend}{#2}\rangelemmatrue
\fi\unskip
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\proseciterange}
% Sets the range note for in a multi-line lemma.
% \begin{macrocode}
\newcommand{\proseciterange}{%
\ifrangelemma%
\theproselinenumber --\thelemmaend%
\else%
\theproselinenumber%
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\checkprosenoteheaders}
% Updates running header for note sections. Typesets line number in
% notes.
% \begin{macrocode}
\newcommand{\checkprosenoteheaders}{\string\setcounter\string{notepageholdernote\string}%
\string{\thepage\string}\string\ifhmode\string\unskip\string\fi
\string\ifthenelse\string{\string\value\string{notepageholdernote\string}>
\string\value\string{notepageholdertitle\string}\string}%
\string{\string\mark\string{\string\thenotepageholdernote\string}\string}%
\string{\string\mark\string{\string\thenotepageholdertitle\string}\string}\string\unskip
\string\unskip\string\relax\ \proseciterange :\string~\string\nolinebreak}%
% \end{macrocode}
% \end{macro}
% \begin{macro}{\prosetextnote}
% \begin{macrocode}
\newcommand{\proselinelabel}[1]{\unskip\linelabel{#1}}
\newcommand{\prosetextnote}[3][0]{%
\iftextnoteson%
\unskip\proselinelabel{#2}%
\setproselemmarange{#2}{#1}%
\immediate\write\textnotes{\checkprosenoteheaders}%
\literaltextnote{#3}%
\resetlemmacounters%
\fi\unskip%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\proseemendation}
% Notice that it calls |\firstemendation| as usual.
% \begin{macrocode}
\newcommand{\proseemendation}[3][0]{%
\ifemendationson%
\unskip\proselinelabel{#2}%
\setproselemmarange{#2}{#1}%
\ifredundantemendations
\iftextnoteson
\ifrangelemma
\prosetextnote[#1]{#2}{#3}%
\else
\prosetextnote{#2}{#3}%
\fi % ifrangelemma}
\fi %iftextnoteson
\fi % ifredundantemendations
\ifnoemendyet % firstemendation
\firstemendation
\fi%noemendyet
\global\noemendyetfalse
\immediate\write\emendations{\checkprosenoteheaders}%
\literalemend{#3}%
\resetlemmacounters%
\fi\unskip%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\proseexplanatory}
% \begin{macrocode}
\newcommand{\proseexplanatory}[3][0]{%
\ifexplanon%
\unskip\proselinelabel{#2}%
\setproselemmarange{#2}{#1}%
\ifnoexplainyet% firstexplanation
\firstexplanatory%
\fi%noexplainyet
\global\noexplainyetfalse%
\immediate\write\explanations{\checkprosenoteheaders}%
\literalexplain{#3}%
\resetlemmacounters%
\fi\unskip%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\proseaccidental}
% \begin{macrocode}
\newcommand{\proseaccidental}[2]{
\iftextnoteson
\ifincludeaccidentals
\immediate\write\textnotes{\string\nobreak}%
\prosetextnote{#1}{#2}%
\immediate\write\textnotes{\string\nobreak}%
\fi\fi
}
\newcommand{\prosetsvariant}[3][0]{\iftextnoteson
\ifincludetypescripts
\immediate\write
\textnotes{\string\nobreak}%
\prosetextnote[#1]{#2}{#3}%
\immediate\write\textnotes{\string\nobreak}%
\fi\fi
}
\newcommand{\prosetsaccidental}[2]{\iftextnoteson
\ifincludetypescripts\proseaccidental{#1}{#2}\fi\fi}
% \end{macrocode}
% \end{macro}
% \subsection{~Annotation by Sentence and Paragraph Number}
% Marking sentences. First, some |\if|s, token lists, and counters.
% \begin{macrocode}
\newif{\ifprosebysentence}
\newif{\ifrunningsentencenumbers}\runningsentencenumberstrue
\newif{\ifmarginsentencenumbers}\marginsentencenumberstrue
\newtoks{\pmnoteheader}
\newcounter{pmsentencenumber}\setcounter{pmsentencenumber}{0}
\newcounter{pmmodulo}\setcounter{pmmodulo}{3}
\newcounter{pmindexcount}\setcounter{pmindexcount}{0}
% \end{macrocode}
% A starter. Mostly a placeholder. For changes to a whole section.
% \begin{macrocode}
\newcommand{\setprosebysentence}{\prosebysentencetrue%
}
\newenvironment{pmsection}{
\noemendyettrue%
\noexplainyettrue%
}{}
% \end{macrocode}
% Formatting for sentence numbers in the running text and in the
% margin.
% \begin{macrocode}
\newcommand{\runningsentencenumberformat}[1]{\nobreak%
\textsuperscript{\scriptsize{#1}}\unskip\nobreak}
\newcommand{\marginsentencenumberformat}[1]{\scriptsize{#1}}
\newcommand{\setpmmodulo}[1]{\setcounter{pmmodulo}{#1}%
\addtocounter{pmmodulo}{-1}%
}
\newcommand{\pmnumberstoleft}{%\catcode`\@=11%
\numbersswitchfalse\numbersrightfalse%
\setlength{\marginparsep}{18pt}%
}
\newcommand{\pmnumberstoright}{%\catcode`\@=11%
\numbersswitchfalse\numbersrighttrue%
\setlength{\marginparsep}{-18pt}
% \setlength{\marginparsep}{18pt}
}
\newcommand{\pmnumbersswitch}{\strictpagechecktrue\numbersswitchtrue\numbersrightfalse%
\setlength{\marginparsep}{18pt}%
}
\newcommand{\pmnumbersgutter}{%\catcode`\@=11%
\pmnumbersswitch%
\pmclreversesideparfalse\numbersguttertrue%
\setlength{\marginparsep}{18pt}%
}
\newcommand{\pmnumbersouter}{%\catcode`\@=11%
\pmnumbersswitch%
\pmclreversesidepartrue\numbersgutterfalse%
\setlength{\marginparsep}{18pt}%
}
% \end{macrocode}
% Macros for actually writing the numbers in the margin.
% \begin{macrocode}
\newcommand{\putpmsentencenumber}{%
\putpmmarginnumber{\thepmsentencenumber}%
{\marginsentencenumberformat}}
\newcommand{\putpmmarginnumber}[2]{%
\nolinebreak\begin{marginenvironment}%
\nolinebreak%
\ifnumbersswitch%\marginpar{\hfil #2{#1}}
\pmclsidepar{\hfil #2{#1}}%
\else%
\ifnumbersright%\marginpar{\hfil #2{#1}}
\pmclrightsidepar{\hfil #2{#1}}%
\else% \marginpar{#2{#1}\hfil}
\pmclleftsidepar
{#2{#1}\hfil}%
\fi%
\fi%
\nolinebreak%
\end{marginenvironment}\nolinebreak%
}
% \end{macrocode}
% \begin{macro}{\pmsentence}
% Put this before every sentence. (This is the opposite of the
% convention in verse sections, where |\verseline| is at the end of
% each line.
% \begin{macrocode}
\newcommand{\pmsentence}{%
% increment sentence number at beginning of sentence
\addtocounter{pmsentencenumber}{1}%
\ifrunningsentencenumbers% add running number
\runningsentencenumberformat{\thepmsentencenumber}%
\fi%
\ifmarginsentencenumbers% add marginal number
\addtocounter{pmindexcount}{1}%
\leavevmode%
\ifthenelse{\value{pmindexcount}>\value{pmmodulo}}%
{ \putpmsentencenumber\nobreak%
\setcounter{pmindexcount}{0}%
}{\relax}%
\fi%
% create header for notes if any are to occur
\ifpmparas%
\global\edef\noteheaderconcat{\thepmparagraph:\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\else%
%\global\edef\noteheaderconcat{\thepmsentencenumber:}%
\global\edef\noteheaderconcat{\thepmsentencenumber}
\pmnoteheader=\expandafter{\noteheaderconcat}%
\fi%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmsentencetwo}
% Kludge for the second sentence in a line.
% \begin{macrocode}
\newcommand{\pmsentencetwo}{%
% increment sentence number at beginning of sentence
\addtocounter{pmsentencenumber}{1}%
\ifrunningsentencenumbers% add running number
\runningsentencenumberformat{\thepmsentencenumber}%
\fi%
\ifmarginsentencenumbers% add marginal number
\addtocounter{pmindexcount}{1}%
\leavevmode%
\ifthenelse{\value{pmindexcount}>\value{pmmodulo}}%
{ \putpmsentencenumbertwo\nobreak%
\setcounter{pmindexcount}{0}%
}{\relax}%
% \ifnum\thepmindexcount>\thepmmodulo%
% \putpmsentencenumbertwo\nobreak%
% \setcounter{pmindexcount}{0}%
% \fi%
\fi%
% create header for notes if any are to occur
\ifpmparas%
\global\edef\noteheaderconcat{\thepmparagraph:\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\else%
\global\edef\noteheaderconcat{\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\fi%
}
\newcommand{\putpmsentencenumbertwo}{%
\putpmmarginnumber{\rlap{\phantom{1},~\thepmsentencenumber}}%
{\marginsentencenumberformat}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmsentencethree}
% Kludge for the third sentence in a line.
% \begin{macrocode}
\newcommand{\pmsentencethree}{%
% increment sentence number at beginning of sentence
\addtocounter{pmsentencenumber}{1}%
\ifrunningsentencenumbers% add running number
\runningsentencenumberformat{\thepmsentencenumber}%
\fi%
\ifmarginsentencenumbers% add marginal number
\addtocounter{pmindexcount}{1}%
\leavevmode%
\ifthenelse{\value{pmindexcount}>\value{pmmodulo}}%
{ \putpmsentencenumberthree\nobreak%
\setcounter{pmindexcount}{0}%
}{\relax}%
% \ifnum\thepmindexcount>\thepmmodulo%
% \putpmsentencenumberthree\nobreak%
% \setcounter{pmindexcount}{0}%
% \fi%
\fi%
% create header for notes if any are to occur
\ifpmparas%
\global\edef\noteheaderconcat{\thepmparagraph:\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\else%
\global\edef\noteheaderconcat{\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\fi%
}
\newcommand{\putpmsentencenumberthree}{%
\putpmmarginnumber{\rlap{\phantom{1,~2},~\thepmsentencenumber}}%
{\marginsentencenumberformat}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmsentencefour}
% \begin{macrocode}
\newcommand{\pmsentencefour}{%
% increment sentence number at beginning of sentence
\addtocounter{pmsentencenumber}{1}%
\ifrunningsentencenumbers% add running number
\runningsentencenumberformat{\thepmsentencenumber}%
\fi%
\ifmarginsentencenumbers% add marginal number
\addtocounter{pmindexcount}{1}%
\leavevmode%
\ifthenelse{\value{pmindexcount}>\value{pmmodulo}}%
{ \putpmsentencenumberfour\nobreak%
\setcounter{pmindexcount}{0}%
}{\relax}%
\fi%
% create header for notes if any are to occur
\ifpmparas%
\global\edef\noteheaderconcat{\thepmparagraph:\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\else%
\global\edef\noteheaderconcat{\thepmsentencenumber}%
\pmnoteheader=\expandafter{\noteheaderconcat}%
\fi%
}
\newcommand{\putpmsentencenumberfour}{%
\putpmmarginnumber{\rlap{\phantom{1,~2,~3},~\thepmsentencenumber}}%
{\marginsentencenumberformat}}
% \end{macrocode}
% \end{macro}
% Macros for numbering paragraphs
% \begin{macrocode}
\newcounter{pmparagraph}
\setcounter{pmparagraph}{0}
\newif{\ifpmparas}\pmparasfalse
\newif{\ifpmparainmar}\pmparainmartrue
\newif{\ifpmpararunning}\pmpararunningfalse
\newif{\ifpmsentencebypara}% reset sentence counter every paragraph
\pmsentencebyparatrue
% \end{macrocode}
% Formatting marginal and running paragraph numbers, printing them.
% \begin{macrocode}
\newcommand{\pmparmarformat}[1]{\textbf{{\small #1}}}
\newcommand{\pmpararunningformat}[1]{\textbf{\small #1}}
\newcommand{\putpmmarparanumber}{%
\putpmmarginnumber{\llap{\thepmparagraph~~}}{\pmparmarformat}}
% \end{macrocode}
% \begin{macro}{\pmpara}
% Mark the beginning of each paragraph with |\pmpara|
% \begin{macrocode}
\newcommand{\pmpara}{\leavevmode%
\pmparastrue\addtocounter{pmparagraph}{1}%
\ifpmparainmar% put in marginal paragraph number
\putpmmarparanumber
\fi
\ifpmpararunning% put in running number
\pmpararunningformat{\thepmparagraph}%
\fi
\ifpmsentencebypara% reset sentence counter
\setcounter{pmsentencenumber}{0}%
\setcounter{pmindexcount}{0}%
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\sentencelabel}
% Makes a label either by sentence number or by paragraph and
% sentence number, for use by |\ref| and by the various notes commands.
% \begin{macrocode}
\makeatletter
\def\sentencelabel#1{\@bsphack%
\ifpmparas%
\protected@write\@auxout{}%
{\string\newlabel{#1}{{\thepmparagraph :\thepmsentencenumber}{\thepage}}}%
\else%
\protected@write\@auxout{}%
{\string\newlabel{#1}{{\thepmsentencenumber}{\thepage}}}%
\fi%
\@esphack%
}
\makeatother
% \end{macrocode}
% \end{macro}
% Macros to set up endnote commands for paragraph and sentence
% annotation.
% \begin{macrocode}
\newtoks{\pmrangeend} % for notes that refer to ranges
% setting the range for the lemma:
\newcommand{\setpmlemmarange}[1]{%
\pmccheckifinteger{#1}%
\ifinteger%
\setcounter{lemmalines}{#1}%
\ifthenelse{\equal{\value{lemmalines}}{0}}{\rangelemmafalse}{\rangelemmatrue}%
\setcounter{lemmaend}{\thepmsentencenumber}%
\addtocounter{lemmaend}{\thelemmalines}%
\pmrangeend={\thelemmaend}%
\else%
\pmrangeend={\ref{#1}}\rangelemmatrue%
\fi%
}
% Setting the string to include ranges in notes:
\newcommand{\pmciterange}{%
\ifrangelemma{\the\pmnoteheader --\the\pmrangeend:}%
\else%
\the\pmnoteheader:%
\fi}
% For running headers
\newcommand{\pmchecknoteheaders}{\string\setcounter\string{notepageholdernote\string}%
\string{\thepage\string}\string\ifhmode\string\unskip\string\fi
\string\ifthenelse\string{\string\value\string{notepageholdernote\string}>
\string\value\string{notepageholdertitle\string}\string}%
\string{\string\mark\string{\string\thenotepageholdernote\string}\string}%
\string{\string\mark\string{\string\thenotepageholdertitle\string}\string}\string\unskip}
% to reset lemma counters at end of note
\newcommand{\pmresetlemmacounters}{\rangelemmafalse%
\setcounter{lemmalines}{0}%
\setcounter{lemmaend}{0}%
\pmrangeend={\relax}%
}
% \end{macrocode}
% \begin{macro}{\pmtextnote}
% \begin{macrocode}
\newcommand{\pmtextnote}[2][0]{%
\iftextnoteson%
\setpmlemmarange{#1}%
\immediate\write\textnotes{\pmchecknoteheaders\string~}%
\immediate\write\textnotes{\pmciterange}%
\literaltextnote{#2}%
\fi%
\pmresetlemmacounters%
\unskip}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmexplanatory}
% \begin{macrocode}
\newcommand{\pmexplanatory}[2][0]{%
\ifexplanon%
\setpmlemmarange{#1}%
\ifnoexplainyet % first explanation
\firstexplanatory%
\fi %noexplainyet
\global\noexplainyetfalse%
\immediate\write\explanations{\pmchecknoteheaders\string~}%
\immediate\write\explanations{\pmciterange}%
\literalexplain{#2}%
\fi % ifexplanon
\pmresetlemmacounters%
\unskip%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmemendation}
% \begin{macrocode}
\newcommand{\pmemendation}[2][0]{%
\ifemendationson%
\setpmlemmarange{#1}%
\ifredundantemendations%
\iftextnoteson%
\ifrangelemma%
\pmtextnote[#1]{#2}%
\else%
\pmtextnote{#2}%
\fi % ifrangelemma}
\fi %iftextnoteson
\fi % ifredundantemendations
\ifnoemendyet % firstemendation
\firstemendation%
\fi %noemendyet
\global\noemendyetfalse%
\immediate\write\emendations{\pmchecknoteheaders\string~}%
\immediate\write\emendations{\pmciterange}%
\literalemend{#2}%
\fi % ifemendationson
\pmresetlemmacounters%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmaccidental}
% \begin{macrocode}
\newcommand{\pmaccidental}[1]{%
\iftextnoteson%
\ifincludeaccidentals%
\immediate\write\textnotes{\string\nobreak}%
\pmtextnote{#1}%
\immediate\write\textnotes{\string\nobreak}%
\fi\fi%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\pmtsvariant}
% \begin{macrocode}
\newcommand{\pmtsvariant}[2][0]{\iftextnoteson%
\ifincludetypescripts%
\immediate\write\textnotes{\string\nobreak}%
\pmtextnote[#1]{#2}%
\immediate\write\textnotes{\string\nobreak}%
\fi\fi%
}
\newcommand{\pmtsaccidental}[1]{\iftextnoteson\ifincludetypescripts\pmaccidental{#1}\fi\fi}
% \end{macrocode}
% \end{macro}
%\subsection{~Using Footnotes} |\texnotesatfoot| has to redefine
% |\sources| and a few others as well.
% \begin{macro}{\textnotesatfoot}
% \begin{macrocode}
\newcommand{\textnotesatfoot}{% first redefine textnotes
\global\textnotesontrue%
\global\textnotesatendfalse%
\ifsourcesfootnotespara%
\DeclareNewFootnote[para]{A}%
\else%
\DeclareNewFootnote[plain]{A}%
\fi%
\iftextfootnotespara%
\DeclareNewFootnote[para]{B}%
\else%
\DeclareNewFootnote[plain]{B}%
\fi%
\renewcommand{\textnote}[2][0]{\setlemmarange{##1}%
\FootnotetextB{\relax}{\citerange:~##2}%
\resetlemmacounters}%
% then redefine sources
\renewcommand{\sources}[1]{\FootnotetextA{\relax}{##1}}%
% then prose textnote
\renewcommand{\prosetextnote}[3][0]{%
\unskip\proselinelabel{##2}%
\setproselemmarange{##2}{##1}%
\FootnotetextB{\relax}{\proseciterange:~##3}\resetlemmacounters}%
% then pmtextnote
\renewcommand{\pmtextnote}[2][0]{\setpmlemmarange{##1}%
\FootnotetextB{\relax}{\pmciterange~##2}\pmresetlemmacounters}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\emendationsatfoot}
% \begin{macrocode}
\newcommand{\emendationsatfoot}{%
\global\emendationsontrue%
\global\emendationsatendfalse%
\ifemendationfootnotespara%
\DeclareNewFootnote[para]{C}%
\else%
\DeclareNewFootnote[plain]{C}%
\fi%
\renewcommand{\emendation}[2][0]{\setlemmarange{##1}%
\FootnotetextC{\relax}{\citerange:~##2}%
\resetlemmacounters}%
\renewcommand{\proseemendation}[3][0]{\unskip\proselinelabel{##2}%
\setproselemmarange{##2}{##1}%
\FootnotetextC{\relax}{\proseciterange:~##3}\resetlemmacounters}%
\renewcommand{\pmemendation}[2][0]{\setpmlemmarange{##1}%
\FootnotetextC{\relax}{\pmciterange~##2}\pmresetlemmacounters}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\explanationsatfoot}
% \begin{macrocode}
\newcommand{\explanationsatfoot}{%
\global\explanontrue%
\global\explanatendfalse%
\ifexplanfootnotespara%
\DeclareNewFootnote[para]{D}%
\else%
\DeclareNewFootnote[plain]{D}%
\fi%
\renewcommand{\explanatory}[2][0]{\setlemmarange{##1}%
\FootnotetextD{\relax}{\citerange:~##2}%
\resetlemmacounters}%
\renewcommand{\proseexplanatory}[3][0]{\unskip\proselinelabel{##2}%
\setproselemmarange{##2}{##1}%
\FootnotetextD{\relax}{\proseciterange:~##3}}
\renewcommand{\pmexplanatory}[2][0]{\setpmlemmarange{##1}%
\FootnotetextD{\relax}{\pmciterange~##2}\pmresetlemmacounters}%
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\bibleverse}
% \begin{macrocode}
\newcommand{\bibleverse}{\pmsentence}
\newcommand{\biblechapter}{\pmpara}
% \end{macrocode}
% \end{macro}
% \subsection{~Embarrassing kludges} Because the dirty trick
% mentioned above writes out textnotes as a ribbon one word wide,
% quoted poetry in the notes sections will leave a blank line at the
% end, which will be interpreted as a paragraph break when the file is
% read back in by \LaTeX. These kludges correct that problem.
% \begin{macrocode}
\newcommand{\quotedversecorrectiontextnote}[1][0pt]
{\iftextnoteson%
\immediate\write\textnotes{\string\noindent\string\kern-#1}%
\fi}
\newcommand{\quotedversecorrectionemendation}[1][0pt]
{\ifemendationson%
\immediate\write\emendations{\string\noindent\string\kern-#1}%
\fi}
\newcommand{\quotedversecorrectionexplanatory}[1][0pt]
{\ifexplanon%
\immediate\write\explanations{\string\noindent\string\kern-#1}%
\fi}
% \end{macrocode}
% \subsection{~Marking stanza breaks on page turns} Use the macro
% below to change the symbol used to mark cases in which there is or is
% not a stanza break at a page turn.
% \begin{macrocode}
\newcommand{\stanzaatbottom}[1]{\global\edef\stanzaatbottomvalue{#1}}
\stanzaatbottom{*}
\newcommand{\nostanzaatbottom}[1]{\global\edef\nostanzaatbottomvalue{#1}}
\nostanzaatbottom{\relax}
% \end{macrocode}
% \subsection{~Parallel Texts}
% First, two utility macros from the memoir class:
% \begin{macro}{\cleartorecto}
% A repeat of |\cleardoublepage|; clears to a recto (odd-numbered) page.
% \begin{macrocode}
\def\cleartorecto{\clearpage\if@twoside \ifodd\c@page\else
\hbox{}\thispagestyle{empty}%
\newpage\if@twocolumn\hbox{}\newpage\fi\fi\fi}
% \end{macrocode}
% \end{macro}
%
% \begin{macro}{\cleartoverso}
% Clears to a verso (even-numbered) page.
% \begin{macrocode}
\def\cleartoverso{\clearpage\if@twoside
\ifodd\c@page\hbox{}\thispagestyle{empty}%
\newpage\if@twocolumn\hbox{}\newpage\fi\fi\fi}
% \end{macrocode}
% \end{macro}
%
% Macros for forcing the marginal line numbers to the left side or
% the right side. These marginal line numbers, unlike those made with
% |\marginpar|, do not float. This code is modelled after code from
% the memoir class, by Peter Wilson.
%
% \begin{macro}{\pmclleftsidepar}
% As in the memoir class, these sidepars do not float.
% \begin{macrocode}
\newdimen\pmclsavsk
\newcount\pmclsavsf
\def\pmclbsphack{%
\relax
\ifhmode
\pmclsavsk\lastskip
\pmclsavsf\spacefactor
\fi}
\def\pmclesphack{%
\relax
\ifhmode
\spacefactor\pmclsavsf
\ifdim\pmclsavsk>0pt
\ignorespaces
\fi
\fi}
% \newcommand{\pmclleftsidepar}[1]{%
% \pmclbsphack\leavevmode\vadjust{%
% \rlap{\kern-\parindent%
% \kern -\marginparsep \kern -\marginparwidth % at left
% \vbox to 0pt{%
% \kern \pmclsideparvshift% % vertical shift to align top text lines
% \begin{minipage}{\marginparwidth}%
% #1%
% \end{minipage}%
% \vss}}}\pmclesphack%
% } % version 2.44
\newcommand{\pmclleftsidepar}[1]{%
\pmclbsphack\strut\vadjust{% changed
\rlap{\kern-\parindent%
\kern -\marginparsep \kern -\marginparwidth% at left
% \vbox to 0pt{%
% \kern \pmclsideparvshift% % vertical shift to align top text lines
% \begin{minipage}{\marginparwidth}%
\setbox0=\vtop to 0pt{% added
\begin{minipage}[t]{\marginparwidth}% added
#1%
\end{minipage}%
% \vss}}}\pmclesphack%
\vss}% changed
\vtop to 0pt{\kern\pmclsideparvshift % default should be 0pt
\kern-\dp\strutbox \kern-\ht0 \box0 \vss}}}\pmclesphack}% changed
\newcommand{\pmclrightsidepar}[1]{%
% \pmclbsphack\leavevmode\vadjust{%
\pmclbsphack\strut\vadjust{%
\rlap{\kern-\parindent%
% \kern \textwidth \kern -\marginparsep % at right
\kern\textwidth\kern\marginparsep% at right
% \vbox to 0pt{%
% \kern \pmclsideparvshift% % vertical shift to align top text lines
% \begin{minipage}{\marginparwidth}%
\setbox0=\vtop to 0pt{% added
\begin{minipage}[t]{\marginparwidth}% added
#1%
\end{minipage}%
% \vss}}}\pmclesphack%
\vss}% changed
\vtop to 0pt{\kern\pmclsideparvshift% default should be 0pt
\kern-\dp\strutbox \kern-\ht0 \box0 \vss}}}\pmclesphack}% changed
% \end{macrocode}
% \end{macro}
% Booleans for parallel texts
% \begin{macrocode}
\newif\ifparalleltexts
\paralleltextsfalse
\newif\ifrecto
\rectofalse
\newif\ifverso
\versofalse
% \end{macrocode}
% Booleans are needed to describe situations in which poems and stanzas
% are left open at the page break. |\finishrectopage| and
% |\finishversopage| will close poems and stanzas (so as not to
% generate errors because of environments left open), although as far
% as the poem is concerned the stanza or poem may still be open. (I
% will say that the stanza or poem in such a case is ``artificially
% closed.'') There are two of them for each case of artificial closure.
% The first boolean (for each stanza or poem artificially closed)
% must reflect whether the stanza or poem has been (artificially)
% closed, to reopen on the next page of the same kind (recto or verso).
% If a poem or stanza has been (artificially) closed, the |\mark| will
% not be changed (so that it will still reflect whether the reader
% should understand there to be a stanza break at the bottom of the
% page or not). The second boolean for each case of artificial closure
% reflects whether the |\mark| has been changed or not.
% \begin{macrocode}
\newif\ifrectopoempending
\rectopoempendingfalse
\newif\ifversopoempending
\versopoempendingfalse
\newif\ifrectostanzapending
\rectostanzapendingfalse
\newif\ifversostanzapending
\versostanzapendingfalse
\newif\ifrectostanzastillopen
\rectostanzastillopenfalse
\newif\ifversostanzastillopen
\versostanzastillopenfalse
\newif\ifrectopoemstillopen
\rectopoemstillopenfalse
\newif\ifversopoemstillopen
\versopoemstillopenfalse
% \end{macrocode}
% A further set of booleans is required for emendations and
% explanatory notes. Again the idea is that if a poem is artificially
% closed, but has already had its first emendation or explanatory note
% written to the external notes files, \textsf{poemscol} will remember that
% the next emendation or explanatory note it sees is not the first one
% for that poem and thus won't set the heading information for that
% poem in the notes section all over again.
% \begin{macrocode}
\newif\ifrectoemendationspending
\rectoemendationspendingfalse
\newif\ifversoemendationspending
\versoemendationspendingfalse
\newif\ifrectoexplanationspending
\rectoexplanationspendingfalse
\newif\ifversoexplanationspending
\versoexplanationspendingfalse
% \end{macrocode}
% Counters for parallel texts: New counters are needed, not only for the recto and verso lines, but
% also for the scratch value which determines whether or not it is time to
% output a marginal line number. These are saved at the end of every
% page, and restored at the beginning of every page of the same kind.
% \begin{macrocode}
\newcounter{rectolinecounter}
\setcounter{rectolinecounter}{1}
\newcounter{rectoindexscratch}
\setcounter{rectoindexscratch}{1}
\newcounter{versolinecounter}
\setcounter{versolinecounter}{1}
\newcounter{versoindexscratch}
\setcounter{versoindexscratch}{1}
% \end{macrocode}
% \begin{macro}{\startparalleltexts}
% Clears to a verso (even-numbered) page, fixes where to put line
% numbers, modifies poem and stanza environments, changes where
% marginal line numbers are set, sets the booleans.
% \begin{macrocode}
\newcommand{\startparalleltexts}{%
\leavevmode
\cleartoverso
\paralleltextstrue
\renewenvironment{poem}{\raggedright
\language=255%no hyphenation in verse
\noemendyettrue
\noexplainyettrue
\setcounter{verselinenumber}{0}\setcounter{printlineindex}{0}
\nobreak\begin{verse}
\inpoemtrue\nobreak\mark{\relax}}
% must end poem if parallel text. Don't worry,
% begin recto page and begin verso page will
% reopen the poem and reset the line counter to the right value
% if it was finish recto page or finish verso page
% that closed the poem rather than your own declaration.
{\ifversopoemstillopen
\end{verse}
\inpoemfalse\mark{\relax}
\else
\ifrectopoemstillopen
\end{verse}
\inpoemfalse\mark{\relax}
\else
\end{verse}
\inpoemfalse\mark{\relax}
\goodbreak\afterpoemskip%\bigskip
\fi\fi }
\renewenvironment{stanza}{\penalty-100\instanzatrue\mark{\nostanzaatbottomvalue\ }}
% must end stanza if parallel text. Don't worry,
% begin recto page and begin verso page will
% reopen the stanza and reset the line counter to the right value
% if it was finish recto page or finish verso page
% that closed the stanza rather than your own declaration.
{\ifversostanzastillopen
\relax
\else
\ifrectostanzastillopen
\relax
\else
\nobreak\mark{\stanzaatbottomvalue\ }\nobreak
\ifspeciallinelock%
\relax\else%
\nolinebreak\incrementverselinenumber%
\fi%
\speciallinelockfalse%
\nobreak
\instanzafalse
\stanzaskip
\fi\fi
}
\renewcommand{\putverselinenumber}{\nolinebreak\begin{marginenvironment}%
\nolinebreak
% \marn{\hfil\textrm{\theverselinenumber}}
% \marginpar{\hfil\textrm{\scriptsize\theverselinenumber}}
\pmclleftsidepar{\textrm{\scriptsize\theverselinenumber}}%
\nolinebreak
\end{marginenvironment}%
\nolinebreak
}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\saveversoline}
% Macros for saving and restoring line numbers:
% \begin{macrocode}
\newcommand{\saveversoline}{\setcounter{versolinecounter}%
{\value{verselinenumber}}%
\setcounter{versoindexscratch}{\value{printlineindex}}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\restoreversoline}
% \begin{macrocode}
\newcommand{\restoreversoline}{\setcounter{verselinenumber}%
{\value{versolinecounter}}%
\setcounter{printlineindex}{\value{versoindexscratch}}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\saverectoline}
% \begin{macrocode}
\newcommand{\saverectoline}{\setcounter{rectolinecounter}%
{\value{verselinenumber}}%
\setcounter{rectoindexscratch}{\value{printlineindex}}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\restorerectoline}
% \begin{macrocode}
\newcommand{\restorerectoline}{\setcounter{verselinenumber}%
{\value{rectolinecounter}}%
\setcounter{printlineindex}{\value{rectoindexscratch}}}
% \end{macrocode}
% \end{macro}
% Macros for line cross references:
%
% You will probably want to use line cross references to show which
% lines on the recto page correspond to which lines on the verso page.
% When you do this, you will set, in the margin of a line on the recto
% page, the line number of the corresponding line on the verso side, in
% square brackets. You may mark that line number with a distinctive
% identifier. |\synchroflag| is a token register to hold that
% identifier, and |\setsynchroflag| is a command to put the identifier
% in the register. For instance, if you are setting the 1805 version of
% Wordsworth's \emph{The Prelude} on the verso, and the 1850 version on
% the recto, you might wish to set the ``synchroflag'' to ``1805'' so
% that the line cross reference will look something like ``[1805:
% 147]''.
% \begin{macro}{\setsynchroflag}
% \begin{macrocode}
\newtoks{\synchroflag}
\newcommand{\setsynchroflag}[1]{\synchroflag={#1}}
\setsynchroflag{\relax}
% \end{macrocode}
% \end{macro}
% Here are commands for defining and calling ``synchrolabels'', line
% cross references that tie verso and recto pages:
% \begin{macro}{\synchrolabel}
% \begin{macrocode}
\newcommand{\synchrolabel}[1]{\poemlinelabel{#1}}
\newcommand{\hfilll}{\hskip 0pt plus 1 filll}
\newcommand{\synchroref}[1]{%
\pmclrightsidepar{{\textrm{\scriptsize[\the\synchroflag\ref{#1}]}}}%
% \hfill\rlap{{\textrm{\scriptsize[\the\synchroflag\ref{#1}]}}}
% \ifnum\theprintlineindex=\thelineindexrepeat
% \hspace{-7pt}
% \fi
}
% \end{macrocode}
% \end{macro}
% Finally, the |\startversopage|, |\finishversopage|, |\startrectopage|
% and |\finishrectopage| macros:
% \begin{macro}{\startversopage}
% \begin{macrocode}
\newcommand{\startversopage}{
\ifrectostanzastillopen
\end{stanza}
\rectostanzastillopenfalse
\end{poem}
\rectopoemstillopenfalse
\fi
\ifrectopoemstillopen % from previous page
\end{poem}
\rectopoemstillopenfalse
\fi
\ifversopoempending % from previous verso
\begin{poem}
\global\versopoempendingfalse
\fi
\ifversostanzapending % from previous verso
\begin{stanza}
\global\versostanzapendingfalse
\fi
\ifversoemendationspending
\noemendyetfalse
\global\versoemendationspendingfalse
\fi
\ifversoexplanationspending
\noexplainyetfalse
\global\versoexplanationspendingfalse
\fi
\versotrue\restoreversoline}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\finishversopage}
% \begin{macrocode}
\newcommand{\finishversopage}{
\saveversoline\versofalse\
\ifinpoem
\global\versopoempendingtrue
\versopoemstillopentrue
\fi
\ifinstanza
\global\versostanzapendingtrue
\versostanzastillopentrue
\global\versopoempendingtrue
\versopoemstillopentrue
\fi
\ifnoemendyet
\relax
\else
\global\versoemendationspendingtrue
\noemendyetfalse
\fi
\ifnoexplainyet
\relax
\else
\global\versoexplanationspendingtrue
\noexplainyetfalse
\fi
% \clearpage % keep in comment until footnotes problems are worked out
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\startrectopage}
% \begin{macrocode}
\newcommand{\startrectopage}{
\ifversostanzastillopen
\end{stanza}
\versostanzastillopenfalse
\end{poem}
\versopoemstillopenfalse
\fi
\ifversopoemstillopen
\end{poem}
\versopoemstillopenfalse
\fi
\ifrectopoempending
\begin{poem}
\global\rectopoempendingfalse
\fi
\ifrectostanzapending
\begin{stanza}
\global\rectostanzapendingfalse
\fi
\ifrectoemendationspending
\noemendyetfalse
\global\rectoemendationspendingfalse
\fi
\ifrectoexplanationspending
\noexplainyetfalse
\global\rectoexplanationspendingfalse
\fi
\rectotrue\restorerectoline}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\finishrectopage}
% \begin{macrocode}
\newcommand{\finishrectopage}{\saverectoline\rectofalse
\ifinpoem
\global\rectopoempendingtrue
\rectopoemstillopentrue
\fi
\ifinstanza
\global\rectostanzapendingtrue
\rectostanzastillopentrue
\global\rectopoempendingtrue
\rectopoemstillopentrue
\fi
\ifnoemendyet
\relax
\else
\global\rectoemendationspendingtrue
\noemendyetfalse
\fi
\ifnoexplainyet
\relax
\else
\global\versoexplanationspendingtrue
\noexplainyetfalse
\fi
% \clearpage % until footnote problem is solved
}
% \end{macrocode}
% \end{macro}
% \subsection{~Finishing up}
% \begin{macro}{\finish}
% The |\finish| macro reads in the notes,
% the index (previously created from your .aux file by MakeIndex), and
% the contents sections and sets them. The notes sections send page
% information to the contents file as they are set. Then the page
% information for the index is sent to the contents file. Finally the
% contents file is closed and read in. If you have an editor's
% introduction or a list of abbreviations, copy this macro, uncomment out the commented out lines,
% and issue it all as a |\renewcommand| for |\finish|. Be sure to
% have the command |\label{editorsintroduction}| on the first page of
% your introduction.
% It usually takes three
% passes to get the table of contents and the index files correct.
%
% The consequence of doing using |\finish| is that the table of
% contents comes last. There are ways around this that are described
% earlier. The notes sections are all typeset in the |\small| size.
%
% \begin{macrocode}
\newcommand{\finish}{
\small\bf \hyphenchar\font=45
\small\it \hyphenchar\font=45
\small\rm \hyphenchar\font=45
\ifemendationson
\newpage
\immediate\closeout\emendations
\input \jobname.emd
\fi
\iftextnoteson
\newpage
\immediate\closeout\textnotes
\input \jobname.ent
\newpage
\fi
\ifexplanon
\immediate\closeout\explanations
\input \jobname.enx
\newpage
\fi
\ifindexingon
\printindex
\fi
\ifpoemcontentson
% \immediate\write\poemcontents{\string\vspace{10pt}\string\par}
% \immediate\write
% \poemcontents{\string\contentspoemtitlefont\ Introduction to the Notes}
% \immediate\write
% \poemcontents{\string~ / \string~\ \string\pageref{editorsintroduction} \string\par}
% \immediate\write\poemcontents{\string\par \string\smallskip}
% \immediate\write\poemcontents{\string\contentspoemtitlefont\ Abbreviations}
% \immediate\write
% \poemcontents{\string~ / \string~\ \string\pageref{abbreviations} \string\par}
% \immediate\write\poemcontents{\string\par \string\smallskip}
\ifemendationson
\immediate\write\poemcontents{\string\contentspoemtitlefont\
\the\emendationscontentsname}
\immediate\write
\poemcontents{\string~ / \string~\ \string\pageref{emendationnotes} \string\par}
\immediate\write\poemcontents{\string\par \string\smallskip}
\fi
\iftextnoteson
\immediate\write\poemcontents{\string\contentspoemtitlefont\
\the\textnotescontentsname}
\immediate\write
\poemcontents{\string~ / \string~\ \string\pageref{textualnotes} \string\par}
\immediate\write\poemcontents{\string\par \string\smallskip}
\fi
\ifexplanon
\immediate\write
\poemcontents{\string\contentspoemtitlefont\ \the\explanationscontentsname}
\immediate\write
\poemcontents{\string~ / \string~\ \string\pageref{explanatorynotes}}
\fi
\ifindexingon
\immediate\write\poemcontents{\string\par \string\smallskip}
\immediate\write
\poemcontents{\string\contentspoemtitlefont\ \the\poemindexcontentsname}
\immediate\write
\poemcontents{\string~ / \string~\ \string\pageref{indexpage}\string\par}
\fi
\immediate\closeout\poemcontents
\input \jobname.ctn
\fi
\clearpage
\thispagestyle{volumetitlestyle}
\vspace{106pt}
\begin{center}
{\poemtitlefont Note}
\end{center}
\noindent The symbol \stanzaatbottomvalue\ is used to indicate
a space between sections of a poem
wherever such spaces are lost in pagination.
\cleardoublepage
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\testforauxonfirstrun} Put this in the preamble. It suppresses
% |\finish|, |\puttextnotes|, |\putemendations|, and |\putexplanatory| unless
% there is an .aux file from a previous run, this avoiding some error messages.
%
% \begin{macrocode}
\newcommand{\testforauxonfirstrun}{\IfFileExists{\jobname.aux}{\relax}
{\let\finish=\relax
\let\puttextnotes=\relax
\let\putexplanatory=\relax
\let\putemendations=\relax
\typeout{Run again to read in endnotes files}}}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\putpoemcontents}
% You may wish to do the tasks done by |\finish| separately. This will give you
% more flexibility. |\putpoemcontents| inserts the table of contents file from a
% prior run. Be sure to issue it \emph{before} you issue |\makepoemcontents.|
% \begin{macrocode}
\newcommand{\putpoemcontents}{
\IfFileExists{\jobname.ctn}{\input \jobname.ctn
\clearpage \resetpagestyle\normalsize}
{\typeout{Run again to input contents file here}}
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\hyphenationforsmall} This command restores hyphenation for the
% backmatter sections of the book. Hyphenation is turned off in the main body of
% the book, because verse should not be hyphenated. This macro turns hyphenation
% on, but only for small roman, italic, and bold fonts. Backmatter sections are
% all set in |\small|. |\putemendations|, |\puttextnotes|, and
% |\putexplanatory| all call |\hyphenationforsmall|.
%
% \begin{macrocode}
\newcommand{\hyphenationforsmall}{\small\bf \hyphenchar\font=45
\small\it \hyphenchar\font=45
\small\rm \hyphenchar\font=45
}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\putemendations} This macro closes external file for emendations,
% reads it in, and puts an entry for the emendations into the table of contents
% file. The macro tests to see whether there is an .aux file from a previous run
% before doing this, and complains in the .log file if the .aux file does not
% exist.
%
% \begin{macrocode}
\newcommand{\putemendations}{
\ifemendationson
\newpage
\hyphenationforsmall
\immediate\closeout\emendations
\input \jobname.emd
\ifpoemcontentson
\ifemendationson
\immediate\write\poemcontents{\string\contentspoemtitlefont\ \the\emendationscontentsname}
\immediate\write
\poemcontents{\string~ \string\contentsleaders \string~\
\string\pageref{emendationnotes} \string\par}
\immediate\write\poemcontents{\string\par \string\smallskip}
\fi
\fi
\else
\relax
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\putexplanatory} Does the same for explanatory notes.
%
% \begin{macrocode}
\newcommand{\putexplanatory}{
\ifexplanon
\newpage
\hyphenationforsmall
\immediate\closeout\explanations
\input \jobname.enx
\ifpoemcontentson
\ifexplanon
\immediate\write\poemcontents{\string\contentspoemtitlefont\ \the\explanationscontentsname}
\immediate\write
\poemcontents{\string~ \string\contentsleaders \string~\
\string\pageref{explanatorynotes} \string\par}
\immediate\write\poemcontents{\string\par \string\smallskip}
\fi
\fi
\else
\relax
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\puttextnotes} Does the same for textual notes.
%
% \begin{macrocode}
\newcommand{\puttextnotes}{
\iftextnoteson
\newpage
\hyphenationforsmall
\immediate\closeout\textnotes
\input \jobname.ent
\ifpoemcontentson
\iftextnoteson
\immediate\write\poemcontents{\string\contentspoemtitlefont\ \the\textnotescontentsname}
\immediate\write
\poemcontents{\string~ \string\contentsleaders \string~\
\string\pageref{textualnotes} \string\par}
\immediate\write\poemcontents{\string\par \string\smallskip}
\fi
\fi
\else
\relax
\fi}
% \end{macrocode}
% \end{macro}
% \begin{macro}{\putpoemindex} Reads in the index of titles and first lines
% and adds an entry for the index
% into the table of contents.
%
% \begin{macrocode}
\newtoks{\poemindexname}
\poemindexname={Index of Titles and First Lines}
\newcommand{\changepoemindexname}[1]{\poemindexname={#1}}
\newtoks{\poemindexheadername}
\poemindexheadername={Index of Titles and First Lines}
\newcommand{\changepoemindexheader}[1]{\poemindexheadername={#1}}
\newtoks{\poemindexcontentsname}
\poemindexcontentsname={Index of Titles and First Lines}
\newcommand{\changepoemindexcontentsname}[1]{\poemindexcontentsname={#1}}
\newcommand{\putpoemindex}{\ifindexingon
\printindex
\fi
\ifpoemcontentson\ifindexingon
\immediate\write\poemcontents{\string\par \string\smallskip}
\immediate\write
\poemcontents{\string\contentspoemtitlefont\ \the\poemindexcontentsname}
\immediate\write
\poemcontents{\string~\string\contentsleaders \string~\ \string\pageref{indexpage}\string\par}
\fi\fi}
\newcommand{\putmultiplepoemindex}[4]{%
\ifindexingon
\poemindexname={#2}
\poemindexheadername={#3}
\poemindexcontentsname={#4}
\poemindexlabelname={#4}
\printindex[#1][#2]
\fi
\ifpoemcontentson\ifindexingon
\immediate\write\poemcontents{\string\par \string\smallskip}
\immediate\write
\poemcontents{\string\contentspoemtitlefont\ \the\poemindexcontentsname}
\immediate\write
\poemcontents{\string~ \string\contentsleaders \string~\
\string\pageref{\the\poemindexlabelname}\string\par}
\fi\fi
}
\newcommand{\noteaboutstanzamarkpage}{\begin{volumetitlepage}
%\thispagestyle{volumetitlestyle}
\vspace{106pt}
\begin{center}
{\poemtitlefont Note}
\end{center}
\noindent The symbol \stanzaatbottomvalue\ is used to indicate
a space between sections of a poem
wherever such spaces are lost in pagination.
\end{volumetitlepage}}
% \end{macrocode}
% \end{macro}
% \subsection{~Visual formatting} The ideal in \LaTeX\ is to separate
% content markup and formatting as completely as possible. In the text
% itself you simply mark the logical units (a poem, a title, a stanza,
% a textual note), and a header program like this interprets the
% meaning of those terms typographically. However, one still winds up
% having to do some visual formatting. Sometimes you have to enlarge or
% shrink a page by one line in order to avoid an intractable widow or
% club line, and when one does so one must be careful to do the same to
% the other member of the two-page spread of which that page is a part.
% These commands enable one to wiggle pagelength enough to handle these
% problems.
% \begin{macrocode}
\newcommand{\longpage}{\enlargethispage{\baselineskip}}
\newcommand{\shortpage}{\enlargethispage{-\baselineskip}}
% \end{macrocode}
%
% \subsection{~Special environments: cjquotation and theindex}
% An environment for special prose quotations within verse
% as in ``Chief Joseph of the Nez Perce''
%
% \goodbreak
%
% \begin{macro}{cjquotation}
% \begin{macrocode}
\newenvironment{cjquotation}
{\tolerance=2000%
\vspace{-\bigskipamount}
\restoreverselinenumber
\language=255
\noindent\relax
\list{}{\listparindent 0em%
\itemindent 0em%
\rightmargin 2em%
\leftmargin 2em%
\topsep 0em%
\parskip 0em%
\itemindent \listparindent
\rightmargin \leftmargin
\parsep \z@ \@plus\p@}%
\item[]
}
{\endlist}
% \end{macrocode}
% \end{macro}
% \begin{macro}{theindex}
% And the environment for the index:
% \begin{macrocode}
\newtoks{\poemindexlabelname}
\poemindexlabelname={indexpage}
\newcommand{\changepoemindexlabelname}[1]{\poemindexlabelname={#1}}
\renewenvironment{theindex}
{{\par\clearpage{\pagestyle{volumetitlestyle}\cleardoublepage}
\thispagestyle{volumetitlestyle}}
\makeatletter
\def\pmclidxitem{\par\hangindent 1em}
\fancyhead[RO,LE]{{\small\textrm{\thepage}}}
\fancyhead[CO]{{\small{\em \the\poemindexheadername}}}
\fancyhead[CE]{{\small{\em \the\poemindexheadername}}}
\fancyfoot{}
\label{\the\poemindexlabelname}
\lefthyphenmin=2\tolerance=500\language=0
\normalfont \backmattertextfont
\raggedright
\begin{multicols}
{2}[\backmattersink\begin{center}{\normalfont
\backmatterheaderfont \the\poemindexname}\end{center}
\backmatterafterheadersink]%
\let\item\pmclidxitem}
{\end{multicols}\clearpage}
\makeatother
% \end{macrocode}
% \end{macro}
% Finally, some other miscellaneous environments.
% \begin{macrocode}
\newenvironment{epigraphquote}{\list{}{\rightmargin 1.5em%
\leftmargin 1.5em%
\topsep 0pt%
\partopsep 0pt%
\listparindent 0pt%
}%
\item\relax}
{\endlist}
\newenvironment{volumetitlepagequote}{\list{}{\rightmargin \voladditionalamount%
\leftmargin \voladditionalamount%
\topsep 0pt%
\partopsep 0pt%
\listparindent 0pt
}%
\item\relax}
{\endlist}
% \end{macrocode}
% \Finale
\endinput
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